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Slip - Single Frame



     
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Sitting, attractively bored
You've got the sand in the palm of your hand
I guess I had this coming, it's been a long time coming
Casually she kills me, attractively bored
I leave too much unsaid, I leave too much unsaid
Don't let it slip away
Regret haunts forever, don't try to be clever
He musters up his courage, hello
To shatter these weak walls
And finally he approaches, the one he's watched so long
When a tap upon his shoulder, hello
And I'm swaying on the border, got to get my life in order
Then he turns around and heads back to the daily life he knows
Casually she stills me, attractively scarred
I leave too much unsaid, I leave too much unsaidSweating, my swagger ignored

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Bio is Below / But First the Manifesto
Recently, we have been asked by numerous people what we feel we are achieving with altered recording techniques and the use of everyday items (car keys, horns, silk-screens, radios, televisions, fans) in our recordings and live shows.
Various movements in art directly inspire our use of these techniques. In our view, Dadaism especially demonstrated the realization that everyday objects can be seen and appreciated as works of art. For instance, Duchamp's Readymades were simply common objects brought into a gallery environment.

Read more about Single Frame on Last.fm.


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