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Keep 'Em Eager to Listen - Eric B. & Rakim



     
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Keep 'Em Eager to Listen Lyrics


Me and the rap's laid back
Nonchalant and relaxed in the track
Put together well, so it ain't hard to tell
Easy to recognize, so my records'll sell
On the microphone, well known with a low tone
Show and prove when the stage show is shown
All you hear is screams when I'm hit by the laser beams
Ladies fiend, rappers are choosin up teams
So who could beat up, just before we meet up
Before I kick a rhyme, I kick my feet up
To let you know, everything's under control
Under surveillance, takin over your soul
So let me handle this, gettin scandalous
All my jams are hits, never plan to miss
Crowd is captured, released at my permission
Peep em, as I, keep em eager to listenOpponents are found paralyzed from the mic down
Left with a little sight ears still hear the sound
Try to clear your mind but it's still there

Give him about a year, then give him a wheelchair
I damage and deteriorate, til your brain dead
No huss cuss what I discuss'll bust his head
Here's some hearin aids when your eardrums fail
You get scars, so you could read it in braille
Close your third eye, then I do body work
And I keep the same procedure til somebody's hurt
My DJ'll sew up cuts like an M.D
And I still move crowds like an M.C
Entertain and tear you out of your frame
Leave you in a puddle of blood, then let it rain
Then I get deep, so try to withstand
On my level to think, or sink like quicksand
He couldn't hang, so I cut the rope short
Watchin em fall, cause they need more support
This is the way that I done, all of my competition
Peep em, as I, keep em eager to listenKeep em eager to listenThe performance I give em is, somethin like a hypnotism
Swingin back and forth, til you can keep the rhythm
At the tone of my voice, you will become
Eager to listen dance in a trance til you see the
R on stage, no cheers, all ears
All three of your eyes on me, so it appears
Just like you thought it would be, but even better
Live and direct on stage, instead of the
Radio or video or studio rehearsin
I'm at my best in the flesh in person
The main attraction, center of attention
The crowd'll go crazy, soon as I mention
It's time to communicate, so let's conversate
I get my point across, when you respond I make sense
So now we could continue the mission
As I, keep em eager to listenAs I, keep em eager to listenI used to always say one day
I'll play in the NBA cause I'll slay
Opponents well, and also excel
As a black quarterback in the NFL
I throw to score so I can hear the crowd roar
Keep em, out of they seats and on the floor
And when I win, it'll pump my adrenaline
My record is undefeated, and I'll win again
I'll never lose or hear boos from the audience
Cause they participate, and applaud me since
I bring em what they want to hear
And they'll fill up the atmopshere
With people that came to party, and have a good time
So when I'm gone, I'm sure, you understood the rhyme
Because I promise to accomplish the mission
Cause I, keep em eager to listen

Enjoy the lyrics !!!
Eric B. & Rakim were a hip-hop duo from New York City, New York, United States composed of DJ Eric Barrier (born November 8, 1965) and MC Rakim (born William Michael Griffin Jr.). The duo went on to release 4 studio albums with their 1987, Paid In Full being regarded as one the most influential albums in Hip Hop. In 1988, they released their second album titled, Follow The Leader. They later continued two release two more albums in 1990, Let The Rhythm Hit 'Em and in 1992, Don't Sweat The Technique in which they went on to split in that same year.

Eric B. & Rakim were almost universally recognized as the best DJ & MC duo. Not only was their chemistry superb, but individually, each represented the absolute peak in their respective skills. Eric B. was a hugely influential DJ and beatmaker whose taste for hard-hitting James Brown samples touched off a stampede through the Godfather of Soul's back catalog that continues up to the present day. Rakim, meanwhile, still tops fan polls as the greatest MC of all time. He crafted his rhymes like poetry, filling his lines with elaborate metaphors and complex internal rhymes, and he played with the beat like a jazzman, earning a reputation as the smoothest-flowing MC ever to pick up a mic. His articulation was clear, his delivery seemingly effortless, and his influence on subsequent MCs incalculable. Together, their peerless technique on the microphone and turntables upped the ante for all who followed them, and their advancement of hip-hop as an art form has been acknowledged by everyone from Gang Starr to the Wu-Tang Clan. While certain elements of their sound might come off as slightly dated today, it's also immediately clear how much of a hand Eric B. & Rakim had in leading hip-hop into the modern age.

Eric B. was born Eric Barrier in 1965 in Elmhurst, Queens; his future partner, William Griffin, Jr., was born in 1968 and also hailed from the suburbs of New York, specifically Wyandanch, Long Island. At age 16, Griffin converted to Islam and adopted the name Rakim Allah. Barrier played trumpet and guitar early on, but switched to the turntables in high school, and eventually landed a job as the mobile DJ for radio station WBLS. It was there that he met Rakim, and the two officially formed a partnership in 1985. Their first single -- "Eric B. Is President" (an ode to Barrier's DJ skills) b/w "My Melody" -- was released on the tiny Harlem-based indie label Zakia. It was a street-level sensation during the summer of 1986, and the duo was picked up by the larger 4th & Broadway imprint. The equally monumental singles "I Ain't No Joke" and "I Know You Got Soul" sampled James Brown and his cohort Bobby Byrd, respectively, and their utter funkiness began to revolutionize the sound of hip-hop. Moreover, Rakim's line "pump up the volume" on the latter track was in turn sampled itself, becoming the basis for M/A/R/R/S' hit of the same name.

In 1987, 4th & Broadway issued the duo's full-length debut, Paid in Full; accompanied by a mighty underground buzz, the record climbed into the Top Ten on the R&B LP charts (as would all of their subsequent albums). Additionally, the British DJ duo Coldcut remixed the title cut into a bona fide U.K. smash. The exposure helped make "Paid in Full"'s drum track one of the most sampled beats this side of James Brown's "Funky Drummer"; it provided the foundation for Milli Vanilli's "Girl You Know It's True," among many other, more credible hits. On the heels of Paid in Full, Eric B. & Rakim signed with MCA subsidiary Uni and consolidated their reputation with another landmark hip-hop album, 1988's Follow the Leader. The title cut took its place among the classic singles already in their canon, and Jody Watley soon tapped the duo for a guest spot on her 1989 single "Friends," which brought them into the pop Top Ten for the first and only time.

The 1990 follow-up Let the Rhythm Hit 'Em proved relatively disappointing from a creative standpoint, although 1992's slightly jazzier Don't Sweat the Technique was a more consistent affair that bolstered their legacy. As it turned out, the record also completed that legacy. The duo's contract with MCA was almost up, and they had discussed the possibility of each recording a solo album. Unfortunately, the resulting tension over the future of their partnership ultimately destroyed it. In the aftermath of the breakup, various legal issues prevented both parties from starting their solo careers for quite some time.

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Eric B. & Rakim