DamnLyrics - The center provides all the lyrics

That's Not Me - Carrie Rudzinski



     
Page format: Left Center Right
Direct link:
BB code:
Embed:

That's Not Me Lyrics


She learned kissing boys standing up wasn't the best way to get them to like you,
spent six years exploring men through collarbones slept so close,
heartbeats were distinguishable.
And she told me, that's not me, that's never going to be me.
She was speaking dragonfly wing-pulling, throat spider crawl with sneezy dandelion eyes.
She spit in glass bottles before she chucked them through parking lots on Eighth Street,
loved the noise of gravel beneath her feet,
hugged fences when she was gettin' lonely
and still promised she would never ever, be me.
She sunk battleships like hide n' seek in underwear, a fleet of sailboat hearts flinging through the air, and she was spitfire wearing nothing but socks.
She used to tell me his claps sounded like she was saying,
"Stop, daddy, stop now,"
and she was light, smash, flick, like cigarettes and blonde hair.
Our conversations wispy, and seeping into other people's stories on subway trains.
He snapped like thumbs against wooden floorboards, and my questions still hang like ugly lamps in houses that have taken vows of silence.
She said, "That's not me, that's never going to be me. I never want to be you."
My mother taught me to pack dirt like pounding fists could teach me to throw punches.
He stood me tall and held his hands up like punching bags.

"Don't hold your fists like that, you'll break it. Hit harder, don't laugh, hit harder!"
She used to pick fights with me like bulldogs blinded red, with hate in her teeth, thick brick, and I used to fall.
Knees first, go limp, and hide in closets.
I never wanted to be me, either.
She pulled eyelids off the back of boys' plans, sunk button-lock store, not skip, kicked every hope in the knees, slapped tables like spoons.
Flowers grew like weeds when railroads came into town.
And sorry, we're never going back there because you fucked up.
You fucked up by being you.
She ran like yellow cars, traveling at midnight.
Fog moonbeams for breakfast and I don't know why she kept telling me the future was where we'd be different reflections of what we always wanted to be.
Wedding magazines and caterpillar feet,
I never wanted her to be like me, either.
I was ice frost and bucket smiles,
and she carried knuckle crack, smack, like
"Stop, Daddy,"
Clap, clap,
"Stop."
Her face said "Prosecute," and her faded laugh lines,
the laughs that were caused by gulps and gasps from finger punches to her gut,
like, stop signs against metal cars and wheels.
I'd say she's been dying since the age of 7, but if she really were to die, time might stop and heaven may flood.
And I don't really wish for people to go home at night.
I like when the streets are flooded with children, crying mosquito bites,
and parents babysitting rocking chairs,
and we become grandparents through our eyelash wishes gone amuck.
Paper airplanes take me home, and she never really had a home.
She had dandelion eyes and fistfights, and yeah.
She had knuckle crack, smack, like
"Stop, Daddy,"
Clap clap,
"Stop."
Lyrics Submitted by Gabbi

Enjoy the lyrics !!!
Named “Best Female Poet” and “Best of The Rest” at her first national poetry competition in 2008, Carrie Rudzinski is a full time performance poet who has performed her work across the United States, New Zealand, Australia, and India. She was born at the Cantab Lounge in early September 2005 when her Poetry As Performance class at Emerson College brought her to the Boston Poetry Slam and changed her life.

Ranked 7th in the world at the 2013 Individual World Poetry Slam, Carrie also took 2nd place at the coveted National Underground Individual Competition (NUPIC) at the National Poetry Slam in 2011, where poets are judged by an audience of their peers. After representing Boston’s Cantab Lounge at the 2010 Individual World Poetry Slam and twice at the National Poetry Slam (2010/2011), she ranked 14th in the world at the 2011 Women of The World Poetry Slam. Carrie again placed in the Top 20 when she represented Denver’s Mercury Cafe at WOWPS 2013.

Her work has been published in such collections as Words Dance, Muzzle, OnMag, and Alight. She has released three poetry books: A History Of Silence (Bicycle Comics, 2010), The Endless Return Home (2012), and The Shotgun Speaks (2013), which last available on Amazon. She may be contacted for bookings by email and via Facebook. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

View All

Carrie Rudzinski