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Ladies - Sarai



     
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Ladies Lyrics


[Sarai]
Yeah.. c'mon!
Yeah, whoa, yeah, c'mon
Yeah, whoa, yeah - shake it
Yeah - shake it, yeah - shake it
Yeah - shake it, yeah - shake it
Yeah - shake it, yeah - shake it
Yeah - shake it, yeah![Verse One]
Hey Mr. DJ, turn the music up loud
And everybody report to the dancefloor now
Line 'em up cause we bouts to get down
Off the chain like they do it in the South
Everybody just havin a good time
Got my eyes on the guys that's here, they so fine
That's right, Sarai can get it krunk
How much junk you got in that trunk?
Come out the house, get on the street
Hear Cee-Lo, let out the 'Closet Freak'

Act a fool, you can do what you want
Get loose cause the track be that funk
Groove to the bump[Interlude]
Just break it down
Make the truck wobble with an extra bounce
Make it touch the ground and then RAISE IT UP
Like the garbage men do it with the dump truck[Chorus]
Ladies, hands up
Let me see you shake your stuff
A-be -see and D cups
Little bitty to big ol' butts
Fellas, hands high
Let me see you work it out one time
Put your body a-gainst mine
Come on baby, griiiiiiind[Verse Two]
Uh-oh, here we go!
Time to shake that ass on the danceflo'
Jiggle that thing like Jell-O
All my rich chicks, and the girls in the ghetto
Throw it up, get krunk
Ball, 'til you fall, that's right
In the club or either bump in your ride
Slim or big-boned, don't matter yo' size
Don't matter if you black or white
All shapes and sizes spread love worldwide
How many of y'all the same color inside
So why divide? I mean there's no reason why
East coast, to the Westside
Midwest to the South we tiiight
That's fo'sho yo please believe
I'ma stay bein me ain't no changin me
Like, Trick see, "I luh da kids"
So I gotta look out for as long as I live
I'm tryin to be the best thing comin out this year
Sarai keep it trill and that's what's real
But for now[Interlude][Chorus] - repeat 2X[Verse Three]
Tube, tops, T, shirts
Blue, jeans, mini, skirts
Overtime, make it work
Wobble that ass 'til the thing hurt
Wife, beaters, throw, backs
Fitted caps, bucket hats
No matter where you from, where you at
Shake that shit like how you love dat
E-e-everybody get your boogie on
Party all night to the break of dawn, c'mon
Put your hands in the air
And wave 'em all around like ya just don't care yea
Front to the back over there
V.I.P. area, ballers upstairs
Get buck, stand on top of chairs
To the top of the lungs and let me hear OH YEAHH[Interlude][Chorus] - repeat 2X

Enjoy the lyrics !!!
A native of upstate New York, Sarai may have been weaned on MTV in the 1980s, but by the 1990s she had turned to rap and hip-hop as her life's soundtrack. A fascination with words meant that Sarai wrote poetry from an early age, but it was only when she was a teenager that she first rhymed to a beat while gossiping with her girlfriends.

After a chance meeting with producer L.J. Sutton (a.k.a. Chocolate Starr) in Atlanta, Sarai was on her way to the big leagues. Sarai's potential and sex appeal led to her getting snapped up by Epic Records, making her the first white female rapper to have a major recording contract.

Sarai Howard was born in 1981, and grew up in Kingston, New York, a working-class city in upstate Ulster County. Sarai, along with her older brother Michael, was raised by her mother Teresa in a single-parent household. The family moved repeatedly, and Sarai attended many different local schools and held down dozens of part-time jobs.

Teresa's musical interests included The Police and Fleetwood Mac, and for a while, Sarai's taste in tunes mirrored her mother's. "I'm a straight MTV baby," Sarai later explained.

But it was Sarai's brother, more a fan of genre pioneers Public Enemy, Run-D.M.C. and NWA, who first introduced her to rap and hip-hop. Soon Sarai was into Jay-Z, Tupac and Notorious BIG. Meanwhile, by the time Sarai was in high school, she was acting in plays, singing in the choir, and writing poetry.

When Sarai was 15, she improvised a joke rhyme about some of the other girls in their town while hanging out with her friends. Sarai's rapping continued as a hobby for a few years after that, as she was finishing high school and making plans to attend a community college in Kingston.

At 17, when Sarai and one of her friends were vacationing in Atlanta, Sarai was discovered. Sarai's friend struck up a conversation with some men at a gas station; when they said they worked at a nearby recording studio, Sarai impressed them with her flow, and was taken to meet producer L.J. Sutton, a.k.a. Chocolate Starr.

Before long, Sarai was traveling to Atlanta regularly for meetings and demo recordings.

In 2000, she moved south permanently to chase her dream of being a rapper. After two more years of laying the groundwork, Sarai landed a deal with Epic Records, becoming the first white female rapper to be represented by a major label.

In 2003, Sarai released her debut album, The Original, featuring the singles "Pack Ya Bags" and "Ladies." Radio DJs quickly took to calling her "Feminem," referring to the trailblazing Eminem. "I don't like it," commented Sarai at the time, "but I like him."

Although "Pack Ya Bags" and "Ladies" had some chart success, critics and fans were lukewarm about Sarai's talent. She couldn't quite shake her reputation as a novelty act -- a white girl in an industry dominated by black men.

More recently, Sarai has tried her hand at acting, taking a role in National Lampoon's Pledge This!.

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Sarai