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Love - Mos Def



     
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Love Lyrics


They say the goodness in life
Belongs to those who believe
So, I believe, yes
I start to think, and then I sink
Into the paper, like I was ink
When I'm writing I'm trapped in between the line
I escape when I finish the rhyme
(Aiyyo)
I start to think, and then I sink
Into the paper, like I was ink
When I'm writing I'm trapped in between the line
I escape when I finish the rhyme
(Aiyyo)
My pops said he was in love when he made me
Thought about it for a second, wasn't hard to see
I could hear he was sincere, was a game of promotion
The entire affair's probably charged wit emotion
But love call your heart, I guess you got to pursue

12-11-73 my life is testament
Praise the beneficent, element that rest
Devoid in the form that make love manifest
I spent my early years in Roosevelt Project
It was a bright valley wit some dark prospects
In '83, Venny C was the host wit the most
I listened to the Rap Attack and held the radio close
I listened to the Rap Attack and held the radio close
This is far before the days of high glamor and pose
Aiyyo power from the street light made the place dark
I know a few understand what I'm talkin' about
It was love for the thing that made me wanna stay out
It was love for the thing that made me stay in the house
Spendin' time, writin' rhymes
Tryin' to find words that describe the vibe, that's inside the space
When you close yo' eyes and screw yo' face
Is this the pain of too much tenderness
To make me nod my head in reverence
Should I visit this place and remember it?
To build landmarks here as evidence
Night time, spirit shook my temperament
To write rhymes that portray this sentiment
We live the now for the promise of the infinite
We live the now for the promise of the infinite
And we believe in the promise
(Love, love, love)
Yes yes, y'all and we don't stop because
I start to think, and then I sink
Into the paper, like I was ink
When I'm writing I'm trapped in between the line
I escape when I finish the rhyme
(Aiyyo)
I got love, L O V E and I be
Love, L O V E to MC
Get love, L O V E and I be
Love, L O V E I MC
Get love, L O V E and I be
Love, L O V E to MC
Get love, L O V E and I be
The M O S D E F initely
Check it out y'all, feel me out y'all
Feel me out y'all, hear my out y'all
Check me, out y'all
Feel me out y'all, check it out y'all
Now hear out y'all
(Bounce)
Check me out y'all, feel me out y'all
Check me out y'all, feel me out y'all
Feel me out y'all
(Hear me bounce y'all)
Check me out y'all, check it out y'all
My folks said they was in love when they had me
I take they love they made me wit to make rhymes and beats
(Can you feel?)
The raw deal, it's all wheel-driven
Contemplate the essence of beats, rhymes and living
Speech in line wit the rhythm, designed wit the rhythm
Ears and eyes keepin' good time wit the rhythm
I shine wit the rhythm, the Black Star Gallactica
Big number fleetin', we ancient like the Abbacca's
After us, I see most proceed to be trees
Sproutin' leaves, given breeze to the we who believe
I MC, which means I must cultivate the earth
Back straight backs, hard beats and hard work
I be the funky drummer to soften the hard earth
(Amen)
Pray Allah keep my soul and heart clean
(Amen)
Pray the same thing again for all my team
This go out to Fort Greene and on out to Queens
Uptown to Boogie Down, yo just look around
And shook up the world, like Ali in 6-3
(Right)
I'm reachin' the height that you said cannot be
I'm bringin' the light but you said we can't see
Saw the new day commin', and it look just like me
Some burst through the clouds, my photo ID
I bring light to your day and raise yo' degree
The Universal Magnetic, you must respect it
From end to beginning, [unverified] true and livin'
Every changing, it was a state of magnificent
Building it now for the promise of the infinite
Building it now for the promise of the infinite because
I start to think, and then I sink
Into the paper, like I was ink
When I'm writing I'm trapped in between the line
I escape when I finish the rhyme
(Aiyyo)
I got love, L O V E and I be
Love, L O V E to MC
Get love, L O V E and I be
Love, L O V E to MC
Get love, L O V E and I be
Love, L O V E to MC
Get love, L O V E and I be
The M O S D E F initely

Enjoy the lyrics !!!
Dante Terrell Smith (born December 11, 1973 in Brooklyn, New York, United States), now known by the stage name Yasiin Bey (formerly Mos Def), is a Grammy Award-nominated rapper and actor. He now works under the nom de plum Yasiin Bey, and has performed under the aliases Mighty Mos Def, The Freaky Night Watchman, Boogie Man, Black Dante and Pretty Flaco. He began rapping in a group called Urban Thermo Dynamics in 1994, and then formed the duo Black Star with Talib Kweli in 1998. As a solo artist he has released the albums Black on Both Sides in 1999, The New Danger in 2004, True Magic in 2006 and The Ecstatic in 2009. Initially recognized for his musical output, Mos Def's screen work since the early 2000s has established him as one of only a handful of rappers who have garnered critical approval for their acting work.

Rap career:
Mos Def began his performing career on the television show The Cosby Mysteries in 1994. In 1994, Mos also began his music career, forming the short-lived group Urban Thermo Dynamics (UTD) with his younger brother DCQ and his younger sister Ces. Despite being signed to Payday Records, the group only released two singles and the group's debut album, Manifest Destiny, did not see the light of day until 2004 when released through Illson Media. In 1996 he emerged as a solo artist, working with De La Soul and Da Bush Babees before releasing his own first single, "Universal Magnetic" which was a huge underground hit. After signing with Rawkus Records, he and Talib Kweli released a full length album under the band name Black Star, entitled Black Star. It was released in 1998, with Hi-Tek producing most of the tracks. Mos Def released his solo debut, Black On Both Sides, in 1999. Filled with tracks raving about his hometown, Brooklyn and his love for hip-hop, Black on Both Sides also deals with racial profiling of Black men in America, with the track Mr N**ga. Mos Def was also featured on Rawkus' influential The Lyricist Lounge and Soundbombing series compilations. After the collapse of Rawkus, Def along with Kweli signed on to Interscope/Geffen Records, who released his second album The New Danger in 2004. In early 2005 Mos Def was rumored to join Jay-Z's Roc-A-Fella record label, but this was later denied by the artist himself claiming "Jay-Z and Roc-A-Fella would never allow me to release songs I plan on putting out there. I ain't down with that commercial non-sense. I'm about to deal with the fake with my next album, from George Bush to 50 Cent." But, after making that comment, Mos Def was featured rapping on a SUV commercial, endorsing the GMC Denali. Mos Def is projected to release his last solo album on Geffen Records, The Undeniable Free Flaco in early 2006. His 4th studio album The Ecstatic was released June 9, 2009 on Downtown Records. It serves as Mos Def's second highest charting album to date. Upon its release, The Ecstatic received general acclaim from most music critics, and it earned Mos Def a Grammy Award nomination for Best Rap Album. Rolling Stone magazine named it the seventeenth best album of 2009.

Impact on hip-hop
The artistic boundaries of hip-hop and rap music had been redefined by artists such as Brand Nubian, De La Soul, and Public Enemy, whose music was more thematically sophisticated and socially conscious than that of their predecessors. By the early 1990s however, this brand of rap had been eclipsed in popularity by gangsta rap. Socially aware rap music (alternative hip hop) has experienced something of a renaissance in the late 1990s and now the 2000s, in part due to artists such as Mos Def, Talib Kweli, Common, The Roots and others. "Mos Def & Talib Kweli Are … Blackstar" Mos Def's collaboration with Talib Kweli was released during the aftermath of the deaths of 2Pac and The Notorious B.I.G. sparking a rebirth of "aware" and "intelligent" hip-hop. Def's music often references his Islamic faith and his contention that black artists receive little credit for their role in the birth of rock and roll music.

On Mos Def's 2004 album The New Danger, the rapper took his penchant for experimentation to a new level. Most of the songs were more hip-hop flavored stylings of blues and rock, with few actual raps thrown in. This threw off fans who were expecting another full-blown rap album. The New Danger also featured the controversial song "The Rape Over", a parody of Jay-Z's The Blueprint hit "The Takeover":

old white men is runnin this rap shit
corporate forces runnin this rap shit
some tall israeli is runnin this rap shit
we poke out our asses for a chance to cash in
cocaine, is runnin this rap shit
'dro, 'yac and e-pills is runnin this rap shit...
mtv is runnin this rap shit
viacom is runnin this rap shit
aol and time warner runnin this rap shit...
quasi-homosexuals is runnin this rap shit

The lyrics would seem to have chafed with higher-placed executives, who made Mos take the song off of later releases of the album, supposedly for "sample clearance issues".

In September 2005, Mos Def released the single "Katrina Clap" (utilizing the instrumental for Juvenile's "Nolia Clap"), a critical reaction to the lack of response by the Bush administration to the Hurricane Katrina disaster. He probably chose the "Nolia Clap" instrumental because the rapper Juvenile hails from New Orleans, and the song was a hit in the New Orleans area before the hurricane.

Mos Def also collaborated with Kanye West on West's track named "two words" and appeared in the music video.

Acting career
The first years of the 2000s have established Mos Def as a notable actor. His performances in Brown Sugar, Monster's Ball, and the HBO made-for-TV film Something The Lord Made have been particularly acclaimed by critics. Having been nominated for several awards, Mos finally broke through, winning Best Actor, Independent Movie at the 2005 Black Reel Awards for his portrayal of Sgt. Lucas in The Woodsman. He also landed the role of Ford Prefect in the long-awaited 2005 movie adaption of The Hitchhiker's Guide to the Galaxy. Notably, in 2002 he played the role of Booth in Suzan-Lori Parks' Topdog/Underdog, a Tony-nominated and Pulitzer-winning Broadway play. He has also been a musical guest and participated in many skits on Comedy Central's Chappelle's Show.

In 2004, he hosted the MOBO awards in London, after the original presenter, Pharrell Williams pulled out at the last minute.

He has been the host of the award-winning spoken word show Def Poetry Jam since its inception. The show's sixth season aired in February 2007.

Discography
* 1998 Black Star (released with Talib Kweli under the name Black Star) Priority Records
* 1999 Black on Both Sides Rawkus Records
* 2004 The New Danger Geffen
o nominated for Best Urban/Alternative
Performance, 47th Annual Grammy Awards
* 2006 TRUE MAGIC
* 2009 The Ecstatic Downtown Records
* 2010 Mos Dub

Selected Filmography
* Cadillac Records (2009)
* Be Kind Rewind (2008)
* Talladega Nights (2006) (a quick cameo)
* Dreamgirls (2006)
* Bobby (2006)
* The Brazilian Job (2006) (pre-production)
* 16 Blocks (2006)
* The Hitchhiker's Guide to the Galaxy (2005).
* Lackawanna Blues (2005)
* Something the Lord Made (2004)
o nominated for Outstanding Lead Actor in a Miniseries or a Movie, 56th Annual Emmy Awards
o nominated for Best Performance by an Actor in a Mini-Series or a Motion Picture Made for Television, 62nd Annual Golden Globe Awards
* Chapelle Show (? year) - Black Delegation Rep for Racial Draft
* The Woodsman (2004)
* The Italian Job (2003)
* Brown Sugar (2002)
* Civil Brand (2002)
* Showtime (2002)
* Monster's Ball (2001)
* Carmen: A Hip Hopera (2001)
* Bamboozled (2000)
* Where's Marlowe? (1998)

In September 2011, Mos Def announced that he planned to use the name Yasiin Bey instead of Mos Def beginning in 2012.

http://www.myspace.com/mosdef

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