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Standing At The Crossroads Of Love - The Supremes



     
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Standing At The Crossroads Of Love Lyrics


I'm standing at the crossroads of love
Standing at the crossroads
I'm standing at the crossroads of love
Don't know which way to go
Ooh, ooh, ooh
Don't know which way to turn
Ooh, ooh, ooh
Though the love I give is not returned,
For that boy, my heart still yearns
So I'm standing at the crossroads of love
Standing at the crossroads
'Cause when I'm with him
He mistreats me
Runs around and causes me misery
Ooh, ooh, ooh

But I love him, I can't deny
Ooh, ooh, ooh
And without him, I'd surely die
It hurts to be with him
And it hurts to be without him
So I'm standing at the crossroads of love
Standing at the crossroads
Just standing at the crossroads of love
Don't know which way,
Don't know which way to go,
Don't know which way,
Don't know which way to turn
Oh!
There's always tears on my pillow
Tears, tears, tears
'Cause I'm always in the middle of,
Ooh, ooh, ooh
Heartache and emotion,
Heartbreak and devotion,
Ooh, ooh, ooh
Love and caring,
When it's despairing
Trying to be true,
Though it makes me blue
So I'm standing at the crossroads of love
Standing at the crossroads
I'm just standing at the crossroads of love
Standing at the crossroads
Don't know which way to go,
Standing at the crossroads
Don't know which way to turn,
Standing at the crossroads
I'm standing at the crossroads
Standing at the crossroads
Which way should I go?
Standing at the crossroads
He runs around and causes me misery
---
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written by Dozier, Lamont Herbert / Holland, Edward, Jr. James / Holland, Brian
Lyrics © EMI Music Publishing

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The Supremes were a very successful motown all-female singing group active from 1959 until 1977, performing at various times doo-wop, pop, soul, broadway showtunes, psychedelia, and disco. One of Motown's signature acts, The Supremes were the most successful African-American musical act of the 1960s, recording twelve #1 hits between 1964 and 1969, many of them written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland. The crossover success of the Supremes during the mid-1960s paved the way for future black soul and R&B acts to gain mainstream audiences both in the United States and overseas.

Founded in Detroit, Michigan, United States in 1959, The Supremes began as a quartet called The Primettes. Founding members Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, all from the Brewster-Douglas public housing project in Detroit, were the sister act to The Primes (later The Temptations). In 1960, Barbara Martin replaced McGlown, and the group signed with Motown in 1961 as The Supremes. Martin left at the end of 1961, and Ross, Ballard, and Wilson carried on as a trio. After they achieved success in the mid-1960s with Ross as the lead singer, Motown president Berry Gordy renamed the group Diana Ross & the Supremes in 1967, and replaced Ballard with Cindy Birdsong. Ross left the group for a solo career in 1970, and was replaced by Jean Terrell. After 1972, the lineup of the Supremes changed frequently, with Lynda Laurence, Scherrie Payne, and Susaye Greene all becoming members before the group ended its eighteen-year existence in 1977.

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The Supremes