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Lit From Below - Dirty Projectors



     
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Lit From Below Lyrics


You are my fire
The one desire
Believe when I say
I want it that way
When we are two worlds apart
Can't reach to your heart
When you say that I want it that way
Tell me why
Ain't nothing but a heartache
Tell me why
Ain't nothing but a mistake
Tell me why
I never wanna hear you say
I want it that way
Am I your fire
Your one desire
Yes I know
It's too late

But I want it that way
Tell me why
Ain't nothing but a heartache
Tell me why
Ain't nothing but a mistake
Tell me why
I never wanna hear you say
I want it that way
Now I can see that we're falling apart
From the way that it used to be, yeah
No matter the distance I want you to know
That deep down inside of me
You are my fire
The one desire
You are (You are)
Don't wanna hear you say
Ain't nothing but a heartache
Ain't nothing but a mistake
(Don't wanna hear you say)
I never wanna hear you say
(Oh yeah)
I want it that way
Tell me why
Ain't nothing but a heartache
Tell me why
Ain't nothing but a mistake
Tell me why
I never wanna hear you say
(Don't wanna hear you say)
I want it that way
Tell me why
Ain't nothing but a heartache
Ain't nothing but a mistake
Tell me why
I never wanna hear you say
(Don't wanna hear you say)
I want it that way
Cause I want it that way..

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Dirty Projectors are an experimental pop group led by singer/songwriter and multi-instrumentalist Dave Longstreth which formed in 2002 in Brooklyn, New York, United States. The current lineup of Dirty Projectors is Dave Longstreth (vocals, multiple instruments), Amber Coffman (vocals, guitar), Nat Baldwin (bass), Mike Johnson (drums), and Haley Dekle (vocals). Angel Deradoorian (vocals, keyboard) went on an indefinite hiatus from the band in 2012.

Based in Bedford-Stuyvesant, Brooklyn with connections to the Portland, OR music scene, the group has produced a distinctive sound of electronic experimentation, melded with traditional instruments and harmonically complex vocals. Their recordings range from Prince-style one-man-recording-studio productions (The Glad Fact), to arranged orchestrations (the "Slaves' Graves" half of Slaves' Graves & Ballads), to basic voice over nylon-string guitar (the "Ballads" half of the aforementioned) to an amalgamation of all these tactics (the 'glitch opera' of The Getty Address and the mixed nature of New Attitude EP). Throughout, Longstreth's aggressively melodic vocals provide a consistent identity for otherwise widely divergent approaches to pop music. Longstreth claims influences ranging from Don Henley to Mariah Carey. The former's influence is most easily seen in The Getty Address album, which is a conceptual opera written from the point of view of Henley as a Spanish Conquistador, though the latter's vocal gymnastics clearly provide a clue to Longstreth's approach. Longstreth's latest album, Rise Above, is an attempt to re-imagine the lyrics of Black Flag's Damaged album from memory over complex music that sees influence from the contemporary African blues and funk of such artists as Ali Farka Toure and Konono No. 1.


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Dirty Projectors