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Keep It Movin' Lyrics


Intro: Busta Rhymes
Aiyo, where my niggas at?
Fuck, my niggas is at?
Where my Leaders Of The New School niggas is at?
Yo, aiyo C Brown, C Brown where the fuck you at, dun?
Aiyo Milo, Milo and the dance, where the fuck you at, nigga?
Aiyo aiyo Dinco, where you at, son?
Where the fuck my Leaders niggas is at, man?
Fuck man, I'm ready to grab my niggas
Them niggas need to go to blow or sometin
Keep it movin', keep it movin' (Runnin faster than the speed of a bullet)
Keep it movin', keep it movin' along, keep it movin' along
(Has more rhymes than any other DJ that has craps)
Keep it movin', keep it movin' (Able to leap sucker MC's in a single bound)
Keep it movin', keep it movin' (Look at the jam of the mic)
Keep it movin' along, keep it movin' along (It's the L-the O-the N-the S)
Verse 1: Dinco, Milo
Three in this to grass it up like me

Besides TNT, see an N and BG
My visionary which is skippin on my D-O-G
I guess it was a S-O-S from G-O-D
Chaos has arisen interteller space souls (SOULS!)
Cellular, good ridance, like keypads wit ol' bass
Third planet states while the rest of the world waits (WAITS!)
Joy to the world, meaning hell, snow and earthquakes
Participates, modulates
If comets were round plates, bitten names gates
For only those that ???? relates, case after case (CASE!)
Dinco's on the next space
Movin strategically in the Solar System's waste (RAHHH!)
Size 25, the lymph still be in place (HAHHH!)
Stretch and extending, for flexin is impending
It's not mind-bending or *?refriending?* to keep remembering (HMMM!)
Cos everybody's people gonna die, or believe (WOO-HOO!)
we dispense necessity, to shout and receive
KEEP IT MOVIN' ALONG
People in the party, are you really feelin?
We ain't seein eye-to-eye so you ain't really seein (SEE!)
I be hippin all type of niggas, sayin fuck that nigga Blow
When they see me in the party, they better act like they know
YO, we connectin dots that makes spots hot
Uhh, to the beat'cha (Y'ALL!), ah ya don't stop (STOP!)
Notice, how many groups can formulate then lose focus
With a lot of hocus pocus, concepts that sound bogus
I'm seein the world and all its different kind of poses (WOO!)
Crush you like roaches, that's keepin the crowd movin (HAA!)
Mr and the dancers, who said "Culture consumin?"
Never face, he ????? ????? and strength
Cos I can terminate, like a dirty hypodermic needle
My vision's clearer than the sights on an eagle
Stop them bustin high, bring the head back to my table
Don't front, circle circle, dot dot, you catch your speed, not
Feel that, cos this type of vibe sounds done
(Far from the...., to the doe-run-run-run to the doe-run-run)
(YES!) Yes to the beat-boys and your ass accepted
Exclusive, L-O-N-S bringin the ruckus, wild aggressive
Chorus:
Keep it movin' along, keep it movin' along
Keep it movin', keep it movin', keep it movin'
Keep it movin' along, keep it movin' along
Verse 2: Charlie Brown, Busta Rhymes
Now don't get me wrong, CHILL!!!
Let me out, no question, no doubt
????? god is a drought
I've come to wet the party like a tropical depression
????? mixed with scherm for this musical session
(STOP!) stressin, testin, second-guessin, who's 'fessin?
Life is a lesson in disguise like a blessin
Blinkin, kickin, better back up chickens
The guns stun split, I keep it real, front *?worm?* (*?WORM!?*)
Cos I'm like a ???? hands therapeutic
Measurements, square, feet, and cubic
We're all makin pennies off a record, so who needs the paper? (WHO?)
The man in Manhatten lampin in the skyscrapers
How much can a nigga take before he break fool?
I tell ya cool, with the New School
And the tool to examine my unorthodox pattern
>From Mercury, Venus, Earth, Mars, Jupiter and Saturn
and don't forget Uranus, Neptune and Pluto
Flow deeper than the lava inside a volcano, bro
(Never snitch, never dominate
I'll be wild, smokin drowsy)
Fuckin up my economics, is it rather ironic
Sippin gin, juice and tonic
Like Shawn Kemp with some hemp, super sound and sonic
Baby, above your head, below your feet and it still wimp
C-Boogie Brown, my shit is brilliant
Yah yah, yah (AHH!)
My shit be so ginamic
and I'ma take 4 steps and cross the whole Titanic
Better believe I (KEEP!) movin (OVER!) people ?????
You know my crew funk, bringin in full flaga'
Bringin it back like I'm fresh out the box, pair of broke ass 69ers
(IS THERE NUTTIN NEW?) All in the house so open up your blinders
Yo, I be the Moses takin poses
When the wine flows so beautiful like a large bouquet of roses
Chorus:
Keep it movin' along, keep it movin' along
Keep it movin', keep it movin'
Verse 3: Busta Rhymes
Keep it movin now
No need to try to stop it, we gon' wreck shit anyhow
Your, limitations is somethin I never will allow
When we bake the cake, I be that nigga that brings the icing
Disregard your whole identity and revoke your driver's licence
You know I blast in your ass real fast
Got your bladder burning, desperate for a bathroom pass
My ????? like a Busta Rhymes statue made of grass
C'mon, hypnotise some ass, shit so hot, better jump in the water, nigga
(SPLASH!)
Breakin fools at parties like a ruckus sound class
Make a philly down the back and mix the weed with more hash
I will wash away your pain like Draino
Erupting like the angriest volcano, or the wickedest whirlwind and tornado
We stay up in the streets, cruisin, me and my whole crew, gotta.......
Chorus:
Keep it movin' along
Keep it movin', keep it movin', keep it movin'
Keep it movin' along, keep it movin' along
Keep it movin', keep it movin', keep it movin', keep it movin'
Keep it movin' along, keep it movin' along
Keep it movin', keep it movin', keep it movin', keep it movin'
Keep it movin' along, keep it movin' along
Keep it movin'
Outro:
This one goes out
to the three brothers that I love the most, in memory of this song
My man Ratto, my man Big Joe, my nigga Love
Them niggas rest, most comfortable
Peace, L-O-N-S, forever

Enjoy the lyrics !!!
Naledge (Jabari Evans) and Double O (Michael Aguilar) are Kidz in the Hall.

In the spring of the year 2000, two students who met at a University of Pennsylvania talent show realized they had tremendous musical chemistry and decided that they wanted to make music together.

When Chicago native Jabari Evans began developing his literary gift in elementary school, he'd write short stories, poems, and things of the like. As Evans drew toward hip-hop, a fateful meeting convinced him that he had a bright future as an MC. During a recruitment visit to the University of Pennsylvania he decided to enter a talent competition and perform a freestyle rap. Afterwards, many of the students urged Evans to introduce himself to Michael Aguilar aka DJ Double-O, a track star from New Jersey who had honed his DJing skills in high school and at the time was starting to get into producing beats. Evans, then known as J-Naledge, impressed Aguilar during their time together, and before Evans entered for his freshman year at Penn, Naledge and Double-O formed a partnership that eventually spawned the Kidz in the Hall.

“The reason why we make dope music is because our music isn't forced or filtered. Musically, we are two like minded individuals and we strive to make a unique sound that is unordinary but portrays the lives of ordinary people,” says the 20 year old Naledge while lounging in a studio chair. “Hip Hop is like literature and not everybody is interested reading the same things. The rap game is full of either cheap comic books or people pretending to be Shakespeare no one is providing “A Raisin in the Sun” –like shit anymore. To me, ordinary people provide some of the most masterful and relatable stories.”

After the summer of 2000 Naledge and Double-O began to put their resources together in efforts to begin to record songs together. After creating a makeshift studio inside of an off-campus apartment, The duo began making demo CD's together and performing local shows on the Pennsylvania and New Jersey underground hip hop scene. After building a strong buzz they are now poised to not only resurrect hip-hop that they grew fond of growing up as children of the late 80's and early 90's, but create what they perceive to be the “perfect album”.

“The most critical part of this album is going to be the sound of the beats,” says Double-O. “If I cannot provide the perfect landscapes for his (Naledge's) words, no one will pay attention. His sound and my sound somehow became the same sound. That's what makes our group different. I am assured we will be successful for that reason.”

Although the Kidz were poised to get a record deal on their own, once Super-Producer Just Blaze publicly laid his claim on the group industry heads turned. “Not only does he dig the music but he understands us ,” says Double O. “He's the most forward thinking music producer that I know and for us to be around him and get his stamp on our music is a blessing. When the right deal is presented we will do a joint venture with Fort Knocks (Just's label imprint).”

Kidz in the Hall are looking to become one of hip-hop's most admired acts ever, destined to leave a legacy of artistic brilliance. Double O and Naledge, the producer/DJ and lyricist/MC, are reviving a format that Gangstarr, Pete Rock and CL Smooth and Run DMC established as the set standard in early-'90s hip-hop. With their debut release, “ The Broke Diaries ” (Executive Produced by Just Blaze), they hope to wow both listeners and critics alike with DJ-style beatmaking and jazzy sounds, and insightful, conscious lyrics that aim to touch upon the everyday struggles of life.

Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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