Mary Jane - Glenda Rae

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Mary Jane Lyrics

One for the treble, two for the bass
She's my beauty queen, she's my everything
When I wake up in the morning gotta get that thing
This is where I wanna be with Mary Jane, sweet Mary Jane
Ooo, Mary Jane
Ooo, Mary Jane
Mary Jane, you are my everything, I'm in love with you
Now I realized why Rick James fucked with you
Since I said, "I do", I never cheated on you
Even when your sister-sis came through
I ain't trying to stress you
'Cuz every time I call, baby doll you be at my rescue
I can't sweat you, we just homie loving friends
Besides, I heard you fucking Snoop Dogg again
G-Dub, that's my bitch, how the fuck she gon' love me?
I love that bitch, why the fuck you gon' leave me?
I'm in the green room and I'm fucking up the scenery
With my nigga Buddy Love blazing up some sticky burns

Yeah, we go hit it 'cuz, have a seat and drink with us
Puff, Puff, pass that shit
Smoke it all down to the ashes bitch
213 with another classic hit
I'm in love with Mary Jane
She is my main thang
Stay away from hooka smokes
She gives me headaches man
And when my sack gets low
Sweet Mary swings on by
Breaks me off something proper
That bowl king sized swagger
That's why I'm lying
I ain't fucking with nothing but the lime green
If you smoking 'cess then don't invite me
However I rip this chronic do the right thing
I'm all she 'cuz ain't no maybe
We met on 21st and fucking Lime Street
Take ya fucking homey, where my girl be?
The only fucking way you can excite me is Mary Jane
One for the treble, two for the bass
She's my beauty queen, she's my everything
When I wake up in the morning gotta get that thing
This is where I wanna be with Mary Jane, sweet Mary Jane
Ooo, Mary Jane
Ooo, Mary Jane
I done sinned, sipped on gin with other women
But kept it respectful like a gentlemen
I spend to hit that ass or go and get the cab
So I can hit the last laugh
Tonight if it's not the bomb, then I'ma be mad
But I'm sure it won't last for long, I got a stash at home
Make love 'tween my Swisher with my half a zone
I can't leave you alone
And I know that you know that I be smoking and you about to ooee
So fire it up and get high with me
And let me see if you get as high as me
Now that's what's happening
'Cuz I know that you probably don't believe what you hear and you see
A nigga like the D O double G Z
So put your hands up in the air and repeat after me
213
Mary Mary Mary Mary Mary Mary Mary
(213)
Mary Mary Mary Mary Mary Mary Jane
Mary Jane
Mary Mary Mary Mary Mary Mary Mary

Enjoy the lyrics !!!

Glenda Rae

It would not be an overstatement to describe Glenda Rae's voice as one of the great instruments in Canadian or global popular music. Her gift is singular, and doesn't suffer for lack of commercial exposure. The delight in discovery is a real treat for expectant audiences. Glenda never disappoints.

Raised in a profoundly musical family (father and mother gospel ministers, sister Christine Duncan a respected jazz icon), Glenda's exposure to music began seemingly from the womb. In her infancy she demonstrated an uncanny ability to harmonize with other singers. As she matured, it became apparent to anyone in proximity that her talent was nothing less than prodigious. Her passion for blues, soul, and gospel saturated her musical development.

Glenda's soulfulness is tied to a complete technical mastery of her voice. Centered as an alto, it glides effortlessly through nearly 4 ½ octaves of range. Unique in texture and timbre, she can express herself in the most pure of voices, (complete with the most unwavering control in terms of pitch) or make her voice turn and tumble like a high wire acrobat. Velvet restraint in one instance, and volatile passion the next are hallmarks of a Glenda Rae performance.

For all her giftings both trained and intuitive, Glenda's approach to music is always consistent. She serves the song at all times, and spares no effort in providing interpretations that are intended to dig beneath the surface of the lyrics. She always views herself as a vehicle for songs. a refreshing departure from other less subtle approaches to producing music.
Glenda has entered the world as a songwriter with a stunning velocity. Collaborating with celebrated Canadian pianist/multi-instrumentalist/composer/arranger Miles Black, Glenda has penned lyrics and melodies to over one hundred songs, spanning a variety of genres including pop, soul, jazz, and new country. Glenda, Miles, and percussionist/producer/engineer Tony Chamberlist work closely together, producing and distributing recordings of the new compositions.

In addition, the trio can be seen performing these compositions in a variety of Western Canadian venues.
Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Mary Jane - Glenda Rae

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