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Tell It Like It Is - Ub40



     
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Tell It Like It Is Lyrics


[Chorus]
I just a tell it like it is, yeah
I just a tell it like it is, oh yeah
I've got to be blatant in this time
Just like I know 1 + 1 no make 9 (Repeat)Now what was I saying about being blatant
You got to be blatant in an argument
You got to make sure your feelings are felt
Perfect example for you from me
Watch lying politicians me seh on me T.V.
Pay big big money for the licence fee
(At the same time them a try fi fool we) (Repeat)[Chorus]I just tell it like it is, yeah
I just tell it like it is, oh yeah
I've got...I've got to be blatant in this time
Now let me tell me more about being blantant
You got to be blatant me seh
With product you inventIf you don't patent it
You nah see a cent
You have no money fi go pay up your rent

If you crash fi your carOr you in an accident
If it's not your fault you be blatant[Chorus]I just tell it like it is, yeah
I just tell it like it is, oh yeah
I've got ....Now I get serious about being blatant
Police come and mess with me pon the pavement
They say oi' where you going, what you doing here?
I just leave mi house fi go buy a tin of beerAnother example of being blatant
South Africa police a kill the innocent
Fire live ammunition me seh into a crowd
If that's not blatant murder
Then murder can't be found (Repeat)[Chorus]
Songwriters
Turner, TitusPublished by
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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UB40 are a British dub / reggae pop music band formed in 1978 in Birmingham, England.

The band is one of the most culturally diverse dub reggae bands with musicians of English, Scottish, Irish, Yemeni and Jamaican parentage. The band is named from the paper form issued by the UK government's Department of Health and Social Security at the time of the band's formation for claiming unemployment benefit (UB40 = Unemployment Benefit, Form 40).

UB40 were influenced by the many Blues Parties they attended as teenagers in the multiracial Balsall Heath area of Birmingham, their love of ska and reggae inspired such original tracks as King, Madam Medusa, Food for Thought, Signing Off and One in Ten.

Their early music style was unique, with a heavy influence of analogue synthesizers, psychedelic rock guitar, saxophone and dub producer techniques which were later perfected by the late Pablo Falconer.

Ali and Robin Campbell have a musical heritage, being sons of Ian Campbell, a folk musician.

The band purchased its first instruments with compensation money Ali Campbell received after a bar fight. They have had a number of hits, most commercially and to amusement of the band, "Red Red Wine", a cover version of a Neil Diamond song (in an arrangement similar to that of Tony Tribe's version). Their most successful single release is the cover of the Elvis Presley ballad Can't Help Falling in Love which was intended to be the main title to the 1992 Sharon Stone movie Sliver and was a Number One hit across Europe and in the U.S.

Many of UB40's recordings were inspired by 1960s ska and early lovers rock songs that would have otherwise been forgotten in the public eye. Their new injection of life into so many old Jamaican hits has resulted in many musicians' and producers' renewed popularity and income.

UB40's early music often tackled social issues such as racism and unemployment.

Other artists that UB40 have collaborated with include: Pato Banton, Madness, Bitty McLean, Chrissie Hynde, Robert Palmer, Hunterz, Japanese artist Mikidozan, French artist Nuttea, Lady Saw and Afrika Bambaataa.

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