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Set 'em Straight - Eric B. & Rakim



     
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Set 'em Straight Lyrics


I came to set em straight, and let em know
Whoever's holdin the best, just let him go
Cause here's the inside scoop on the fiend
They wanna know why I'm seldom seen
Cause who needs the TV screens and magazines
Or shootin through the city in fly limousines
There's one thing I don't like, it's the spotlight
Cause I already got light
They be like, Yo we had a get together last week
And we know everyone was there except the Black Sheik
Because my schedule is tight, I gotta write
I'm deep in the archives, and keepin em hyped
It's been a long time, since you heard a strong rhyme
None of these are weak so when you bite on mine
We can trace the hits and then name that style
MC'sll be out of a job for a while
I reposess your indentification
So hand in your application

Put your mic on strike until you're unemployed
Contract is up and I'm stampin it void
Your selection ain't that selective
So I'ma put you in your proper perspective
On the dancefloor, and doin the SHAKE
Ready to let em brake, set em straightSomebody said I set em up and pulled the plug on em
But instead I let em go on so I could bug on em
Go 'head and flow, cause I close the show
Swing a song for the ladies and rhyme real slow
For instance, once I commence
The crowd is convinced
So now you know who to put your money on
Hurry up, before your money's gone
Cause I'm the most common denominator
Orchestrate a rhyme much greater
I'm like a world almanac, so tell the media
Givin em information like encyclopedia
So bring a dictionary, so you can look it up
So you know what I mean, when I hook it up
No misconceptions although I complicate
But this concept'll set em straight
They even said that I was locked in jail
So now I guess I'm out on bail?
The only Island I was on was the Strong one
And if I did my bid, it'll be a long one
Cause if I sold weight, I'd be upstate
In the penile, waitin for a brake
Cause sellin drugs is for handicaps
I got too many skills besides bustin rough raps
If I go to jail, it won't be for sellin ki's
It'll be for muderin MC's
The beat'll take over your heart, then I start
To cut em in half, cause rhymes are razor sharp
Secure the exits, all MC's remain
Cause we got a crowd to entertain
And I know, when I go, I'll flow dangerous
Brain'sll bust, what you tryin to explain to us?
You got lost, and couldn't go on
Came up short, so here's one to grow on
Elevate off a high IQ
In time, you'll find I'm true
Cause once I start on a piece of art
From sun to moon and light to dark I build the Ark
Now you can float off the rhymes I wrote
I'm sure that we'll hit shore without a boat
You could bring a battleship and still get shipwrecked
Attacked with a torpedo, what did you expect?
Driftin up the creek, without a beat or a paddle
Castaway on a raft and stand fragile
Rescue your crowd, which ain't a hard job
Me and my knowledge put together, I'm a lifeguard
Dealin with actual facts it sold out fat
Here and now, but I go so far back
To bring you up to date, so we can elevate
It's no time to wait, or anticipate
Cause I'm never late, I'm gonna motivate
So I can let em brake, and set em straight

Enjoy the lyrics !!!
Eric B. & Rakim were a hip-hop duo from New York City, New York, United States composed of DJ Eric Barrier (born November 8, 1965) and MC Rakim (born William Michael Griffin Jr.). The duo went on to release 4 studio albums with their 1987, Paid In Full being regarded as one the most influential albums in Hip Hop. In 1988, they released their second album titled, Follow The Leader. They later continued two release two more albums in 1990, Let The Rhythm Hit 'Em and in 1992, Don't Sweat The Technique in which they went on to split in that same year.

Eric B. & Rakim were almost universally recognized as the best DJ & MC duo. Not only was their chemistry superb, but individually, each represented the absolute peak in their respective skills. Eric B. was a hugely influential DJ and beatmaker whose taste for hard-hitting James Brown samples touched off a stampede through the Godfather of Soul's back catalog that continues up to the present day. Rakim, meanwhile, still tops fan polls as the greatest MC of all time. He crafted his rhymes like poetry, filling his lines with elaborate metaphors and complex internal rhymes, and he played with the beat like a jazzman, earning a reputation as the smoothest-flowing MC ever to pick up a mic. His articulation was clear, his delivery seemingly effortless, and his influence on subsequent MCs incalculable. Together, their peerless technique on the microphone and turntables upped the ante for all who followed them, and their advancement of hip-hop as an art form has been acknowledged by everyone from Gang Starr to the Wu-Tang Clan. While certain elements of their sound might come off as slightly dated today, it's also immediately clear how much of a hand Eric B. & Rakim had in leading hip-hop into the modern age.

Eric B. was born Eric Barrier in 1965 in Elmhurst, Queens; his future partner, William Griffin, Jr., was born in 1968 and also hailed from the suburbs of New York, specifically Wyandanch, Long Island. At age 16, Griffin converted to Islam and adopted the name Rakim Allah. Barrier played trumpet and guitar early on, but switched to the turntables in high school, and eventually landed a job as the mobile DJ for radio station WBLS. It was there that he met Rakim, and the two officially formed a partnership in 1985. Their first single -- "Eric B. Is President" (an ode to Barrier's DJ skills) b/w "My Melody" -- was released on the tiny Harlem-based indie label Zakia. It was a street-level sensation during the summer of 1986, and the duo was picked up by the larger 4th & Broadway imprint. The equally monumental singles "I Ain't No Joke" and "I Know You Got Soul" sampled James Brown and his cohort Bobby Byrd, respectively, and their utter funkiness began to revolutionize the sound of hip-hop. Moreover, Rakim's line "pump up the volume" on the latter track was in turn sampled itself, becoming the basis for M/A/R/R/S' hit of the same name.

In 1987, 4th & Broadway issued the duo's full-length debut, Paid in Full; accompanied by a mighty underground buzz, the record climbed into the Top Ten on the R&B LP charts (as would all of their subsequent albums). Additionally, the British DJ duo Coldcut remixed the title cut into a bona fide U.K. smash. The exposure helped make "Paid in Full"'s drum track one of the most sampled beats this side of James Brown's "Funky Drummer"; it provided the foundation for Milli Vanilli's "Girl You Know It's True," among many other, more credible hits. On the heels of Paid in Full, Eric B. & Rakim signed with MCA subsidiary Uni and consolidated their reputation with another landmark hip-hop album, 1988's Follow the Leader. The title cut took its place among the classic singles already in their canon, and Jody Watley soon tapped the duo for a guest spot on her 1989 single "Friends," which brought them into the pop Top Ten for the first and only time.

The 1990 follow-up Let the Rhythm Hit 'Em proved relatively disappointing from a creative standpoint, although 1992's slightly jazzier Don't Sweat the Technique was a more consistent affair that bolstered their legacy. As it turned out, the record also completed that legacy. The duo's contract with MCA was almost up, and they had discussed the possibility of each recording a solo album. Unfortunately, the resulting tension over the future of their partnership ultimately destroyed it. In the aftermath of the breakup, various legal issues prevented both parties from starting their solo careers for quite some time.

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Eric B. & Rakim