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The Story - Roger Waters



     
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Benny is a Welsh coal miner. He is a radio ham. He is 23 years old, married to Molly. They have a son, young Ben, age 4, and a new baby. They look after Benny's twin brother Billy, who is apparently a vegetable. The mine is closed by the market forces. The Male Voice Choir stops singing, the village is dying. One night Benny takes Billy on a pub crawl. Drunk in a brightly-lit shopping mall, Benny vents his anger on a shop window full of multiple TV images of Margaret Thatcher's mocking condescension. In defiance, he steals a cordless phone. Later that night, Benny cavorts dangerously on the parapet of a motorway footbridge, in theatrical protest of the tabloid press. That same night, a cab driver is killed by a concrete block dropped off a similar bridge. The police come to question Benny; he hides the cordless phone under the cushion of Billy's wheelchair.
Billy is different, he can receive radio waves directly without the aid of a tuner; he explores the cordless phone, recognizing its radioness. Benny is sent to prison. Billy feels as if half of him has been cut off. He misses Benny's nightly conversations with radio hams in foreign parts. Molly, unable to cope, sends Billy to stay with his Great Uncle David, who had emigrated to the USA during the war. Much as Billy likes Uncle David and the sunshine and all the new radio in LA, he cannot adjust to the cultural upheaval and the loss of Benny, who for him is 'home'.
Uncle David, now an old man, is haunted by having worked on the Manhattan project during World War II, designing the Atom Bomb, and seeks to atone. He also is a radio ham; he often talks to other hams about the Black Hills of his youth, the Male Voice Choir, about home. He is saddened by the use of telecommunication to trivialise important issues, the soap opera of state. However, Live Aid has decynicised him to an extent. Billy listens to David and hears the truth the old man speaks.
Billy experiments with his cordless phone, he learns to make calls. He accesses computers and speech synthesizers, he learns to speak. Billy makes contact with Jim a DJ at Radio KAOS, a renegade rock station fighting a lone rear guard action against format radio. Billy and Jim become radio friends, Reagan and Thatcher bomb Lybia. Billy perceives this as an act of political "entertainment" fireworks to focus attention away from problems at "home".
Billy has developed his expertise with the cordless phone to the point where he can now control the most powerful computers in the world. He plans an "entertainment" of his own. He simulates nuclear attack everywhere, but de-activates the military capability of "the powers that be" to retaliate. In extremes perceptions change, Panic, comedy, compassion. In a SAC bunker a soldier in a white cravat turns a key to launch the counter attack. Nothing happens; impotently he kicks the console, hurting his foot. He watches the approaching blips on the radar screen. As impact approaches, he thinks of his wife and kids, he puts his fingers in his ears.
Silence. White out. Black out. Lights out. It didn't happen, we're still alive. Billy has drained the earth of power to create his illusion. All over the dark side of the earth, candles are lit. In the pub in Billy's home village in Wales one man starts to sing; the other men join in. The tide is turning.
Billy is home.

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George Roger Waters (born 6 September 1943 in Great Bookham, Surrey, UK) is an English musician, singer-songwriter and composer.

Roger Waters was the main lyricist for the classic British rock band Pink Floyd. He, along with Syd Barrett, Nick Mason, and Richard Wright, formed the band in 1965 and released their first album, "The Piper at the Gates of Dawn" in 1967. In 1968, Syd Barrett was replaced by guitarist/singer David Gilmour. He and Gilmour were the main creative forces behind the albums "Meddle," "Dark Side of the Moon," and "Wish You Were Here"; Waters eventually became the primary songwriter, being the driving force behind "Animals", and "The Wall" as well as the sole songwriter of "The Final Cut". Waters became well-known for being an intense perfectionist and his controlling nature alienated the rest of the band. "The Final Cut", released in 1983, was essentially a Roger Waters solo album "performed by Pink Floyd" as the credits stated. This would be the group's last album together. David Gilmour decided to carry on with Pink Floyd, without Waters. Waters, believing that Pink Floyd was a "non-entity" without him, sued the rest of the band to retire the Pink Floyd name. His lawsuit ultimately failed, and Pink Floyd released two more studio albums (each followed by a double live album) without him.

The feud between David Gilmour and Roger Waters lasted for decades, and it wasn't until Live 8 in 2005 that they finally decided to set their differences aside and perform a brief set for the charity gig. This would be the last time that Pink Floyd would ever perform together in their "classic" lineup. Shortly after the show, there was much speculation that Pink Floyd would get back together for a full reunion tour, but Gilmour ultimately nixed the idea, stating that although the Live 8 gig was fun, the rehearsals were not.

Much to everyones surprise, Gilmour and Waters reunited once again on July 11, 2010 for a charity performance for “The Hoping Foundation,” an organization that supports Palestinian refugee kids. At Ronnie Scott’s club in London, the duo performed four songs together: “To Know Him is to Love Him” (a cover of the old Teddy Bear’s song), “Wish You Were Here,” “Comfortably Numb,” and finally (after a special request) “Another Brick in the Wall Part 2.” Once again, just like after the Live 8 Reunion, speculation began regarding future reunions. No official Pink Floyd reunion has yet been set, but Gilmour did promise that he would join Roger Waters for one show on his 2010-11 “The Wall” tour, performing “Comfortably Numb.” The show that Gilmour is set to play is being kept a secret to surprise fans and (most likely) to prevent scalpers from selling tickets at outrageous prices.

The door now seems slightly ajar that David Gilmour and Roger Waters may possibly work with each other again, either as a duo, or as Pink Floyd once again. On Roger Waters facebook page, he wrote: “We (played together), and it was fucking great! End of story. Or possibly beginning.”

Waters has so far released the following solo albums:
* "Music From The Body" soundtrack with Ron Geesin(1970)
* "The Pros And Cons Of Hitch Hiking" (1984)
* "When the Wind Blows" soundtrack with contributions from other artists as well (1986)
* "Radio K.A.O.S." (1987)
* "The Wall: Live In Berlin" (1990)
* "Amused To Death" (1992)
* "In the Flesh" live (2000)
* "Flickering Flame: The Solo Years, Vol. 1" (2003)
* "Ça Ira" (opera) (2005).

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