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Smooth Criminal - London SO



     
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Smooth Criminal Lyrics


As he came into the window
It was the sound of a crescendo
He came into her apartment
He left the bloodstains on the carpet
She ran underneath the table
He could see she was unable
So she ran into the bedroom
She was struck down, it was her doomAnnie, are you ok?
So, Annie are you ok
Are you ok, Annie
Annie, are you ok?
So, Annie are you ok
Are you ok, Annie
Annie, are you ok?
So, Annie are you ok?
Are you ok, Annie?
Annie, are you ok?
So, Annie are you ok, are you ok Annie?(Annie are you ok?)

(Will you tell us that you're ok?)
(There's a sign in the window)
(That he struck you - a crescendo Annie)
(He came into your apartment)
(He left the bloodstains on the carpet)
(Then you ran into the bedroom)
(You were struck down)
(It was your doom)Annie, are you ok?
So, Annie are you ok?
Are you ok, Annie?
Annie, are you ok?
So, Annie are you ok?
Are you ok, Annie?
Annie, are you ok?
So, Annie are you ok?
Are you ok, Annie?
You've been hit by
You've been hit by
A smooth criminalSo they came into the outway
It was Sunday - what a black day
Mouth to mouth
Resuscitation
Sounding heartbeats - intimidationAnnie, are you ok?
So, Annie are you ok
Are you ok, Annie
Annie, are you ok?
So, Annie are you ok
Are you ok, Annie
Annie, are you ok?
So, Annie are you ok?
Are you ok, Annie?
Annie, are you ok?
So, Annie are you ok, are you ok Annie?(Annie are you ok?)
(Will you tell us that you're ok?)
(There's a sign in the window)
(That he struck you - a crescendo Annie)
(He came into your apartment)
(Left the bloodstains on the carpet)
(Then you
Ran into the bedroom)
(You were struck down)
(It was your doom)(Annie are you ok?)
(So, Annie are you ok?)
(Are you ok Annie?)
(You've been hit by)
(You've been struck by
A smooth criminal)Okay, I want everybody to clear
The area right now!Aaow!
(Annie are you ok?)
I don't know!
(Will you tell us that you're ok?)
I don't know!
(There's a sign in the window)
I don't know!
(That he struck you - a crescendo Annie)
I don't know!
(He came into your apartment)
I don't know!
(Left the bloodstains on the carpet)
I don't know why baby!
(The you ran into the bedroom)
I don't know
(You were struck down)
(It was your doom - Annie!)(Annie are you ok?)
Dag gone it - baby!
(Will you tell us that you're ok?)
Dag gone it - baby!
(There's a sign in the window)
Dag gone it - baby!
(That he struck you - a crescendo Annie)
Hoo! Hoo!
(He came into your apartment)
Dag gone it!
(Left the bloodstains on the carpet)
Hoo! Hoo! Hoo!
(Then you ran into the bedroom)
Dag gone it!(You were struck down)
(It was your doom - Annie!)
Aaow!!!

Enjoy the lyrics !!!
The LSO was founded in 1904 as an independent, self governing organization, the first such orchestra in the UK. It played its first concert on 9 June of that year, with Hans Richter conducting. He remained principal conductor until 1911, when Edward Elgar took over for a year, leading six concerts as principal conductor.

More recently, its principal conductors have included Pierre Monteux (1961–64), Istvan Kertesz (1965–68), André Previn (1968–79) and Claudio Abbado (1979–88). From 1988-1995, the American Michael Tilson-Thomas took over, and in 1995, became principal guest conductor. Sir Colin Davis served as the LSO's Principal Conductor from 1995-2006, and in 2007 took the post of President of the orchestra. On 1 January 2007, Valery Gergiev became the LSO's Principal Conductor. Previn holds the title of Conductor Laureate. In 2006, Daniel Harding became the co-principal guest conductor alongside Tilson Thomas. Richard Hickox is the Associate Guest Conductor of the LSO.
The LSO became the first British orchestra to play overseas when it went to Paris in 1906. The LSO was due to sail on the RMS Titanic for a concert in New York in April 1912 but fortunately had to change the booking at the last minute. It was also the first to play in the United States, in 1912, and in 1973 it was the first to be invited to take part in the Salzburg Festival. It continues to make tours around the world.

In 1966 the London Symphony Chorus (LSC) was formed to complement the work of the LSO. with more that two hundred amateur singers, the LSC maintains a close association with the LSO; however it has developed an independent life, which allows it to partner other leading orchestras.

The LSO has long been considered the most extraverted of the London orchestras. For most of its life it refused to allow women to become members, ostensibly on the grounds that women would affect the sound of the orchestra (there has been a similar controversy at the Vienna Philharmonic Orchestra). There is an air of youthful high spirits to much of its music-making that is shown off in performances of such composers as Berlioz and Prokofiev. The LSO has often had internationally-known players as wind soloists, including such artists as James Galway (flute), Gervase de Peyer (clarinet), Roger Lord (oboe), Osian Ellis (harp), John Georgiadis (violin) and Barry Tuckwell (horn). Like most ensembles, the orchestra has a great ability to vary its sound, producing very different tone colours under such diverse conductors as Stokowski (with whom it made a series of memorable recordings), Adrian Boult, Jascha Horenstein, Georg Solti, André Previn, George Szell, Claudio Abbado, Leonard Bernstein, John Barbirolli, and Karl Böhm, who developed a close relationship with the orchestra late in his life. Böhm and Bernstein each held the title of LSO President in their later years.

Clive Gillinson, a former cellist with the orchestra, served as the LSO's Managing Director from 1984 to 2005, and is widely credited with bringing great stability to the LSO's organization after severe fiscal troubles.[1] Since 2005, Kathryn McDowell is the Managing Director of the LSO.[2] Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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