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Kick Along - Eric B. & Rakim



     
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Kick Along Lyrics


Kick along
Kick along
Kick alongIf you like it acapella
Soul clap will be sweet
Almost complete
Feel the impact when it hit the street
But uh, it sound thicker when I kick it wit a beat
See I can let it speak for itself
But every now and then, I need a little help
Guess who, to the rescue? Comp
Ripping up comp, I step and then stomp
A spark scam'll skin the land like it's a Timberland
Prepare the stage for Rakim to stand
Then I pick a song, grab the mic, click it on
Time to get it on, kick along
See if you can move to the words I speak
Pick up on a rhythm (kickin' wit da beat)
My mentallect gets warm

Feed into your physical form
You can't keep calm
Get fit to the skit, try to hop on
Get up to the trick as I flip the script
You're feeling rust like a thrust of an arrow, plus
You're looking through the eye of a barrel, Bus
Emergency! Take him to the operating room
Put him on the floor, let his heart feel the boom
React to the wrath of a brand new songThen kick along
Kick along
Kick along
Kick along
Kick along
Kick alongA kick is a hip wit hop
A pep wit step like the floor is hot
I project a lot so you can use every kick you got
But don't forget, don't kick when I stop
I'm something like Simon says
As I'm pumping hype rhymes in your heads
The mic's a remote control and I'm pointing it at cha
When I push buttons, you're gonna have ta
Break straight to the floor
'Cause I'm a make more
Each one's composed in the shows
And each one flows, how long, nobody knows
And whoever try to take 'em, I'm a break 'em
Drag it out of him, dehydrate 'em
The beat makes the beat in your heart accelerate
Your pulse is a drum roll, it's too late to wait
A pen'll send adrenaline to ten
If then begin to blend the smooth that's sent
That's to prevent you from getting asthma
You try to keep up, because, the cut has ya
Blood pressure to the point, never stops a drop
Putting stain in the veins in the brain, ya blood clots
Too quick to pause it, you almost lost it
So kick along to you're all exhausted
And look what my data made! my power'll never fade
I keep it energetic, or hype as GatoradeNow kick it wit a beat
C'mon, kick along
Kick along
Kick along
Kick alongThey can't wait to kick steps to this
So I make a skit just for kicks
Syncopated, pausing though
Innovated 'cause the flow
Melodic and melodramatic styles occur
Like a choreographer, my mind's a photographer
Making music visible for the individual
That gets visual
What I manifest you express on the dance floor
Pants get torn when the jam is on
'Cause I kick rhymes until the rhymes kick back
It's hard to kick that, where did'cha get that
Here's the concept, part of you're concert
Expect the expert to perfect and do work
Don't stop the song 'til I'm gone
Keep getting it on, kick it off with the hornsKick along
Kick along
Kick along
Kick it wit a beat

Enjoy the lyrics !!!
Eric B. & Rakim were a hip-hop duo from New York City, New York, United States composed of DJ Eric Barrier (born November 8, 1965) and MC Rakim (born William Michael Griffin Jr.). The duo went on to release 4 studio albums with their 1987, Paid In Full being regarded as one the most influential albums in Hip Hop. In 1988, they released their second album titled, Follow The Leader. They later continued two release two more albums in 1990, Let The Rhythm Hit 'Em and in 1992, Don't Sweat The Technique in which they went on to split in that same year.

Eric B. & Rakim were almost universally recognized as the best DJ & MC duo. Not only was their chemistry superb, but individually, each represented the absolute peak in their respective skills. Eric B. was a hugely influential DJ and beatmaker whose taste for hard-hitting James Brown samples touched off a stampede through the Godfather of Soul's back catalog that continues up to the present day. Rakim, meanwhile, still tops fan polls as the greatest MC of all time. He crafted his rhymes like poetry, filling his lines with elaborate metaphors and complex internal rhymes, and he played with the beat like a jazzman, earning a reputation as the smoothest-flowing MC ever to pick up a mic. His articulation was clear, his delivery seemingly effortless, and his influence on subsequent MCs incalculable. Together, their peerless technique on the microphone and turntables upped the ante for all who followed them, and their advancement of hip-hop as an art form has been acknowledged by everyone from Gang Starr to the Wu-Tang Clan. While certain elements of their sound might come off as slightly dated today, it's also immediately clear how much of a hand Eric B. & Rakim had in leading hip-hop into the modern age.

Eric B. was born Eric Barrier in 1965 in Elmhurst, Queens; his future partner, William Griffin, Jr., was born in 1968 and also hailed from the suburbs of New York, specifically Wyandanch, Long Island. At age 16, Griffin converted to Islam and adopted the name Rakim Allah. Barrier played trumpet and guitar early on, but switched to the turntables in high school, and eventually landed a job as the mobile DJ for radio station WBLS. It was there that he met Rakim, and the two officially formed a partnership in 1985. Their first single -- "Eric B. Is President" (an ode to Barrier's DJ skills) b/w "My Melody" -- was released on the tiny Harlem-based indie label Zakia. It was a street-level sensation during the summer of 1986, and the duo was picked up by the larger 4th & Broadway imprint. The equally monumental singles "I Ain't No Joke" and "I Know You Got Soul" sampled James Brown and his cohort Bobby Byrd, respectively, and their utter funkiness began to revolutionize the sound of hip-hop. Moreover, Rakim's line "pump up the volume" on the latter track was in turn sampled itself, becoming the basis for M/A/R/R/S' hit of the same name.

In 1987, 4th & Broadway issued the duo's full-length debut, Paid in Full; accompanied by a mighty underground buzz, the record climbed into the Top Ten on the R&B LP charts (as would all of their subsequent albums). Additionally, the British DJ duo Coldcut remixed the title cut into a bona fide U.K. smash. The exposure helped make "Paid in Full"'s drum track one of the most sampled beats this side of James Brown's "Funky Drummer"; it provided the foundation for Milli Vanilli's "Girl You Know It's True," among many other, more credible hits. On the heels of Paid in Full, Eric B. & Rakim signed with MCA subsidiary Uni and consolidated their reputation with another landmark hip-hop album, 1988's Follow the Leader. The title cut took its place among the classic singles already in their canon, and Jody Watley soon tapped the duo for a guest spot on her 1989 single "Friends," which brought them into the pop Top Ten for the first and only time.

The 1990 follow-up Let the Rhythm Hit 'Em proved relatively disappointing from a creative standpoint, although 1992's slightly jazzier Don't Sweat the Technique was a more consistent affair that bolstered their legacy. As it turned out, the record also completed that legacy. The duo's contract with MCA was almost up, and they had discussed the possibility of each recording a solo album. Unfortunately, the resulting tension over the future of their partnership ultimately destroyed it. In the aftermath of the breakup, various legal issues prevented both parties from starting their solo careers for quite some time.

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Eric B. & Rakim