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Just Rockin' Lyrics


Each and every day when I come home from school
Like clockwork I go up into my bedroom
I secure the door and it's the moment of truth
I flip on my sound system and let the bass loose
The earthquake bass makes the walls all tremble
A discotheque is what my room resembles
How loud it gets to me it does not matter
I open up the windows so the glass don't shatter
The blast falls off my neighbour's wall
My phone rings of the hook with complaint phone calls
But I just let it ring and I don't go near it
I turn the volume up so that I can't hear it ring
My ear drums rumble my lungs vibrate
I'm in my own world and this realm is great
We rock this power at my command
The decibels exceed the limits human ears can stand
The lower frequency better known as bass
Sitting nice with the treble at a jazzy pace

My neighbours complain they say they can't endure
They form a congregation outside my front door
Mothers who yell saying its too loud
Start banging on my door to turn it down
My response to my mother when she starts knockin
Is come on mum I'm just rockin(rockin)
(ready rock c)This style that's mine is rarely heard
Suddenly there is an opportunity to observe
People gots my rhyme the super computer
The literary genius rhyme ruler of the future
I'm the fresh prince slaying all emcee
So hold the red cup when we take to your knees
Pay home submit you can't defuse my scheme
Cause I'm the fresh prince and this is my regime
To all other rappers you're being subdued
I don't mean to be rude but this is my prelude
This introductory performance has just one plot
A sample jeff and about me and my DJ rocks
I'm not listening to reason so don't try to talk
Do yourself a favour and take a walk
Or I'll amputate your mic and repossess your core
I'm the man salute to the prince the power lord
My friends I'll mangle you if we tangle put my arms in your asophogus and I'll strangle you
I'm the messiah or rhymes the verbal gladiator
I'm like a bomb and my turbo is the detonator
The crown chief of the poetry industry
Vocabulary that to others is a fantasy
highly respected by the public at large
The prince will rock is taking charge
I'm like a tiger in a battle field I'm invincible
You want a battle me man be sensible
I'll never submit to any other emcee
Be a duel to the death either him or me
And as I verbalise to my DJ's cut
If we kill a wack crew or two so what
We just rock itWe just rock it
DJ Jeff
Break 2On each occasion that I perform
The force captures my body like a magical storm
Suddenly I'm rendered helpless in a state of shock
But it is rather abrupt when I start to rock
Adrenalin rushes my ego swells
And the yells of the crowd make my hype excel
My metabolism quickens my body gets sense
That's when I metamorphosise into the royal fresh prince
And as I display all my lyrical beauty
You become a slave as your hype increases
And as I vocalise I can see it in your eyes
You stand up as your enthusiasm levels rise higher and higher beyond the mark of red
You scream oh my to what the prince just said
As my energy is drained from being so crushed
All of a sudden I get another adrenalin rush
It happens each and everytime that my dj spins
More commonly known as my second wind
The spotlights are beaming
You are screaming
From my body all the sweat is streaming
Commanding the stage
And perpetually frayed
Giving my all to the pulse of
One hundred percent everytime I rhyme
When I step off the stage that's when the stop
And that has been the account of the evenings events
Reporting to you live by me the fresh prince
I'm the latest that you heard so you may seem shockin
(what does it all mean)
I'm just rockin
Rockin rockin rockinGo crazy(fresh)

Enjoy the lyrics !!!
DJ Jazzy Jeff & The Fresh Prince was a 1980s and 1990s rap duo. The vocalist of this duo, Will Smith, met Jeff Townes while trying to make a name for himself in West Philadelphia’s local party/rap scene. After joining forces, the team became local celebrities. Philadelphia-based Pop Art Records released their first single, Girls Ain’t Nothing but Trouble, in late 1985, a tale of misadventures with the opposite sex. The song sampled the theme of I Dream of Jeannie. Smith became known for lighthearted, storytelling raps and capable, through curse-free, 'battle' rhymes. Townes was known for his turntable acrobatics, and is credited by many as inventing a style of scratching called "transforming".

Based off this success, the duo were brought to the attention of Jive Records and Russell Simmons’. Their first album, Rock the House, debuted on Jive in the summer of 1987. The band found themselves on their first major tour with Run DMC, Public Enemy, and others, that same year. The album sold about 300,000 units. Their 1988 follow-up hit, He's the DJ, I'm the Rapper made them multi-platinum stars. Mostly recorded in the UK, the album was rap musics’s first double-vinyl LP release (also issued as a single cassette and CD). Parents Just Don’t Understand, the lead-off single, made them MTV household names, and tracks like Brand New Funk was received well by their fans. Rock The House was re-released to gold sales later that year.

Another single, Nightmare on My Street, showcased a fictional confrontation with movie villain Freddy Krueger. Coinciding with the release of the fourth Nightmare on Elm Street film (1988’s "The Dream Master"), New Line Cinema was not pleased. A video allegedly shot for the single was buried, and a disclaimer was hastily included on pressings of the album indicating that the record was not officially affiliated with any of the "Nightmare" films (ironically, Jive Records ended up releasing the soundtrack to the next film in the series, "The Dream Child").

1989 saw the release of And In This Corner..., which sold gold, but saw the duo slip in popularity. The crossover curse of various rap acts had come to pass, as their initial audience felt they had become too accessible; non-crossover rap acts like Big Daddy Kane and Boogie Down Productions had bigger street followings; meanwhile, pop radio had latched on to new faces like Tone Loc and Young MC, while non-radio followers became more enamored with hardcore acts like Ice-T and 2 Live Crew. In a bit of mild irony, the lead single, I Think I Can Beat Mike Tyson, featured the brawler in its video, but shortly after the band’s Grammy performance in 1990, Tyson lost his first fight with Buster Douglas.

Smith would later admit to a spendthrift attitude during this time, becoming near-broke, which led him to feel he had nothing to lose when a TV producer approached him to do a show on NBC. The Fresh Prince of Bel-Air boosted his profile, and pocketbook, giving him the leverage to stage a comeback album, Homebase, in 1991. The platinum album featured the lead-off single Summertime, which has become one of their most enduring hits. Code Red, their last studio LP as a duo, released in 1993 to gold sales. The duo made it to the very top of the Singles charts in 1993 with the single Boom! Shake The Room.

Shortly afterward, Smith began to look at acting full-time; his movie roles increased, finally getting his first lead role in 1995’s Bad Boys. 1996’s Independence Day cemented him as a major draw, and he left the Fresh Prince that same year. Strangely, he and Townes ended up being sued by Jive, who alleged that the duo still owed them albums. In an intervew, Smith has stated that while shooting the Men in Black movie, Smith approached Jive with the "Men in Black" single; they turned him down, saying that it couldn’t be a hit. In the aftermath of the movie and soundtrack’s success, the duo settled the lawsuit out of court. Hence, their Greatest Hits compilation includes two cuts from the M.I.B. soundtrack.

Since then, of course, Smith has released three Columbia/Sony albums under his own name; a separate "solo" hits cd was released in 2003. Jazzy Jeff, meanwhile, recorded an aborted album for Columbia in 1999 (including a song with Eminem), and then independently released The Magnificent in 2002. He has also become an R&B producer of note, overseeing releases by Jill Scott and others.

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Dj Jazzy Jeff & The Fresh Prince