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Silver - The NBHD



     
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Silver Lyrics


Don't fear mere words 'cuz if it takes a word ruin ya
You should have already hard you're finished through and soon you'll
See that stifling sentences is so much more suspicious
Much worse could come of that so much more delicious
To the dastardly basturdly plans of little mice and men
Ugly rears its head and speaks from now and then
People love to disagree so avoid the endless 'bout
Make no attempt to try and suss the stupid out
But of the racist institutions simple minds belong
Not happy just being human, no wish to get along
Little people need exclusions sucker groups to throng
It makes them feel special it makes them feel strong
Now I got a click but it's more like a family
Not an ethnic trip more like an ethic see
I write the rhyme today tell it to you later
Whether were coming in wack or what it's a waste to be a hater
Graffiti bombs from the palms-love is so strong
Can't be stopped too long for the night it will come

Shaped in the form of Mars that stone afar
Ghetto cool oh well now you feel the spell, the rude color rocks the bell
The king of swing rise to the top
The rhythm possessed in ya and it don't stop
The mise is broken the demon locin'
Dropping the bomb and all that is left is the smokin'
Cloakin' chokin', the lyrics are spoken
Infrared vision scopin' condition
Now breakin' 'em all to pieces like a sly rap bandit
Witha fly Lu-Kang kick in Mortal Combat and I land it
So get your own back when I jam it cold and
Hearing about you rhyme style been outmoded
The dopest flow upon the planet
Dope is the word the bro throw up on the down low goddammit
You juice your fucking friends like Dracula
But when we kick you out you're just brokula
You left a big surprise from Pacific Bell
Called all your relatives and your friends in Hell
Now let me tell you something you fucking piece of shit
You'll never have no money, now tell me was it worth it?
You leave a trail of lies that's why you keep moving
We won't come after you we'd only end up provin'
In the end revenge send ends to the defendant
I know that statement's true I wear it like a pendant
I know you'll hear this song and so I think it's funny
The name is thief or trust and money
Like Captain Picard we come hard in light years
Our star has long bust but now reappears
In your sky at night rising and immense
Yes you see ourselves in the shine of it
And so passing under the dome of the great sky
Beware we are the stars holmes that you ruled by
Where death reborn into the world is a gift
So the future with no voice of its own will uplift
All is gone, all is calm y'all
All is gone, all is calm y'all
All is gone, all is calm y'all
All is gone, all is calm y'all
...

Enjoy the lyrics !!!
The Neighbourhood are an American alternative rock/dark pop band that formed in Newbury Park, California, USA in August 2011. The band consists of Jesse Rutherford, Jeremy Freedman, Zach Abels, Mikey Margott and Brandon Fried. Bryan Sammis (drums) left the group in January, 2014.

The band released their first EP, I'm Sorry... in January 2013, where their single Sweater Weather reached #1 on the U.S. Alternative Tracks and #8 on the U.S. Rock Tracks and #33 on the Billboard Hot 100. The song also charted at #68 in Canada. Their first album, I Love You. was released on April 23, 2013.

In early 2012 a mysterious band appeared online. The group, The Neighbourhood, revealed no biographical information, no photos and no backstory, offering only a moody track titled "Female Robbery." Fans and the press were confounded, scouring the Internet for any information that might lead them to the identity of these musicians. Pieces of the puzzle, some reflecting reality and some not so much, began to emerge. The Neighbourhood were a quintet. They were from California despite the British spelling of their name. They had a second track, "Sweater Weather," which had an accompanying -- and equally dark -- video.

Although The Neighbourhood's identity remained hazy, it became clear that the music they were making felt transformative to critics and fans alike. The evocative combination of rock instruments with R&B and hip-hop aesthetics seemed, in many ways, revelatory, a reimagining of sounds that seemed to make people clamor for more information with even greater fervor. In April, BBC Radio One DJ Zane Lowe, an early champion of the group, let it slip that The Neighbourhood was the handiwork of musician Jesse Rutherford, a resident of Newbury Park, CA. By early May, as the band unveiled a free, self-released EP titled "I'm Sorry," it became understood that the identity of this young band was, ultimately, secondary to the music itself.

So who are The Neighbourhood? In essence, the group, which formed in August of 2011, is a collection of five friends who make music together. They're headed by Rutherford, a 21-year-old singer who has dabbled in various genres, including hip-hop, before crafting the merge of sounds that categorizes The Neighbourhood's style. Their debut EP produced by Justyn Pilbrow, who brought Emile Haynie onboard to collaborate on "Female Robbery." The EP, recorded at the end of last year, is composed of shadowy, emotional music with visuals to match. And it's all part of the band's master plan.

"I always have a strong vision before I go into anything," Rutherford says. "I don't know how to make music any other way. It was all in my head, and that vision for the music was to make hip-hop beats with guitars and I was going to sing and rap over them. We wanted to do that hip-hop aesthetic on an indie platform."

"I'm Sorry," a five-song disc, is a precursor to the band's debut album, which is also being produced by Pilbrow and Haynie. The album, expected out March 2013, will expand the group's moody sensibility, which pairs brooding layers of instrumentals with Rutherford's hip-hop-inspired croon. The style, which the band has dubbed "black and white" due to its confident inspirations, is based largely in rhythm, as evidenced by the EP. "When I started in music I started doing drums and then I started doing vocals," Rutherford explains. "And then I combined the two together because to me rapping is just rhythmic vocals. I think the rhythm of hip-hop is really what got me into it. It's not just words being said; it's about how the words are said."

In the end, all you need to know about The Neighbourhood is in that music and in those words. There are more facts, more pieces of the puzzle, more information to unveil. But what's the fun in being given the full picture when you can slowly discover it for yourself? It's better to leave some mystery lingering. Because, after all, it's that unknowing that brought The Neighbourhood to people's attention to begin with. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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The NBHD