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Musical Massacre - Eric B. & Rakim



     
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Musical Massacre Lyrics


How could I keep my composure
When all sorts of thoughts fought for exposure?
Release, then veins in the brains increase
When I let off, make a wish and blow the smoke off my piece
Unloadin, unfold and the rhymes are explodin
And the mic that I'm holdin' golden
Cordless cause the wire caught fire like a fuse
Gunpowder and the slightest bruise is a friction
The outcome is there so listen
Here's the brief description
A boom then flame then smoke, ashes a dust to dust
Contact is compact when I bust
MC's are now in a massacre
A disaster a, master at fashion a beat to death
To a pulp, till it can't pump
Speakers aint sayin nothin
Now the ball can thump
As I'm lookin' I stand like great buildings in Brooklyn

Then the stage is took then
Havoc struck that could product a whole court
Keep in touch with the mic when you're holdin y'all
Sumpin and pumpin and slobbin and droolin
Nothin's pumpin, who do you think ya foolin?
Tommy Tucker, the neighborhood sucker
What you oughtta do, is pick up a tempo
From what I invent, so hard not to bite, but you can't prevent so
You start to kidnap
I watch the kid rap
When he get off he know he shouldn't a did that
Minor, old timer, weak rhymer, stay in liner
You won't be inclined to go so yo
Maybe later, you're gonna be
But for now, you're almost one of me
Now the immature imitations taken from originations
Made by tracin and a little arrangin
So perform, If ya still aint warm maybe after
A roast by the host with the most it's a musical massacre
Never tired, don't even try it, keep quiet
Like a storm, you could rain, but a riot
Remains, the gangs power just like the towerin inferno
The beat's gonna burn so
Distance I kept, ou better watch your step
Volunteers go from here and get
Ya out of the flames
Appreciate the temperature change
Anywhere within the range of celcius
Fahrenheit on the mic, mic melts see it
Burns soon as it's felt see it's torchin, scorchin
Mic's pipin hot, steamin who's schemin now ya not
James Brown must a been dusted
Disgusted, now he can't be trusted
Embalmed with fluid
Static can cause an explosion, in fact impact's closin in
Time was up, so I don't need a time bomb
Beat gives me a heat-stroke when I rhyme calm
Pull out the tool, sometimes I wanna break fool
But I was cool, like one in the chamber
Lets play a game of rhymin roulette
And put me up to your brain and name a rhyme about ya clout
One mistake, ya out
If this imitation it can't be the same show
Maybe what you'll find somewhere over the rainbow
Courage, heart, brain, you need rhyme
Turn on your mic, snap your fingers three times
We gone, or the story won't end the same
And you'll feel the flame
The potion was weak, make another antidote
Whats the science? why can't ya quote?
Elements for musical intelligence
Rhymes are irrelevant, no development
And that settles it
Go manufacture a match, send me after a blast
From the master that has to make musical massacre

Enjoy the lyrics !!!
Eric B. & Rakim were a hip-hop duo from New York City, New York, United States composed of DJ Eric Barrier (born November 8, 1965) and MC Rakim (born William Michael Griffin Jr.). The duo went on to release 4 studio albums with their 1987, Paid In Full being regarded as one the most influential albums in Hip Hop. In 1988, they released their second album titled, Follow The Leader. They later continued two release two more albums in 1990, Let The Rhythm Hit 'Em and in 1992, Don't Sweat The Technique in which they went on to split in that same year.

Eric B. & Rakim were almost universally recognized as the best DJ & MC duo. Not only was their chemistry superb, but individually, each represented the absolute peak in their respective skills. Eric B. was a hugely influential DJ and beatmaker whose taste for hard-hitting James Brown samples touched off a stampede through the Godfather of Soul's back catalog that continues up to the present day. Rakim, meanwhile, still tops fan polls as the greatest MC of all time. He crafted his rhymes like poetry, filling his lines with elaborate metaphors and complex internal rhymes, and he played with the beat like a jazzman, earning a reputation as the smoothest-flowing MC ever to pick up a mic. His articulation was clear, his delivery seemingly effortless, and his influence on subsequent MCs incalculable. Together, their peerless technique on the microphone and turntables upped the ante for all who followed them, and their advancement of hip-hop as an art form has been acknowledged by everyone from Gang Starr to the Wu-Tang Clan. While certain elements of their sound might come off as slightly dated today, it's also immediately clear how much of a hand Eric B. & Rakim had in leading hip-hop into the modern age.

Eric B. was born Eric Barrier in 1965 in Elmhurst, Queens; his future partner, William Griffin, Jr., was born in 1968 and also hailed from the suburbs of New York, specifically Wyandanch, Long Island. At age 16, Griffin converted to Islam and adopted the name Rakim Allah. Barrier played trumpet and guitar early on, but switched to the turntables in high school, and eventually landed a job as the mobile DJ for radio station WBLS. It was there that he met Rakim, and the two officially formed a partnership in 1985. Their first single -- "Eric B. Is President" (an ode to Barrier's DJ skills) b/w "My Melody" -- was released on the tiny Harlem-based indie label Zakia. It was a street-level sensation during the summer of 1986, and the duo was picked up by the larger 4th & Broadway imprint. The equally monumental singles "I Ain't No Joke" and "I Know You Got Soul" sampled James Brown and his cohort Bobby Byrd, respectively, and their utter funkiness began to revolutionize the sound of hip-hop. Moreover, Rakim's line "pump up the volume" on the latter track was in turn sampled itself, becoming the basis for M/A/R/R/S' hit of the same name.

In 1987, 4th & Broadway issued the duo's full-length debut, Paid in Full; accompanied by a mighty underground buzz, the record climbed into the Top Ten on the R&B LP charts (as would all of their subsequent albums). Additionally, the British DJ duo Coldcut remixed the title cut into a bona fide U.K. smash. The exposure helped make "Paid in Full"'s drum track one of the most sampled beats this side of James Brown's "Funky Drummer"; it provided the foundation for Milli Vanilli's "Girl You Know It's True," among many other, more credible hits. On the heels of Paid in Full, Eric B. & Rakim signed with MCA subsidiary Uni and consolidated their reputation with another landmark hip-hop album, 1988's Follow the Leader. The title cut took its place among the classic singles already in their canon, and Jody Watley soon tapped the duo for a guest spot on her 1989 single "Friends," which brought them into the pop Top Ten for the first and only time.

The 1990 follow-up Let the Rhythm Hit 'Em proved relatively disappointing from a creative standpoint, although 1992's slightly jazzier Don't Sweat the Technique was a more consistent affair that bolstered their legacy. As it turned out, the record also completed that legacy. The duo's contract with MCA was almost up, and they had discussed the possibility of each recording a solo album. Unfortunately, the resulting tension over the future of their partnership ultimately destroyed it. In the aftermath of the breakup, various legal issues prevented both parties from starting their solo careers for quite some time.

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Eric B. & Rakim