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My Melody - Eric B. & Rakim



     
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My Melody Lyrics


Turn up the bass check out my melody hand out a cigar
I'm lettin' knowledge be born and my name's the R A K I M
Not like the rest of them I'm not on a list
That's what I'm sayin' I drop science like a scientistMy melody's in a code the very next episode
Has the mic often distortin' ready to explode
I keep the mic in Fahrenheit freeze MC's and make 'em colder
The listeners system is kickin' like solarAs I memorize, advertise, like a poet
Keep you goin' when I'm flowin', smooth enough, you know it
But rough that's why the middle of my story I tell E.B.
Nobody beats the R, check out my melodySo what if I'm a microphone fiend addicted soon as I sing
One of these for MC's so they don't have to scream
I couldn't wait to take the mic, flow into it to test
Then let my melody play and then the record suggestThat I'm droppin' bombs but I stay peace and calm
Any MC that disagree with me wave your arm
And I'll break when I'm through breakin' I'll leave you broke
Drop the mic when I'm finished and watch it smokeSo stand back, you wanna rap? All of that can wait
I won't push, I won't beat around the bush
I wanna break upon those who are not supposed to

You might try but you can't get close toBecause I'm number one, competition is none
I'm measured with the heat that's made by sun
Whether playin' ball or bobbin' in the hall
I just writin' my name in graffiti on the wallYou shouldn't have told me you said you control me
So now a contest is what you owe me
Pull out your money, pull out your cut
Pull up a chairMy name is Rakim Allah and R and A stands for Ra
Switch it around, but still comes out R
So easily will I E M C E E
My repetition of words is, "Check out my melody"Some bass and treble is moist, scratchin' and cuttin' a voice
And when it's mine that's when the rhyme is always choice
I wouldn't have came to set my name around the same weak shit
Puttin' blurs and slurs and words that don't fitIn a rhyme, why waste time on the microphone
I take this more serious than just a poem
Rockin' party to party, backyard to yard
Now tear it up, y'all and bless the mic for the GodsThe rhyme is rugged, at the same time sharp
I can swing off anything even a string of a harp
Just turn it on and start rockin', mind no introduction
'Til I finish droppin' science, no interruptionWhen I approach I exercise like a coach
Usin' a melody and add numerous notes
With the mic and the R A K I M
It's a task, like a match I will strike againRhymes are poetically kept and alphabetically stepped
Put in order to pursue with the momentum except
I say one rhyme and I order a longer rhyme shorter
A pause but don't stop the tape recorderI'm not a regular competitor, first rhyme editor
Melody arranger, poet, etcetera
Extra events, the grand finale like bonus
I am the man they call the microphonistWith wisdom which means wise words bein' spoken
Too many at one time watch the mic start smokin'
I came to express the rap I manifest
Stand in my way and I'll lead a words protestMC's that wanna be dissed they're gonna
Be dissed if they don't get from in fronta
All they can go get is me a glass of Moet
A hard time, sip your juice and watch a smooth poetI take 7 MC's put 'em in a line
And add 7 more brothas who think they can rhyme
Well, it'll take 7 more before I go for mine
And that's 21 MC's ate up at the same timeEasy does it, do it easy, that's what I'm doin'
No fessin', no messin' around, no chewin'
No robbin', no buyin', bitin', why bother
This slob'll stop tryin' fightin' to followMy unusual style will confuse you a while
If I was water, I flow in the Nile
So many rhymes you won't have time to go for your's
Just because of a 'cause I have to pauseRight after tonight is when I prepare
To catch another sucka duck MC out there
Cos my strategy has to be tragedy, catastrophe
And after this you'll call me, "Your majesty", my melodyYes my melody
Eric BMarley Marl synthesized it, I memorize it
Eric B made a cut and advertised it
My melody's created for MC's in the place
Who try to listen cos I'm dissin' [Incomprehensible]Take off your necklace, you try to detect my pace
Now you're buggin' over off my rhyme like bass
The melody that I'm stylin', smooth as a violin
Rough enough to break New York from Long IslandMy wisdom is swift, no matter if
My momentum is slow, MC's still stand stiff
I'm genuine like leather, don't try to be clever
MC's you'll beat the R, I'll say, "Oh never"
So, Eric B cut it easily and check out my melody

Enjoy the lyrics !!!
Eric B. & Rakim were a hip-hop duo from New York City, New York, United States composed of DJ Eric Barrier (born November 8, 1965) and MC Rakim (born William Michael Griffin Jr.). The duo went on to release 4 studio albums with their 1987, Paid In Full being regarded as one the most influential albums in Hip Hop. In 1988, they released their second album titled, Follow The Leader. They later continued two release two more albums in 1990, Let The Rhythm Hit 'Em and in 1992, Don't Sweat The Technique in which they went on to split in that same year.

Eric B. & Rakim were almost universally recognized as the best DJ & MC duo. Not only was their chemistry superb, but individually, each represented the absolute peak in their respective skills. Eric B. was a hugely influential DJ and beatmaker whose taste for hard-hitting James Brown samples touched off a stampede through the Godfather of Soul's back catalog that continues up to the present day. Rakim, meanwhile, still tops fan polls as the greatest MC of all time. He crafted his rhymes like poetry, filling his lines with elaborate metaphors and complex internal rhymes, and he played with the beat like a jazzman, earning a reputation as the smoothest-flowing MC ever to pick up a mic. His articulation was clear, his delivery seemingly effortless, and his influence on subsequent MCs incalculable. Together, their peerless technique on the microphone and turntables upped the ante for all who followed them, and their advancement of hip-hop as an art form has been acknowledged by everyone from Gang Starr to the Wu-Tang Clan. While certain elements of their sound might come off as slightly dated today, it's also immediately clear how much of a hand Eric B. & Rakim had in leading hip-hop into the modern age.

Eric B. was born Eric Barrier in 1965 in Elmhurst, Queens; his future partner, William Griffin, Jr., was born in 1968 and also hailed from the suburbs of New York, specifically Wyandanch, Long Island. At age 16, Griffin converted to Islam and adopted the name Rakim Allah. Barrier played trumpet and guitar early on, but switched to the turntables in high school, and eventually landed a job as the mobile DJ for radio station WBLS. It was there that he met Rakim, and the two officially formed a partnership in 1985. Their first single -- "Eric B. Is President" (an ode to Barrier's DJ skills) b/w "My Melody" -- was released on the tiny Harlem-based indie label Zakia. It was a street-level sensation during the summer of 1986, and the duo was picked up by the larger 4th & Broadway imprint. The equally monumental singles "I Ain't No Joke" and "I Know You Got Soul" sampled James Brown and his cohort Bobby Byrd, respectively, and their utter funkiness began to revolutionize the sound of hip-hop. Moreover, Rakim's line "pump up the volume" on the latter track was in turn sampled itself, becoming the basis for M/A/R/R/S' hit of the same name.

In 1987, 4th & Broadway issued the duo's full-length debut, Paid in Full; accompanied by a mighty underground buzz, the record climbed into the Top Ten on the R&B LP charts (as would all of their subsequent albums). Additionally, the British DJ duo Coldcut remixed the title cut into a bona fide U.K. smash. The exposure helped make "Paid in Full"'s drum track one of the most sampled beats this side of James Brown's "Funky Drummer"; it provided the foundation for Milli Vanilli's "Girl You Know It's True," among many other, more credible hits. On the heels of Paid in Full, Eric B. & Rakim signed with MCA subsidiary Uni and consolidated their reputation with another landmark hip-hop album, 1988's Follow the Leader. The title cut took its place among the classic singles already in their canon, and Jody Watley soon tapped the duo for a guest spot on her 1989 single "Friends," which brought them into the pop Top Ten for the first and only time.

The 1990 follow-up Let the Rhythm Hit 'Em proved relatively disappointing from a creative standpoint, although 1992's slightly jazzier Don't Sweat the Technique was a more consistent affair that bolstered their legacy. As it turned out, the record also completed that legacy. The duo's contract with MCA was almost up, and they had discussed the possibility of each recording a solo album. Unfortunately, the resulting tension over the future of their partnership ultimately destroyed it. In the aftermath of the breakup, various legal issues prevented both parties from starting their solo careers for quite some time.

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Eric B. & Rakim