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Rest Assured - Eric B. & Rakim



     
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Rest Assured Lyrics


Double oh seven is back
Double oh seven is back
Double oh seven is backI don't stress my day 'cause it's best to parlay
I guess you could say I've been away, I wake up slow when I'm hot
But I destruct the plant and fourteen hands comb New York for fans
They make waves as they wiggle in my waterbedPull back the leather covers and silk bedspread
A mornin' massage turnin' into a real rough rubdown
So I figured I'll lay around, they keep me wet with a juice called Tahiti
It make the room steamy, so soon they couldn't see meThey know more than calisthenics as they worked up a sweat
It wasn't even ten o'clock yet
Scrub down, then I get moist, they never treat me mean
They sweetly keep me squeaky clean, I chill as they filled the jacuzziI said, "I'm tight from a real long flight, could you soothe me?
Support my thoughts 'cause I got a lot of writing to do"
They said, "Cool" And just enjoyed the view
It ain't hard 'cause it's miles from the sidewalkI'm overlookin' every borough in New York
The entire, Empire State to concentrate for every rhyme I make
So at exactly noon they played my favorite tune
And just before they all cleared the roomThey said, "We're glad you're home from tour, now we feel secure

We wish you didn't have to leave no more"
But they wanna go to war, they even tried to shoot up the door
Double oh seven is back, rest assuredDouble oh seven is back, feel secure
Double oh seven is backI'm fillin' up the page when I'm steppin' on stage
Got the people in a rage with they hands in the air
Fellas sayin', "Hoe" Everybody yellin', "Go"
Fly ladies in the house all screamin', "Aww, yeah"That's how they react when I attack the mic
In fact it's like a stack of dynamite, powerful and bright
Girls love to squeeze me real tight
Double oh seven is backRa has returned to romance 'em better than Johnny Handsome
When I was young, women said, "Damn, son"
Ain't nuthin' change but the year and I'm still here
C'mere dear, let me whisper in your ear
Hug my words so I can taste your lips, I set up hips like domino chipsBut I don't let 'em hit the floor
And if you got sore, then feel secure, where's the pain
Is it the spot you set us in? Almost magic, better than medicine
Take one of these and put your mind at easeI get more work than a lot of MD's if I'm hawkin New York
Or out on tour I express the raw dialect and explore
But don't get fooled by metaphor
Double oh seven is back, rest assuredFeel secure
Rest assured
Rest assured
Yo, feel secure

Enjoy the lyrics !!!
Eric B. & Rakim were a hip-hop duo from New York City, New York, United States composed of DJ Eric Barrier (born November 8, 1965) and MC Rakim (born William Michael Griffin Jr.). The duo went on to release 4 studio albums with their 1987, Paid In Full being regarded as one the most influential albums in Hip Hop. In 1988, they released their second album titled, Follow The Leader. They later continued two release two more albums in 1990, Let The Rhythm Hit 'Em and in 1992, Don't Sweat The Technique in which they went on to split in that same year.

Eric B. & Rakim were almost universally recognized as the best DJ & MC duo. Not only was their chemistry superb, but individually, each represented the absolute peak in their respective skills. Eric B. was a hugely influential DJ and beatmaker whose taste for hard-hitting James Brown samples touched off a stampede through the Godfather of Soul's back catalog that continues up to the present day. Rakim, meanwhile, still tops fan polls as the greatest MC of all time. He crafted his rhymes like poetry, filling his lines with elaborate metaphors and complex internal rhymes, and he played with the beat like a jazzman, earning a reputation as the smoothest-flowing MC ever to pick up a mic. His articulation was clear, his delivery seemingly effortless, and his influence on subsequent MCs incalculable. Together, their peerless technique on the microphone and turntables upped the ante for all who followed them, and their advancement of hip-hop as an art form has been acknowledged by everyone from Gang Starr to the Wu-Tang Clan. While certain elements of their sound might come off as slightly dated today, it's also immediately clear how much of a hand Eric B. & Rakim had in leading hip-hop into the modern age.

Eric B. was born Eric Barrier in 1965 in Elmhurst, Queens; his future partner, William Griffin, Jr., was born in 1968 and also hailed from the suburbs of New York, specifically Wyandanch, Long Island. At age 16, Griffin converted to Islam and adopted the name Rakim Allah. Barrier played trumpet and guitar early on, but switched to the turntables in high school, and eventually landed a job as the mobile DJ for radio station WBLS. It was there that he met Rakim, and the two officially formed a partnership in 1985. Their first single -- "Eric B. Is President" (an ode to Barrier's DJ skills) b/w "My Melody" -- was released on the tiny Harlem-based indie label Zakia. It was a street-level sensation during the summer of 1986, and the duo was picked up by the larger 4th & Broadway imprint. The equally monumental singles "I Ain't No Joke" and "I Know You Got Soul" sampled James Brown and his cohort Bobby Byrd, respectively, and their utter funkiness began to revolutionize the sound of hip-hop. Moreover, Rakim's line "pump up the volume" on the latter track was in turn sampled itself, becoming the basis for M/A/R/R/S' hit of the same name.

In 1987, 4th & Broadway issued the duo's full-length debut, Paid in Full; accompanied by a mighty underground buzz, the record climbed into the Top Ten on the R&B LP charts (as would all of their subsequent albums). Additionally, the British DJ duo Coldcut remixed the title cut into a bona fide U.K. smash. The exposure helped make "Paid in Full"'s drum track one of the most sampled beats this side of James Brown's "Funky Drummer"; it provided the foundation for Milli Vanilli's "Girl You Know It's True," among many other, more credible hits. On the heels of Paid in Full, Eric B. & Rakim signed with MCA subsidiary Uni and consolidated their reputation with another landmark hip-hop album, 1988's Follow the Leader. The title cut took its place among the classic singles already in their canon, and Jody Watley soon tapped the duo for a guest spot on her 1989 single "Friends," which brought them into the pop Top Ten for the first and only time.

The 1990 follow-up Let the Rhythm Hit 'Em proved relatively disappointing from a creative standpoint, although 1992's slightly jazzier Don't Sweat the Technique was a more consistent affair that bolstered their legacy. As it turned out, the record also completed that legacy. The duo's contract with MCA was almost up, and they had discussed the possibility of each recording a solo album. Unfortunately, the resulting tension over the future of their partnership ultimately destroyed it. In the aftermath of the breakup, various legal issues prevented both parties from starting their solo careers for quite some time.

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Eric B. & Rakim