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Scream Lyrics


Yeah, yeah, hell, yeahCome on, so all you people on the left
Are you ready to rock the house?
People on the right, are you ready to rock the house?
People up front are you ready to rock the house?
Man in the back are you ready to rock the house?We'll say, Ho, ho
Say, Ho ho, ho ho
Say, Ho ho ho, ho ho ho
Now screamMic check, are you ready yet? We'll get set
'Cause I'm about to jet like a corvette
With the quickness snap it like a whip
It's a sickness that's making my rhymes ripPeddle to the metal, 94 octane
Flow like the rain and I aim to entertain
Like it or not FP won't stop
Because I'm the cream of the crop, so hotUp and down they go just watch them
Up and down they go, jump, jump
And as they go well, I'm a show
Them that I can flow but homie should I stop though?
Hell, noBut no wait, until the end I

Kick the volume pump the adrenaline I
Watch the crowd sway, every time we play
Each and every day, we make the crowd sayHo, ho
Say, Ho ho, ho ho
Say, Ho ho ho, ho ho ho
Now screamOnce again I'm in the house
When I be rippin' it, the crowd be kickin' it
This boy's bad with a pen and a pad
Records selling like mad, people thought it was a fad'Cause back in the day some folks weren't with it
What's this rap thing? They just ain't get it
They didn't understand, they didn't quite see
It's all about adrenaline, straight up energySo everybody say, Hey, hey
So everybody say, Hey, hey
I wanna rip it J, well, homier go ahead, man
I wanna rip it J, well homie go ahead, yeahYo a super dooper, party trooper
Ever been a party pooper
Heart breakin', money makin'
Man, they get them parties shakin'Music pumpin', crowd is jumpin
Giving people what they want
And always rhymin' all the time and check it
Yo and nowI wanted to make up a record that
I could just rock at the zap of the time
I wanted to make it so funky that
It would just stick in the back of your mind
I wanted it simple so people could sing it
And dance while their bopping their headsSo gimme the, gimme the, gimme the , gimme the, yeah
That's the way I like it, yeah, let it go, yo
The boys are all pro, so get on the floor right now
And let me hear you sayHo ho
Say, Ho ho, ho ho
Say, Ho ho ho, ho ho ho
Now screamCome on all the ladies in the house
All the pretty young ladies in the house
Well, let me hear you say, come on say
Homeboys make some noiseLet me hear you say, Yeah, yeah
Say, Hell yeah, hell yeah
Now screamFor years they been tryin' to figure out how to stop the prince
They say that, I'm conceited but I'm not its just confidence
Rougher than an outlaw, quicker than the flash
For records to movie to TV, I'm grabbing cash and I'm dashingThe P R I N C E with the fresh on the front
And I'm a give you what you want
Step on stage and just rip it as I laugh
Tear down the house leaving lookin' like back draftAll night I'm on the flow on and I'm a go on
On the stage in a rage, I'm a flow on
You read the billboard then I'm sure that you know
The riggidy riggidy rhymes are riggidy rhyme and climb to unoYo, dont dont dont, Jeff, will we be taking out? No, no, no
The only other crew that play the way that we play and all day
Everyday, we play to make the crowd sayHo ho
Say, Ho ho, ho ho
Lemme hear you say, Ho ho ho, ho ho ho
Now ScreamCome on, say, Ho ho
Come on, say, Ho ho, ho ho
One more time say, Ho ho, ho ho
Now screamIt's hot y'all, you dont stop y'all
I keep on till the break of dawn
It's like a little boy blue blowing on his horn
It's like a daylight dance marathonIt's like a grasshopper hopping on the morning lawn
And you know, it's got to be, you know, it's got to be
You know, it's really, really, got to be
Now you know, it's got to be on, yeah

Enjoy the lyrics !!!
DJ Jazzy Jeff & The Fresh Prince was a 1980s and 1990s rap duo. The vocalist of this duo, Will Smith, met Jeff Townes while trying to make a name for himself in West Philadelphia’s local party/rap scene. After joining forces, the team became local celebrities. Philadelphia-based Pop Art Records released their first single, Girls Ain’t Nothing but Trouble, in late 1985, a tale of misadventures with the opposite sex. The song sampled the theme of I Dream of Jeannie. Smith became known for lighthearted, storytelling raps and capable, through curse-free, 'battle' rhymes. Townes was known for his turntable acrobatics, and is credited by many as inventing a style of scratching called "transforming".

Based off this success, the duo were brought to the attention of Jive Records and Russell Simmons’. Their first album, Rock the House, debuted on Jive in the summer of 1987. The band found themselves on their first major tour with Run DMC, Public Enemy, and others, that same year. The album sold about 300,000 units. Their 1988 follow-up hit, He's the DJ, I'm the Rapper made them multi-platinum stars. Mostly recorded in the UK, the album was rap musics’s first double-vinyl LP release (also issued as a single cassette and CD). Parents Just Don’t Understand, the lead-off single, made them MTV household names, and tracks like Brand New Funk was received well by their fans. Rock The House was re-released to gold sales later that year.

Another single, Nightmare on My Street, showcased a fictional confrontation with movie villain Freddy Krueger. Coinciding with the release of the fourth Nightmare on Elm Street film (1988’s "The Dream Master"), New Line Cinema was not pleased. A video allegedly shot for the single was buried, and a disclaimer was hastily included on pressings of the album indicating that the record was not officially affiliated with any of the "Nightmare" films (ironically, Jive Records ended up releasing the soundtrack to the next film in the series, "The Dream Child").

1989 saw the release of And In This Corner..., which sold gold, but saw the duo slip in popularity. The crossover curse of various rap acts had come to pass, as their initial audience felt they had become too accessible; non-crossover rap acts like Big Daddy Kane and Boogie Down Productions had bigger street followings; meanwhile, pop radio had latched on to new faces like Tone Loc and Young MC, while non-radio followers became more enamored with hardcore acts like Ice-T and 2 Live Crew. In a bit of mild irony, the lead single, I Think I Can Beat Mike Tyson, featured the brawler in its video, but shortly after the band’s Grammy performance in 1990, Tyson lost his first fight with Buster Douglas.

Smith would later admit to a spendthrift attitude during this time, becoming near-broke, which led him to feel he had nothing to lose when a TV producer approached him to do a show on NBC. The Fresh Prince of Bel-Air boosted his profile, and pocketbook, giving him the leverage to stage a comeback album, Homebase, in 1991. The platinum album featured the lead-off single Summertime, which has become one of their most enduring hits. Code Red, their last studio LP as a duo, released in 1993 to gold sales. The duo made it to the very top of the Singles charts in 1993 with the single Boom! Shake The Room.

Shortly afterward, Smith began to look at acting full-time; his movie roles increased, finally getting his first lead role in 1995’s Bad Boys. 1996’s Independence Day cemented him as a major draw, and he left the Fresh Prince that same year. Strangely, he and Townes ended up being sued by Jive, who alleged that the duo still owed them albums. In an intervew, Smith has stated that while shooting the Men in Black movie, Smith approached Jive with the "Men in Black" single; they turned him down, saying that it couldn’t be a hit. In the aftermath of the movie and soundtrack’s success, the duo settled the lawsuit out of court. Hence, their Greatest Hits compilation includes two cuts from the M.I.B. soundtrack.

Since then, of course, Smith has released three Columbia/Sony albums under his own name; a separate "solo" hits cd was released in 2003. Jazzy Jeff, meanwhile, recorded an aborted album for Columbia in 1999 (including a song with Eminem), and then independently released The Magnificent in 2002. He has also become an R&B producer of note, overseeing releases by Jill Scott and others.

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Dj Jazzy Jeff & The Fresh Prince