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Move The Crowd (The Wild Bunch Remix) - Eric B. & Rakim



     
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Move The Crowd (The Wild Bunch Remix) Lyrics


Standing by the speaker, suddenly I had this
Fever, was it me or either summer madness
Cause I just can't stand around
So I get closer and the closer I get, the better it sound
My mind starts to activate, rhymes collaborate
Cause when I heard the beat I just had to make
Something from the top of my head
So I fell into the groove of the wax and I said
How could I move the crowd
First of all, ain't no mistakes allowed
Here's the instruction, put it together
It's simple ain't it, but quite clever
Some of you been trying to write rhymes for years
But weak ideas irritate my ears
Is this the best that you can make
Cause if not and you got more, I'll wait
But don't make me wait too long cause I'm a move on
The dance floor when they put something smooth on

So turn up the bass, it's better when it's loud
Cause I like to move the crowdImagine me with the heat that's made by solar
It gets stronger every time I hold a
Microphone, check the tone to get started
The line for the microphone is departed
So leave it up to me, my DJ is mixing
Everyone is moving or eager to listen
Your hands in the air, your mouth is shut
Cause I'm on the mic and Eric b is on the cut
For those that know me, indeed I like to flow
Especially when the music's going slow
It gives me a chance to let everybody know
It's time to bust out the Rakim show
I'm the intelligent wise on the mic I will rise
Right in front of your eyes cause I am a surprise
So I'ma let my knowledge be born to a perfection
All praises due to Allah and that's a blessing
With knowledge of self, there's nothing I can't solve
At 360 degrees I revolve
This is actual fact, it's not an act, it's been proven
Indeed and I proceed to make the crowd keep moving
Songwriters
BARRIER, ERIC / GRIFFIN, WILLIAMPublished by
Lyrics © Universal Music Publishing Group Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Eric B. & Rakim were a hip-hop duo from New York City, New York, United States composed of DJ Eric Barrier (born November 8, 1965) and MC Rakim (born William Michael Griffin Jr.). The duo went on to release 4 studio albums with their 1987, Paid In Full being regarded as one the most influential albums in Hip Hop. In 1988, they released their second album titled, Follow The Leader. They later continued two release two more albums in 1990, Let The Rhythm Hit 'Em and in 1992, Don't Sweat The Technique in which they went on to split in that same year.

Eric B. & Rakim were almost universally recognized as the best DJ & MC duo. Not only was their chemistry superb, but individually, each represented the absolute peak in their respective skills. Eric B. was a hugely influential DJ and beatmaker whose taste for hard-hitting James Brown samples touched off a stampede through the Godfather of Soul's back catalog that continues up to the present day. Rakim, meanwhile, still tops fan polls as the greatest MC of all time. He crafted his rhymes like poetry, filling his lines with elaborate metaphors and complex internal rhymes, and he played with the beat like a jazzman, earning a reputation as the smoothest-flowing MC ever to pick up a mic. His articulation was clear, his delivery seemingly effortless, and his influence on subsequent MCs incalculable. Together, their peerless technique on the microphone and turntables upped the ante for all who followed them, and their advancement of hip-hop as an art form has been acknowledged by everyone from Gang Starr to the Wu-Tang Clan. While certain elements of their sound might come off as slightly dated today, it's also immediately clear how much of a hand Eric B. & Rakim had in leading hip-hop into the modern age.

Eric B. was born Eric Barrier in 1965 in Elmhurst, Queens; his future partner, William Griffin, Jr., was born in 1968 and also hailed from the suburbs of New York, specifically Wyandanch, Long Island. At age 16, Griffin converted to Islam and adopted the name Rakim Allah. Barrier played trumpet and guitar early on, but switched to the turntables in high school, and eventually landed a job as the mobile DJ for radio station WBLS. It was there that he met Rakim, and the two officially formed a partnership in 1985. Their first single -- "Eric B. Is President" (an ode to Barrier's DJ skills) b/w "My Melody" -- was released on the tiny Harlem-based indie label Zakia. It was a street-level sensation during the summer of 1986, and the duo was picked up by the larger 4th & Broadway imprint. The equally monumental singles "I Ain't No Joke" and "I Know You Got Soul" sampled James Brown and his cohort Bobby Byrd, respectively, and their utter funkiness began to revolutionize the sound of hip-hop. Moreover, Rakim's line "pump up the volume" on the latter track was in turn sampled itself, becoming the basis for M/A/R/R/S' hit of the same name.

In 1987, 4th & Broadway issued the duo's full-length debut, Paid in Full; accompanied by a mighty underground buzz, the record climbed into the Top Ten on the R&B LP charts (as would all of their subsequent albums). Additionally, the British DJ duo Coldcut remixed the title cut into a bona fide U.K. smash. The exposure helped make "Paid in Full"'s drum track one of the most sampled beats this side of James Brown's "Funky Drummer"; it provided the foundation for Milli Vanilli's "Girl You Know It's True," among many other, more credible hits. On the heels of Paid in Full, Eric B. & Rakim signed with MCA subsidiary Uni and consolidated their reputation with another landmark hip-hop album, 1988's Follow the Leader. The title cut took its place among the classic singles already in their canon, and Jody Watley soon tapped the duo for a guest spot on her 1989 single "Friends," which brought them into the pop Top Ten for the first and only time.

The 1990 follow-up Let the Rhythm Hit 'Em proved relatively disappointing from a creative standpoint, although 1992's slightly jazzier Don't Sweat the Technique was a more consistent affair that bolstered their legacy. As it turned out, the record also completed that legacy. The duo's contract with MCA was almost up, and they had discussed the possibility of each recording a solo album. Unfortunately, the resulting tension over the future of their partnership ultimately destroyed it. In the aftermath of the breakup, various legal issues prevented both parties from starting their solo careers for quite some time.

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Eric B. & Rakim