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John Henry - Big Bill Broonzy



     
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John Henry Lyrics


Yeah!
Johnny told his old Captain
'Man, a-when you go downtown
Bring me back the nine pounds hammer'
I got to drive this steel on down
I got to drive this steel on downYou see, Johnny's hammer
Hit the mighty boiler
The hammer caught on fire
Now, the last word I heard
The poor boy say
'I want a cool drink a-water 'fore I die'
'Yeah, a cool drink a-water 'fore I die'Yeah, Johnny's wife
She heard that Johnny was dead
And she couldn't have stayed in bed
Oh, now Monday mornin'
Caught the eastbound train
She said, I'm g'wine where my man fell dead
'Yeah! I'm goin' where my man fell dead'('Look out!')(harmonica & instrumental)Woo-ha! Woo-ha! Woo!Woo! Woo!(Woo! Lord, have mercy, too)(Ease your mind)(Yeah!)

Johnny's wife, she wore
A brand new dress (say)
And it was trimmed in blue
(Pretty thing)
Yeah, the last were the words
Said to him, oh Lord, now
'Honey, I been good to you'
'Yeah, honey I been good to you'Well, they carried Little John
To the graveyard (boys, listen)
They looked at him good and long
Now, the last were the words
If you hear me, oh Lord
'Oh my husband, he is dead and gone'
That's what she said
She said, 'My husband, he is dead and gone'
'Yeah, my husband he is dead and gone'Yeah, when John Henry was a baby
You could hold him in the paddles of your hand
When everytime they'd rock him, cried
(They say 'He sho' gonna be a little man')
('Yeah, he sho' gon' be a little man')Yeah, who gonna buy yo' pretty shoes then?
And who gonna roll yo' cheek?FADES-She said, 'My daddy gonna buy my pretty lil'
And John Henry gonna roll my cheek
And John Henry gonna roll my cheek
(That what it said)
A-John Henry gonna roll my cheek.~
Songwriters
HYLO BROWNPublished by
Lyrics © Roba Music, Universal Music Publishing Group, SHELBY SINGLETON MUSIC INC Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Big Bill Broonzy (June 26, 1893 – August 15, 1958) was a prolific American blues singer, songwriter and guitarist. His career began in the 1920s when he played country blues to mostly African-American audiences. Through the 1930s and 1940s he successfully navigated a transition in style to a more urban blues sound popular with working class African-American audiences. In the 1950s a return to his traditional folk-blues roots made him one of the leading figures of the emerging American folk music revival and an international star.

Read more about Big Bill Broonzy on Last.fm.


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Big Bill Broonzy