DamnLyrics - The center provides all the lyrics

Universal Magnetic - Mos Def



     
Page format: Left Center Right
Direct link:
BB code:
Embed:

Universal Magnetic Lyrics


Yeah, ha, ha, ha
A B boys rock the world
CD's and tapes help generate papes
E-F is the important Def
G-good, H is what style be
When I grab the microphone and MC
Roll off the tongue like L M N O P
And when I am done you will agree
Mos Def represent most definitely
Jesus, what I used to rock it in '83
Drank up all the Kool-Aid at the block party
Used to wish I could break the Rock Steady
Wash this be the brown shoe on TV
But now it's not dis and it's on like this
My name is Mos Def, this is good as it gets
Baby, I make you rub your lips like sardines and grits
My what still hits even when the record skip
Even when the record skip

Even when the record skip
I don't quit, I don't quit
We 'bout to make this one a sure hit
Sean J. make the party people feel it
Ladies and gentlemen, we'd like to introduce
A very interesting young man that has traveled
From very far away to be with us tonight
Ha, ha, ha, what uh-huh
There is such a place that creates such a melody Brooklyn
No ladies, it's a living dream
It's a living dream, it's a living dream, love like this
Recognize all area crew
Whether you speak Japanese or goony goo goo
Son, when I come through, other rappers boo-hoo
'Cause they know they style's soft like baby doo-doo
I will continue to hit like a fifth of stolen Naya
Puttin' jokers on ice to get the cream like Breyer
No secret, Mos Def is the one that hunts a Mya
I get in my stance and set the dance on fire
Spread out my wings and I take the world higher
Peace to the fam magnetic in the Chi
Job-on, top Sean and my man Ahtu
And all my other clan who reside in the Zoo
Got a celebrated oatmeal broadcast crew
Mos Def gon' keep it naked like um fu-fu
(Andy)
Put it here to the tape like crazy glue
So when they bounce out of speakers they stick to you
The way that I communicate is non-typical
But high level like a 3-D visual
I hold the mic extensive, exhibit level and dimension
I radiate the space like a up-right bass
Son, I leave crews laced and escape wit no trace
Sound official like the finish time at a horse race
Here to put it in place for the nine-uno-seis
Mos Def set the pace, make your fam give chase
Raise your hands in the air, everybody get wit it
Universal magnetic b-boy, scientific
It's like that and you don't stop
It goes onto the rhythm, you don't stop
Raise your hands in the air, everybody get wit it
The universal magnetic b-boy, scientific y'all
You don't stop, it goes onto the rhythm, bust it
Baby, it's in my chromosomes to rock
Microphones sets who wanna test the M O
Best to leave that nigga alone
I make no bones or poems about droppin' bars
I make the world full swing under the Mos Def, yes
I ring the alarm like tennis sore
My style hella-raw, I keep it raw bone like Skeletor
And you should go and tell your clientele
That they need to get the message like Melle Mel
I got the [unverified] locked like a Death Row show
And if I ain't a b-boy, premier never used a bell
(Ding, ding)
So tell your boy
(What?)
Crew to retire before I make they
(Ass)
Catch fire like Richard Pryor
Nondescriptive fiendin' for riches, callin' earths
(Bitches)
But most of y'all brothers is livin' with your mothers
Your boogie man yankin' up your covers
Sharper than some new box cutters on Parkay's and butters
And Stevie Wonder's to make you run and tell the others
The beat lovers and play my jam like the numbers
Son, I rock the globe like I rocked your boat
I'm 'bout to tap it on your shoulder 'cause you got to know
Now raise your hands in the air, everybody get wit it
The universal magnetic b-boy, scientific
Like that and you don't stop
It goes onto the rhythm, you don't stop
And raise your hands in the air, everybody get wit it
Universal magnetic b-boy
(Hoo)
Scientific, you don't stop
It goes onto the rhythm, you don't stop
Raise your hands in the air, everybody get wit it
Universal magnetic b-boy, scientific
Like that and you don't stop
It go onto the rhythm, you don't stop
Now raise your hands in the air everybody get wit it
The universal magnetic in a b-boy stance

Enjoy the lyrics !!!
Dante Terrell Smith (born December 11, 1973 in Brooklyn, New York, United States), now known by the stage name Yasiin Bey (formerly Mos Def), is a Grammy Award-nominated rapper and actor. He now works under the nom de plum Yasiin Bey, and has performed under the aliases Mighty Mos Def, The Freaky Night Watchman, Boogie Man, Black Dante and Pretty Flaco. He began rapping in a group called Urban Thermo Dynamics in 1994, and then formed the duo Black Star with Talib Kweli in 1998. As a solo artist he has released the albums Black on Both Sides in 1999, The New Danger in 2004, True Magic in 2006 and The Ecstatic in 2009. Initially recognized for his musical output, Mos Def's screen work since the early 2000s has established him as one of only a handful of rappers who have garnered critical approval for their acting work.

Rap career:
Mos Def began his performing career on the television show The Cosby Mysteries in 1994. In 1994, Mos also began his music career, forming the short-lived group Urban Thermo Dynamics (UTD) with his younger brother DCQ and his younger sister Ces. Despite being signed to Payday Records, the group only released two singles and the group's debut album, Manifest Destiny, did not see the light of day until 2004 when released through Illson Media. In 1996 he emerged as a solo artist, working with De La Soul and Da Bush Babees before releasing his own first single, "Universal Magnetic" which was a huge underground hit. After signing with Rawkus Records, he and Talib Kweli released a full length album under the band name Black Star, entitled Black Star. It was released in 1998, with Hi-Tek producing most of the tracks. Mos Def released his solo debut, Black On Both Sides, in 1999. Filled with tracks raving about his hometown, Brooklyn and his love for hip-hop, Black on Both Sides also deals with racial profiling of Black men in America, with the track Mr N**ga. Mos Def was also featured on Rawkus' influential The Lyricist Lounge and Soundbombing series compilations. After the collapse of Rawkus, Def along with Kweli signed on to Interscope/Geffen Records, who released his second album The New Danger in 2004. In early 2005 Mos Def was rumored to join Jay-Z's Roc-A-Fella record label, but this was later denied by the artist himself claiming "Jay-Z and Roc-A-Fella would never allow me to release songs I plan on putting out there. I ain't down with that commercial non-sense. I'm about to deal with the fake with my next album, from George Bush to 50 Cent." But, after making that comment, Mos Def was featured rapping on a SUV commercial, endorsing the GMC Denali. Mos Def is projected to release his last solo album on Geffen Records, The Undeniable Free Flaco in early 2006. His 4th studio album The Ecstatic was released June 9, 2009 on Downtown Records. It serves as Mos Def's second highest charting album to date. Upon its release, The Ecstatic received general acclaim from most music critics, and it earned Mos Def a Grammy Award nomination for Best Rap Album. Rolling Stone magazine named it the seventeenth best album of 2009.

Impact on hip-hop
The artistic boundaries of hip-hop and rap music had been redefined by artists such as Brand Nubian, De La Soul, and Public Enemy, whose music was more thematically sophisticated and socially conscious than that of their predecessors. By the early 1990s however, this brand of rap had been eclipsed in popularity by gangsta rap. Socially aware rap music (alternative hip hop) has experienced something of a renaissance in the late 1990s and now the 2000s, in part due to artists such as Mos Def, Talib Kweli, Common, The Roots and others. "Mos Def & Talib Kweli Are … Blackstar" Mos Def's collaboration with Talib Kweli was released during the aftermath of the deaths of 2Pac and The Notorious B.I.G. sparking a rebirth of "aware" and "intelligent" hip-hop. Def's music often references his Islamic faith and his contention that black artists receive little credit for their role in the birth of rock and roll music.

On Mos Def's 2004 album The New Danger, the rapper took his penchant for experimentation to a new level. Most of the songs were more hip-hop flavored stylings of blues and rock, with few actual raps thrown in. This threw off fans who were expecting another full-blown rap album. The New Danger also featured the controversial song "The Rape Over", a parody of Jay-Z's The Blueprint hit "The Takeover":

old white men is runnin this rap shit
corporate forces runnin this rap shit
some tall israeli is runnin this rap shit
we poke out our asses for a chance to cash in
cocaine, is runnin this rap shit
'dro, 'yac and e-pills is runnin this rap shit...
mtv is runnin this rap shit
viacom is runnin this rap shit
aol and time warner runnin this rap shit...
quasi-homosexuals is runnin this rap shit

The lyrics would seem to have chafed with higher-placed executives, who made Mos take the song off of later releases of the album, supposedly for "sample clearance issues".

In September 2005, Mos Def released the single "Katrina Clap" (utilizing the instrumental for Juvenile's "Nolia Clap"), a critical reaction to the lack of response by the Bush administration to the Hurricane Katrina disaster. He probably chose the "Nolia Clap" instrumental because the rapper Juvenile hails from New Orleans, and the song was a hit in the New Orleans area before the hurricane.

Mos Def also collaborated with Kanye West on West's track named "two words" and appeared in the music video.

Acting career
The first years of the 2000s have established Mos Def as a notable actor. His performances in Brown Sugar, Monster's Ball, and the HBO made-for-TV film Something The Lord Made have been particularly acclaimed by critics. Having been nominated for several awards, Mos finally broke through, winning Best Actor, Independent Movie at the 2005 Black Reel Awards for his portrayal of Sgt. Lucas in The Woodsman. He also landed the role of Ford Prefect in the long-awaited 2005 movie adaption of The Hitchhiker's Guide to the Galaxy. Notably, in 2002 he played the role of Booth in Suzan-Lori Parks' Topdog/Underdog, a Tony-nominated and Pulitzer-winning Broadway play. He has also been a musical guest and participated in many skits on Comedy Central's Chappelle's Show.

In 2004, he hosted the MOBO awards in London, after the original presenter, Pharrell Williams pulled out at the last minute.

He has been the host of the award-winning spoken word show Def Poetry Jam since its inception. The show's sixth season aired in February 2007.

Discography
* 1998 Black Star (released with Talib Kweli under the name Black Star) Priority Records
* 1999 Black on Both Sides Rawkus Records
* 2004 The New Danger Geffen
o nominated for Best Urban/Alternative
Performance, 47th Annual Grammy Awards
* 2006 TRUE MAGIC
* 2009 The Ecstatic Downtown Records
* 2010 Mos Dub

Selected Filmography
* Cadillac Records (2009)
* Be Kind Rewind (2008)
* Talladega Nights (2006) (a quick cameo)
* Dreamgirls (2006)
* Bobby (2006)
* The Brazilian Job (2006) (pre-production)
* 16 Blocks (2006)
* The Hitchhiker's Guide to the Galaxy (2005).
* Lackawanna Blues (2005)
* Something the Lord Made (2004)
o nominated for Outstanding Lead Actor in a Miniseries or a Movie, 56th Annual Emmy Awards
o nominated for Best Performance by an Actor in a Mini-Series or a Motion Picture Made for Television, 62nd Annual Golden Globe Awards
* Chapelle Show (? year) - Black Delegation Rep for Racial Draft
* The Woodsman (2004)
* The Italian Job (2003)
* Brown Sugar (2002)
* Civil Brand (2002)
* Showtime (2002)
* Monster's Ball (2001)
* Carmen: A Hip Hopera (2001)
* Bamboozled (2000)
* Where's Marlowe? (1998)

In September 2011, Mos Def announced that he planned to use the name Yasiin Bey instead of Mos Def beginning in 2012.

http://www.myspace.com/mosdef

User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.

View All

Mos Def