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Things Ain't Like They Used To Be - Ub40



     
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Things Ain't Like They Used To Be Lyrics


Are you wonderin' why no one talks anymore
And all you hear is the cry for war
Are you wonderin' if there are people who
Hurt inside the same as youThere are gray-faced men always tellin' me
That things ain't like they used to be
You kids have got no self respect
Wake up old man to your neglectIt's dog eat dog, it's hand to mouth
It's east and west, it's north and south
Just like you drummed it into me
Things ain't like they used to beI'll tell you why I can't afford
To hang my hopes upon your word
And when I'm done I'll join the queue
Take my chance, no thanks to youIt's in or out, it's stop and go
It isn't what, it's who you know
I've heard you now can you hear me?
Things ain't like they used to beAre you wonderin' why no one talks anymore
And all you hear is the cry for war
Are you wonderin' if there are people who

Hurt inside the same as youAncient rules for ancient men
But this is now and that was then
Don't lay your heavy hand on me
And sink me in your poison seaIt's us and them, it's me and you
It's guessing games, it's what to do
Exactly like you said to me
Things ain't like they used to beAre you wonderin' why no one talks anymore
And all you hear is the cry for war
Are you wonderin' if there are people who
Hurt inside the same as youAre you wonderin' why, no one talks anymore
And all you hear is the cry of war
Are you wonderin' if there are people whoHurt inside the same as you
Hurt inside the same as you
Hurt inside the same as you
Hurt inside the same as youHurt inside the same as you
Hurt inside the same as you
Hurt inside the same as you
Hurt inside the same as you

Enjoy the lyrics !!!
UB40 are a British dub / reggae pop music band formed in 1978 in Birmingham, England.

The band is one of the most culturally diverse dub reggae bands with musicians of English, Scottish, Irish, Yemeni and Jamaican parentage. The band is named from the paper form issued by the UK government's Department of Health and Social Security at the time of the band's formation for claiming unemployment benefit (UB40 = Unemployment Benefit, Form 40).

UB40 were influenced by the many Blues Parties they attended as teenagers in the multiracial Balsall Heath area of Birmingham, their love of ska and reggae inspired such original tracks as King, Madam Medusa, Food for Thought, Signing Off and One in Ten.

Their early music style was unique, with a heavy influence of analogue synthesizers, psychedelic rock guitar, saxophone and dub producer techniques which were later perfected by the late Pablo Falconer.

Ali and Robin Campbell have a musical heritage, being sons of Ian Campbell, a folk musician.

The band purchased its first instruments with compensation money Ali Campbell received after a bar fight. They have had a number of hits, most commercially and to amusement of the band, "Red Red Wine", a cover version of a Neil Diamond song (in an arrangement similar to that of Tony Tribe's version). Their most successful single release is the cover of the Elvis Presley ballad Can't Help Falling in Love which was intended to be the main title to the 1992 Sharon Stone movie Sliver and was a Number One hit across Europe and in the U.S.

Many of UB40's recordings were inspired by 1960s ska and early lovers rock songs that would have otherwise been forgotten in the public eye. Their new injection of life into so many old Jamaican hits has resulted in many musicians' and producers' renewed popularity and income.

UB40's early music often tackled social issues such as racism and unemployment.

Other artists that UB40 have collaborated with include: Pato Banton, Madness, Bitty McLean, Chrissie Hynde, Robert Palmer, Hunterz, Japanese artist Mikidozan, French artist Nuttea, Lady Saw and Afrika Bambaataa.

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