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The Punisher - Eric B. & Rakim



     
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The Punisher Lyrics


Kill him again
Try to identify the man in front of ya
But it ain’t the role, the gear or the money, the
Swift intellectionist with plenty ya
Bite, if it’s dark I’ll spark every one of ya
I throw a mic in the crowd it’s a question
I got the answer it includes directions
Go manufacture a mask show me after
A glass of a master that has to make musical massacre
Attack your wack ’till it’s handicapped
You’ll never hold the mic again, try to hand it back
'Cuz every rapper that comes I cut off his thumbs
Put a record to his neck if he swallows it hums
Slice from ear to ear so till can hear better
Before he bleed to death here, hear every letter
And you can see quick and thick the blood can get
If you try to change the style or the subject
As I get deep in the rhyme I’m becomin’ a

Emcee murderer before I’m done, I’m a
Prepare the chamber the torture’s comin’ up
Trip through the mind at the end you’ll find
It’s the punisher
Kill ’em again
I hold the mic as hostage, emcees are ransom
Rhymes’ll punish ’em 'cuz they don’t undertsand ’em
I heat up his brain, then explain then I hand him
A redhot microphone that’s how I planned ’em
Rhymes call information unite midnight
Like a platoon putting bullet wounds in the mic
If ya curse me, it ain’t no mercy
Give him a autopsy, killed by a verse of me
I took a kid and cut off his eyelid
Kill him slow so he could see what I did
And if he don’t understand what I said
I’m pushing his eyeballs way to the back of his head
So he can see what he’s getting into
A part of the mind that he never been through
A journey is coming 'cuz ya getting sent to
A place harder to find but it’s all in the mental
I ran a brain scan to locate his game plan
When I’m through with his brain he ain’t the same, man
Did he lose his mind or lost in his mind
But this ain’t the lost and found because ya can’t find
Your foundation coasting, your mind is
Drifting, in slow motion frozen
Looks like another murder at the Mardi grass, B
Too late to send out a search party
Once ya out of ya head then ya can’t get back
I give ’em a map, but he still get trapped, so
Prepare the chamber, the torture’s coming up
Trip through the mind, at the end you’ll find it’s the punisher
Kill ’em again
Dangerous rhymes performed like surgery
Cuts so deep you’ll be bleeding burgundy
My intellect wrecks and disconnects your cerebral cortex
Your cerebellum is next
Your conscience becomes sub-conscious
Soon your response is nonsense
The last words are blurred mumbled then slurred
Then your verbs are no longer heard
You get your lung fried so good you’re tongue-tied
He couldn’t swing or hang so he hung ’till he died
Reincarnate him and kill him again again and again gain and again
I leave him in the mausoleum so you can see him
I got a dead M Cing museum
When I create ’em, I cremate ’em and complicate ’em
You can’t save ’em there’s no ultamatum
Mic’s lay around full of ashes with the victim’s name in slashes
Got a long list and I’m a get every one of ya
Beware of the punisher
Then I’m a kill ’em again
Wake ’em up kill ’em again

Enjoy the lyrics !!!
Eric B. & Rakim were a hip-hop duo from New York City, New York, United States composed of DJ Eric Barrier (born November 8, 1965) and MC Rakim (born William Michael Griffin Jr.). The duo went on to release 4 studio albums with their 1987, Paid In Full being regarded as one the most influential albums in Hip Hop. In 1988, they released their second album titled, Follow The Leader. They later continued two release two more albums in 1990, Let The Rhythm Hit 'Em and in 1992, Don't Sweat The Technique in which they went on to split in that same year.

Eric B. & Rakim were almost universally recognized as the best DJ & MC duo. Not only was their chemistry superb, but individually, each represented the absolute peak in their respective skills. Eric B. was a hugely influential DJ and beatmaker whose taste for hard-hitting James Brown samples touched off a stampede through the Godfather of Soul's back catalog that continues up to the present day. Rakim, meanwhile, still tops fan polls as the greatest MC of all time. He crafted his rhymes like poetry, filling his lines with elaborate metaphors and complex internal rhymes, and he played with the beat like a jazzman, earning a reputation as the smoothest-flowing MC ever to pick up a mic. His articulation was clear, his delivery seemingly effortless, and his influence on subsequent MCs incalculable. Together, their peerless technique on the microphone and turntables upped the ante for all who followed them, and their advancement of hip-hop as an art form has been acknowledged by everyone from Gang Starr to the Wu-Tang Clan. While certain elements of their sound might come off as slightly dated today, it's also immediately clear how much of a hand Eric B. & Rakim had in leading hip-hop into the modern age.

Eric B. was born Eric Barrier in 1965 in Elmhurst, Queens; his future partner, William Griffin, Jr., was born in 1968 and also hailed from the suburbs of New York, specifically Wyandanch, Long Island. At age 16, Griffin converted to Islam and adopted the name Rakim Allah. Barrier played trumpet and guitar early on, but switched to the turntables in high school, and eventually landed a job as the mobile DJ for radio station WBLS. It was there that he met Rakim, and the two officially formed a partnership in 1985. Their first single -- "Eric B. Is President" (an ode to Barrier's DJ skills) b/w "My Melody" -- was released on the tiny Harlem-based indie label Zakia. It was a street-level sensation during the summer of 1986, and the duo was picked up by the larger 4th & Broadway imprint. The equally monumental singles "I Ain't No Joke" and "I Know You Got Soul" sampled James Brown and his cohort Bobby Byrd, respectively, and their utter funkiness began to revolutionize the sound of hip-hop. Moreover, Rakim's line "pump up the volume" on the latter track was in turn sampled itself, becoming the basis for M/A/R/R/S' hit of the same name.

In 1987, 4th & Broadway issued the duo's full-length debut, Paid in Full; accompanied by a mighty underground buzz, the record climbed into the Top Ten on the R&B LP charts (as would all of their subsequent albums). Additionally, the British DJ duo Coldcut remixed the title cut into a bona fide U.K. smash. The exposure helped make "Paid in Full"'s drum track one of the most sampled beats this side of James Brown's "Funky Drummer"; it provided the foundation for Milli Vanilli's "Girl You Know It's True," among many other, more credible hits. On the heels of Paid in Full, Eric B. & Rakim signed with MCA subsidiary Uni and consolidated their reputation with another landmark hip-hop album, 1988's Follow the Leader. The title cut took its place among the classic singles already in their canon, and Jody Watley soon tapped the duo for a guest spot on her 1989 single "Friends," which brought them into the pop Top Ten for the first and only time.

The 1990 follow-up Let the Rhythm Hit 'Em proved relatively disappointing from a creative standpoint, although 1992's slightly jazzier Don't Sweat the Technique was a more consistent affair that bolstered their legacy. As it turned out, the record also completed that legacy. The duo's contract with MCA was almost up, and they had discussed the possibility of each recording a solo album. Unfortunately, the resulting tension over the future of their partnership ultimately destroyed it. In the aftermath of the breakup, various legal issues prevented both parties from starting their solo careers for quite some time.

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Eric B. & Rakim