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To the Listeners - Eric B. & Rakim



     
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To the Listeners Lyrics


Advisory - the following lyrics contain explicit language:
It's to the listeners
It's to the listeners
It's to the listeners
It's to the listenersIt's to the listener
It's to the listener
It's to the listener
It's to the listenerIt's to the listeners, for those that have a ear for this
State of the art, engineered for the mix
Eardrums are playing along to what I'm sayin you're singin a song
Stevie Blass on the keyboard, swingin along

But you don't have to dance, play it cool and listen
My DJ's mixin, and I'll do the quizzin
Cause who is number one if not best then better
Here's a hint the 18th letter
The rhymes is sportable, microphone is portable
For any immortal man, swords is not affordable
Never take a loss cause I'm hard to beat
I ain't cheap but don't sell me a dream I don't sleep
I'm Paid in Full, so save the bull
This ain't a stick up, you don't have to wave until
You feel Sure, and you want more then wipe your sweat
Cause I just wanted to see how hype you could get
Cause when I came in the door steppin hard enough to shake the floor
I just started but the others can't make no more
Runnin out of beats breaks and out of time
If I was gone, you'd be runnin out of rhymes
I improve, record don't have to be long
If it's understood and the story is strong
You can speak out and hold the crowd as prisoners
The people is peepless, it's to the listenersI'm the Lord, for somethin you can absorb
Try and control and be cautious but the cut's in a cord
Make me deeper than down, I make the crowd, crowd around
People are peepless, cause the soloist found
Phrases, thoughts, made by the R of course
One thing I do is keep em different, and far from yours
You keep talkin, when will all the damage be done?
You say you're rulin but when I'm in the place you don't come
Maybe you're waitin, to see what I'm makin
One more style gets taken, then I'ma be breakin
If the patterns are causes, piano is soft
But make it hard for you to start, where I left off
You find yourself, till the point is across
You hit reverse to rewind it, that's when you hit the pause
I set the scene, first you hear mixin
Then the microphone fiend's in effect, still listenin?
Pay close attention, never before mentioned
Listen up I got a brand new invention
Made from a musician it's notes are played crisp
But listeners listen to what I wrote on a disc
Copywritten but still bitten they almost sound like
Almost pumpin, but it ain't down like
A record's supposed to sound, watch as it go around
Records are broken, smashed into the ground
That ain't My Melody, brothers keep runnin up and tellin me
Others are trying to flow smooth and steadily
Potholes are left in my path then I crash and bruise
Whoever refuse and cruise right past em
Cause I just left to do it for easy whatever
Death, till I get back you better stay in step
After speaking you'll stare, if I was there your description is
Letters full of poetical medicine, this is for the listeners

Enjoy the lyrics !!!
Eric B. & Rakim were a hip-hop duo from New York City, New York, United States composed of DJ Eric Barrier (born November 8, 1965) and MC Rakim (born William Michael Griffin Jr.). The duo went on to release 4 studio albums with their 1987, Paid In Full being regarded as one the most influential albums in Hip Hop. In 1988, they released their second album titled, Follow The Leader. They later continued two release two more albums in 1990, Let The Rhythm Hit 'Em and in 1992, Don't Sweat The Technique in which they went on to split in that same year.

Eric B. & Rakim were almost universally recognized as the best DJ & MC duo. Not only was their chemistry superb, but individually, each represented the absolute peak in their respective skills. Eric B. was a hugely influential DJ and beatmaker whose taste for hard-hitting James Brown samples touched off a stampede through the Godfather of Soul's back catalog that continues up to the present day. Rakim, meanwhile, still tops fan polls as the greatest MC of all time. He crafted his rhymes like poetry, filling his lines with elaborate metaphors and complex internal rhymes, and he played with the beat like a jazzman, earning a reputation as the smoothest-flowing MC ever to pick up a mic. His articulation was clear, his delivery seemingly effortless, and his influence on subsequent MCs incalculable. Together, their peerless technique on the microphone and turntables upped the ante for all who followed them, and their advancement of hip-hop as an art form has been acknowledged by everyone from Gang Starr to the Wu-Tang Clan. While certain elements of their sound might come off as slightly dated today, it's also immediately clear how much of a hand Eric B. & Rakim had in leading hip-hop into the modern age.

Eric B. was born Eric Barrier in 1965 in Elmhurst, Queens; his future partner, William Griffin, Jr., was born in 1968 and also hailed from the suburbs of New York, specifically Wyandanch, Long Island. At age 16, Griffin converted to Islam and adopted the name Rakim Allah. Barrier played trumpet and guitar early on, but switched to the turntables in high school, and eventually landed a job as the mobile DJ for radio station WBLS. It was there that he met Rakim, and the two officially formed a partnership in 1985. Their first single -- "Eric B. Is President" (an ode to Barrier's DJ skills) b/w "My Melody" -- was released on the tiny Harlem-based indie label Zakia. It was a street-level sensation during the summer of 1986, and the duo was picked up by the larger 4th & Broadway imprint. The equally monumental singles "I Ain't No Joke" and "I Know You Got Soul" sampled James Brown and his cohort Bobby Byrd, respectively, and their utter funkiness began to revolutionize the sound of hip-hop. Moreover, Rakim's line "pump up the volume" on the latter track was in turn sampled itself, becoming the basis for M/A/R/R/S' hit of the same name.

In 1987, 4th & Broadway issued the duo's full-length debut, Paid in Full; accompanied by a mighty underground buzz, the record climbed into the Top Ten on the R&B LP charts (as would all of their subsequent albums). Additionally, the British DJ duo Coldcut remixed the title cut into a bona fide U.K. smash. The exposure helped make "Paid in Full"'s drum track one of the most sampled beats this side of James Brown's "Funky Drummer"; it provided the foundation for Milli Vanilli's "Girl You Know It's True," among many other, more credible hits. On the heels of Paid in Full, Eric B. & Rakim signed with MCA subsidiary Uni and consolidated their reputation with another landmark hip-hop album, 1988's Follow the Leader. The title cut took its place among the classic singles already in their canon, and Jody Watley soon tapped the duo for a guest spot on her 1989 single "Friends," which brought them into the pop Top Ten for the first and only time.

The 1990 follow-up Let the Rhythm Hit 'Em proved relatively disappointing from a creative standpoint, although 1992's slightly jazzier Don't Sweat the Technique was a more consistent affair that bolstered their legacy. As it turned out, the record also completed that legacy. The duo's contract with MCA was almost up, and they had discussed the possibility of each recording a solo album. Unfortunately, the resulting tension over the future of their partnership ultimately destroyed it. In the aftermath of the breakup, various legal issues prevented both parties from starting their solo careers for quite some time.

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Eric B. & Rakim