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Rude Boys Back In Town - Michael Franti & Spearhead



     
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Rude Boys Back In Town Lyrics


So unique!
Whoa, whoa, whoa, whoa
Whoa, whoa, whoa, whoa
The rude boys back in town
(Rude boys)
The rude boys back in town
(Rude boys)
I tell ya that the rude boys back in town
(Rude boys)
The rude boys back in town
See I was walkin' down the street about a quarter to four
It was early in the mornin' from the night before
Met a woman on the corner said to come in my door
Heard the rhythm of the music pumpin' up through floor
When I walk into the party it was ready to go
There were punk rockers, reggae rockers all in a row
Windin' and a grindin' to the dj show
And the woman from the corner I was gettin' to know

The rude boys back in town
(Rude boys)
The rude boys back in town
(Rude boys)
I tell ya that the rude boys back in town
(Rude boys)
The rude boys back in town
(Rude boys)
I see ya whoa, whoa, whoa, whoa
(Rude boys)
Whoa whoa whoa, whoa
(Rude boys)
Whoa whoa whoa, whoa
(Rude boys)
Damn, I say Micheal Michael where you been?
You been eatin' alright? You know you look a little thin
I been out in Japan, just chilln' Tokyo man
I toked up on the train to Hiroshima and then
I jump into the water and I started to swim
Shanghai, Ho Chi Minh City and then
Darundi, Indonesia where I hooked with some friends
I visit Tāme Iti down in Tūhoe again
I jumped across the Byron out of springs
Down to Cape Town where I be doing my thing
Then I be gone to Uganda, Tanzania
Off to Sudan and glad to see 'em
Jerusalem, Mumbai, Istanbul
Then down to Rio, S

Enjoy the lyrics !!!
Michael Franti is a gifted and much-heralded spoken word artist and political activist from San Francisco, CA. As leader of the politically and socially-charged group Spearhead, Franti is at the forefront of hip-hop's renaissance, expanding the music's boundaries as he draws on funk and soul-driven beats. Through his music and poetry, Franti tackles a range of issues--the criminal justice system, corporatization of our daily lives, AIDS, gay rights, homelessness, the death penalty, drug addiction and suicide.

His project Spearhead produced the critically acclaimed Home in 1990. The album contained his biggest single, "Hole in the Bucket," a thoughtful lament on the plight of the homeless, and "Positive," which addressed the growing AIDS epidemic. The album boasted adept funk samplings, sinuous guitar vamps, and soulful, melodic tracks about family and social injustice. 1997's Chocolate Supa Highway was not as pop-friendly as Home, but neither did its themes of kidnappings and police brutality lend themselves to such overt accessibility. Its mixture of harsher musical styles -- techno, rock, and funk -- was a step forward for Franti as his world view broadened and deepened. In 2001, Franti released Stay Human. In it he expresses his anger at the system, his advocacy of love, and his belief in freedom through individuality and self-expression through a set of songs that revolve around a fictitious death penalty case. In it, his embrace of the genres that inspired him is achieved with eloquence.

Earlier projects of Franti include The Beatnigs and The Disposable Heroes Of Hiphoprisy, which had more of an experimental/industrial sound, but addressed many of the same social/political issues.

As a celebration of the Election of Barack Obama Franti recorded the Obama Song, offered as a free track on downloaded at their offical website, www.michaelfranti.com/.

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Michael Franti & Spearhead