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Mind Ya Business - Sarai



     
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Mind Ya Business Lyrics


Dam I wish you peoples would just mind your business
Dam I wish you peoples would just mind your businessYou want to know what's get's me pissed?
More then my period is a nosy bitch
Always asking question and shit
Getting all up in my business
Probably whiff when I shit
Worst then the media with followin' shit
Sabotage autobiography photography shit
Always startin' arguments over wrong information
So ridiculous stupid idiots
Probably on heard part of it
But that's what happens when you known
You targeted haters
Instigators put your life in the paper
The media can either make you or break you
Make a chick sick want to drink with no chaser
Get away vacate to some place in Jamaica
So I can puff all the ganja I want to

And don't have to worry
Bout them runnin' up on youI don't get it with these nosy folks
All up in yours they be killin' me you
And eminem yes I'm feeling him yo
Cause there's a Stan fan everywhere you go
But where was they when you was broke
Or maybe so before you were even known
Two-wayin' me calling even come to my home
Man I wish they would leave me alone
Dear god could you help me here
And close all these nosy peoples ears
It's not the fans who I'm talking to
It's those irritating nosy mothahushup's
Who want to what know everything about you
Who you know places you go
Things you like to do
Just because I rather not have my life on the news
With some cake face reporter
Saying back to you bobIf somebody in ya business
Touch your nose
Always trying to know yours
Touch your nose
Always asking questions
Touch your nose
Always in my grill
Touch your nose
Don't worry about what I do
You just do what you do
I hate nosy peoples
Mind your you need to
Stay up out my business please
That's all I ask cause you about to make a bitch mad
I don't see how they can live like that
Gotta gossip like beauty parlors
Blabbin' your trap girl let me tell you
You know things like that
I know you heard the word
See rumors spread like that
Dippin' in the koolaid don't know the flava
Gambling ideas they more lost then Vegas
They got it major even god can't save them
You can bathe them in holy water
It still ain't no cure for them
But in a way I kinda feel for them
'Cause that's the only thing they know
So they mouth keep going going
Mind your business and it will be okay
Without nosy folks it be a better place

Enjoy the lyrics !!!
A native of upstate New York, Sarai may have been weaned on MTV in the 1980s, but by the 1990s she had turned to rap and hip-hop as her life's soundtrack. A fascination with words meant that Sarai wrote poetry from an early age, but it was only when she was a teenager that she first rhymed to a beat while gossiping with her girlfriends.

After a chance meeting with producer L.J. Sutton (a.k.a. Chocolate Starr) in Atlanta, Sarai was on her way to the big leagues. Sarai's potential and sex appeal led to her getting snapped up by Epic Records, making her the first white female rapper to have a major recording contract.

Sarai Howard was born in 1981, and grew up in Kingston, New York, a working-class city in upstate Ulster County. Sarai, along with her older brother Michael, was raised by her mother Teresa in a single-parent household. The family moved repeatedly, and Sarai attended many different local schools and held down dozens of part-time jobs.

Teresa's musical interests included The Police and Fleetwood Mac, and for a while, Sarai's taste in tunes mirrored her mother's. "I'm a straight MTV baby," Sarai later explained.

But it was Sarai's brother, more a fan of genre pioneers Public Enemy, Run-D.M.C. and NWA, who first introduced her to rap and hip-hop. Soon Sarai was into Jay-Z, Tupac and Notorious BIG. Meanwhile, by the time Sarai was in high school, she was acting in plays, singing in the choir, and writing poetry.

When Sarai was 15, she improvised a joke rhyme about some of the other girls in their town while hanging out with her friends. Sarai's rapping continued as a hobby for a few years after that, as she was finishing high school and making plans to attend a community college in Kingston.

At 17, when Sarai and one of her friends were vacationing in Atlanta, Sarai was discovered. Sarai's friend struck up a conversation with some men at a gas station; when they said they worked at a nearby recording studio, Sarai impressed them with her flow, and was taken to meet producer L.J. Sutton, a.k.a. Chocolate Starr.

Before long, Sarai was traveling to Atlanta regularly for meetings and demo recordings.

In 2000, she moved south permanently to chase her dream of being a rapper. After two more years of laying the groundwork, Sarai landed a deal with Epic Records, becoming the first white female rapper to be represented by a major label.

In 2003, Sarai released her debut album, The Original, featuring the singles "Pack Ya Bags" and "Ladies." Radio DJs quickly took to calling her "Feminem," referring to the trailblazing Eminem. "I don't like it," commented Sarai at the time, "but I like him."

Although "Pack Ya Bags" and "Ladies" had some chart success, critics and fans were lukewarm about Sarai's talent. She couldn't quite shake her reputation as a novelty act -- a white girl in an industry dominated by black men.

More recently, Sarai has tried her hand at acting, taking a role in National Lampoon's Pledge This!.

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Sarai