Terrorist - Heavens to Betsy



     
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Terrorist Lyrics


Bobby, Bobby, Bobby, Bobby, Bobby, Bobby, Bobby, Bobby, Bobby
Word up Digital, Digital
Terrorist shit, terrorist shit, come and get a hold of it
Tune of the Black Knight, Killarm, Killarm, Killarm
Contemplate on how to run this shit, universally forever runnin'
Reflect shots off my [Incomprehensible] will split your nugget'
(New shit)
Thoughts too rugged, extortionate cream from off the budget
Refugees of the Terrorist, fans, they fuckin' love it
Insurance can't cover it, maximum is a minimum
Niggas, they try to dub it, yo
It's the hottest shit on the streets since summer '86
My prefix, it's like a remix, throw wind bricks
Try and dub the shit is accurate
Come for your head, it's Immaculate Conception
When my rep is, bustin' shots
Niggas tryin' to discuss my business around the neighborhood
Yo, switch blade grenade rhyme flows, buck niggas like wild rhinos

Up in these killin' fields you bound to die slow
Your style staggers like a drunken whino
That's why, there's no hope to defeat a Black Knight
That's like tryin' to walk a type rope
Switch blade grenade rhyme flows, buck niggas like wild rhinos
Up in these killin' field you bound to die slow
Your style staggers like a drunken whino
That's why, there's no hope to defeat a Black Knight
That's like tryin' to walk a type rope, wit no feet
Mercenary team, streets of concrete
Sasquash dump a nigga ass on wide Friday
Invincible, doctor destruct thought
My lyrics ran ward like Lebanon are troops, a Desert Storm
It be on son, Compton is the city where I come from
Act dumb if you want to and catch a hot one
It's that real, knuckle up, lace your boots tight
Don't give a fuck 'cuz every night is our night
Rap bygones, smash pit, fire outta cons
Fuck bygones, rely on Islam and my pythons
Squeeze off long diss, window pitch, control of this
Gun pack recover my wrist, blast from this
Have these fake fucks cursin' my name
Knowin' damn, well, I'm hurtin' the same
What part of the game you playin', get insane
Yo three months ago we was on, fall is short now
Chasin' the don, your money ain't long
Faggot fuck, bag 'em up, stick him in the back of my truck
Strip 'em and smack him up for actin' up
He's slitherin', hit him in the ribs again
Broke the code of honor that we livin' in
Could lead to the whole click, dismember when
Never that, Killarm roll strong
Even though you born, watch the crew but still hold on
I love you when that drink, you probably told me who bust you
Should of payed attention but I slept so for that
I gotta dust two devils off, headed off, all that
Fuck it, blow trial stat, Law and Order cat gotta serve justice
What, fuck this, adjust, get your musket and bust quick word up
Yo, yo, yo, yo, yo, these

Enjoy the lyrics !!!
There are two bands called Heavens to Betsy.

1. Heavens to Betsy was a punk rock band from Olympia, Washington. The members were Tracy Sawyer on drums and Corin Tucker on guitar and vocals. Their first recording, a split single on the independent label K Records with Bratmobile, put them center stage in the Riot Grrrl movement of the early 1990s. The band recorded three singles, produced one LP/CD, Calculated, and contributed to many compilations while they were together. These recordings are now sought after by collectors. One of these compilations, Free To Fight, also included a song contributed by the band Excuse 17, of which Carrie Brownstein was a member. Corin and Carrie began to play together, and when Heavens to Betsy disbanded in the mid 1990s, the two women founded Sleater-Kinney.

[STOP READING HERE UNLESS YOU'RE INTERESTED IN SHAMELESS SELF-PROMOTION]
2. Every band has its beginning. More times than not, that beginning is humble in comparison to a band’s dream of making it big. For Ben Backus and Stephen Lynch, that start was the combination of leading worship and winning a Battle of the Bands at a high school pep rally. Flash-forward to 2011, and the duo of high school rock stars is now known as Heavens to Betsy.

Drawing from influences like Coldplay, Owl City, Relient K, and Phil Wickham, the Nashville-based duo can best be labeled as piano-driven Christian pop rock. Their creative sound relies heavily on Backus’ multi-tasking frontman abilities. At any time, you may see Backus playing guitar, piano, or keytar, all while handling lead vocals. Add Lynch’s rhythmical mind on drums and background vocals with traces of programming and the sound quickly becomes more than just two people. “Technology allows us to create sounds it would normally take 5 or 6 people to create live,” Backus says. “For us, that’s where a lot of our creativity stems from. If we can dream it, we can play it.”

Another stream of creative is the range of music Heavens to Betsy has played. From college frat parties to DNOW weekend retreats, the band’s resume includes many concerts not typical of Christian artists. Backus states, “There wasn’t a place for original music in our hometown. But there were Greek organizations looking for a great cover band, and there were churches looking for high-energy worship experiences. So we did our best to deliver both.” Lynch agrees, “It’s opportunities like those that helped us build relationships with more people and allowed us to perform in more places. It also gave us time to develop and understand our own sound. We would be a different band had we not played the types of shows we played.”

With two EP’s recorded under the direction of producer Seth Jones, the band has its sights set on wherever doors are open. “In the past 5 years, it’s easy to point out where God’s hand has led the way to where we are now,” says Lynch. “It’s never been about chasing a dream; it’s about continually realizing God’s plan for us and our music. We’ve trusted him this far, and we’ll continue to until He tells us to stop.”
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Heavens to Betsy