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Juice (Know the Ledge) - Eric B. & Rakim



     
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Juice (Know the Ledge) Lyrics


Sip the juice 'cause I got enough to go around
And the thought takes place uptown
I grew up on the sidewalk where I learned street talk
And then taught to hawk New YorkI go to Queens for queens to get the crew from Brooklyn
Make money in Manhattan and never been token
Go Uptown and the Bronx to boogie down
Get strong on the Island, recoup and lay aroundTime to build my juice back up
Props back up, suckers get smacked up
Don't doubt the clout, you know what I'm about
Knocking niggaz off, knocking niggaz outShaking 'em up, waking 'em up
Raking 'em up, breaking 'em up
Standing on shaky grounds too close to the edge
Let's see if I know the ledgeCorners' trifling 'cause shorty's here
I get cock-d liffin' forty's of beer
Here's a sip for the crew that's deceased
If I get revenge, then they rest in peaceSomebody's got to suffer, I just might spare one
And give a brother a fair one
Stay alert and on "P's"

And I do work with these like HerculesSwitch to southpaw, split your right jaw
'Cause I don't like y'all, I'm hype when night fall
Smooth but I move like an army
Bulletproof down in case brothers try to bomb mePutting brothers to rest like Elliot Ness
'Cause I don't like stress
Streets ain't a place for innocent bystanders to stand
Nutting's gonna stop the planI'll chill like Pacino, kill like DeNiro
Black Gambino, die like a hero
Living on shaky grounds too close to the edge
Let's see if I know the ledge!Shells lay around on the battleground
Dead bodies are found throughout the town
Tried to put shame in my game to make a name
I'm-a put it on a bullet, put it in your brainRip the block like a buckshot
Who cares where it goes, just keep the casket closed
No remorse when a life is lost
I paid my dues- paid the costAnd my pockets are still fat
Wherever I'm at, I get the welcome mat
Even if my crew steep with one deep
I attract attention, people like to peepSo come say hi to the badguy
Don't say goodbye, I don't plan to die
'Cause I get loose and I got troops
And crazy juiceIn control of many like Ayatollah Khomeini
Hang out wit Smith and Wesson, don't try to play me
I'm at war a lot, like Anwar Sadat
But no warning shot, my gun is warm a lotWhen I cook beef, the smoke will never clear
Areas in fear but this here's a fear!
Living life too close to the edge
Hoping that I know the ledgeA brand new morn, no time to yawn
Shower's on, power's on
Late for school, I catch the train
Girls sip, "Cristal" and whisper my nameI push up like an exercise
Check the intellect and inspect the thighs
Select the best one, pull her to the side
Keep her occupied for the rest of the rideRead my resume she's know I'm 'ready cool
Just meet me after school
We can moan and groan until your mom come home
And you be calling me Al "Dope" CaponeSweatin' me, she didn't want to let me loose
Come get me, that's if you want to sip the juice
'Cause the streets await me, so I take my gun off safety
'Cause a lot of niggaz hate meComing out of the building, they set me up
Sprayed wit automatics, they wet me up
In a puddle of blood, I lay close to the edge
I guess I didn't know the ledge

Enjoy the lyrics !!!
Eric B. & Rakim were a hip-hop duo from New York City, New York, United States composed of DJ Eric Barrier (born November 8, 1965) and MC Rakim (born William Michael Griffin Jr.). The duo went on to release 4 studio albums with their 1987, Paid In Full being regarded as one the most influential albums in Hip Hop. In 1988, they released their second album titled, Follow The Leader. They later continued two release two more albums in 1990, Let The Rhythm Hit 'Em and in 1992, Don't Sweat The Technique in which they went on to split in that same year.

Eric B. & Rakim were almost universally recognized as the best DJ & MC duo. Not only was their chemistry superb, but individually, each represented the absolute peak in their respective skills. Eric B. was a hugely influential DJ and beatmaker whose taste for hard-hitting James Brown samples touched off a stampede through the Godfather of Soul's back catalog that continues up to the present day. Rakim, meanwhile, still tops fan polls as the greatest MC of all time. He crafted his rhymes like poetry, filling his lines with elaborate metaphors and complex internal rhymes, and he played with the beat like a jazzman, earning a reputation as the smoothest-flowing MC ever to pick up a mic. His articulation was clear, his delivery seemingly effortless, and his influence on subsequent MCs incalculable. Together, their peerless technique on the microphone and turntables upped the ante for all who followed them, and their advancement of hip-hop as an art form has been acknowledged by everyone from Gang Starr to the Wu-Tang Clan. While certain elements of their sound might come off as slightly dated today, it's also immediately clear how much of a hand Eric B. & Rakim had in leading hip-hop into the modern age.

Eric B. was born Eric Barrier in 1965 in Elmhurst, Queens; his future partner, William Griffin, Jr., was born in 1968 and also hailed from the suburbs of New York, specifically Wyandanch, Long Island. At age 16, Griffin converted to Islam and adopted the name Rakim Allah. Barrier played trumpet and guitar early on, but switched to the turntables in high school, and eventually landed a job as the mobile DJ for radio station WBLS. It was there that he met Rakim, and the two officially formed a partnership in 1985. Their first single -- "Eric B. Is President" (an ode to Barrier's DJ skills) b/w "My Melody" -- was released on the tiny Harlem-based indie label Zakia. It was a street-level sensation during the summer of 1986, and the duo was picked up by the larger 4th & Broadway imprint. The equally monumental singles "I Ain't No Joke" and "I Know You Got Soul" sampled James Brown and his cohort Bobby Byrd, respectively, and their utter funkiness began to revolutionize the sound of hip-hop. Moreover, Rakim's line "pump up the volume" on the latter track was in turn sampled itself, becoming the basis for M/A/R/R/S' hit of the same name.

In 1987, 4th & Broadway issued the duo's full-length debut, Paid in Full; accompanied by a mighty underground buzz, the record climbed into the Top Ten on the R&B LP charts (as would all of their subsequent albums). Additionally, the British DJ duo Coldcut remixed the title cut into a bona fide U.K. smash. The exposure helped make "Paid in Full"'s drum track one of the most sampled beats this side of James Brown's "Funky Drummer"; it provided the foundation for Milli Vanilli's "Girl You Know It's True," among many other, more credible hits. On the heels of Paid in Full, Eric B. & Rakim signed with MCA subsidiary Uni and consolidated their reputation with another landmark hip-hop album, 1988's Follow the Leader. The title cut took its place among the classic singles already in their canon, and Jody Watley soon tapped the duo for a guest spot on her 1989 single "Friends," which brought them into the pop Top Ten for the first and only time.

The 1990 follow-up Let the Rhythm Hit 'Em proved relatively disappointing from a creative standpoint, although 1992's slightly jazzier Don't Sweat the Technique was a more consistent affair that bolstered their legacy. As it turned out, the record also completed that legacy. The duo's contract with MCA was almost up, and they had discussed the possibility of each recording a solo album. Unfortunately, the resulting tension over the future of their partnership ultimately destroyed it. In the aftermath of the breakup, various legal issues prevented both parties from starting their solo careers for quite some time.

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Eric B. & Rakim