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Under My Wheels - Quincy Punx



     
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Under My Wheels Lyrics


I've got a customized hearse with razor edged fins
A fifty-seven Caddilac thats blacker than sin
It's got a four-fifty-four and spikes on the grill
I've got a license to drive, I've got a license to kill
Cruising down main street on a saturday night
See some small town muscle head out looking for a fight
Screech around the corner by the local malt shop
Take out all the hicks and a couple of jocksHeadlights pin you down with fear
Screeching rubber's the last thing you'll hear
Sudden impact's all you'll feel
As you're crumpled under my wheelsBack in the city there's lots more prey
And if looks like things are going my way
See a big flock of yuppies at the art bar uptown
Jump the curb on Lake Street and run em all down

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Inspired by their love for beer, classic punk rock, and cheesy '80's horror movies, Quincy Punx were founded in 1990 by Bob Wood - Guitar, Dave DePriest - Vocals/Lyrics, and Mike Robertson - Drums/Vocals in St. Paul, Minnesota. Throughout the years, this core line-up has remained the same, but with a "revolving door" line-up of bass players.
The first was Greg Martin, who had to leave due to chemical burns on a large percentage of his body and subsequently falling into a coma. True shit. It wasn't until Jeff, the fifth bass player, that the band actually became active. Upon recruiting the sixth bassist, Kyle, the band saw it's first release, 1992's (me) a.k.a. "Darby Was A Martyr", a 6 song 7" e.p. released on THD Records of Minneapolis, which got great reviews from Flipside, Jeff Bale, and Maximumrockandroll's Tim Yohannon. The band was then picked up by Recess records and released "Get The Humans", a 5 song 7" e.p. followed by a split label release with THD, "We're Not Punx... But We Play Them On T.V., a 23 song L.P. which featured a cover of G.G. Allin's "Don't Talk To Me" in 1993. The bands first tours began shortly afterward.
By 1995 the band began recording at Amphetamine Reptile studios for the material that would end up as 1995's "Stuck on Stupid" 10" e.p. on Recess, and split 7"'s with Blanks 77, Resin Scraper, and the Rejects, as well as the song "Sick Pleasure" for Half-Mast/The Daggers Records compilation "No Slow, All Go!" featuring a shit-load of Twin Cities bands. The compilation was nominated for a Minnesota Music Award, as was the Quincy Punx in 1996. Around this time, the band was featured in the film "Debasement", a documentary film by Patti Rhodes about the Twin Cities punk scene. A lengthy series of tours followed with bands such as F.Y.P., Sex Offenders, and Blanks 77, as well as short stints with the Dwarves, Propaghandi, and a hand-full of others.
By 1997, Kyle had left the band and Frank Rivera of Mpls. band Skaterbait, assumed the role of bass player. Frank was featured on the Quincy Punx V.M.L.ive 7" recorded at the Fireside Bowl in Chicago. Frank left the band after the '97 U.S. tour and was replaced by Blake Hurlbert of (sic). In 1997, the band recorded the material for "Nutso Smasho, with Tim Mac, (referred to in the liner notes as "Dr. X") the second full-length L.P. on Recess Records.
From 1993 to '99, various songs were contributed to numerous compilations such as, "Punk Bites 2" C.D., "Pigs Suck" 2x7", "Stealing The Pocket" L.P., Joey Vindictive Presents "That Was Now, This Is Then" C.D., "Punk Sucks" C.D., "One Beer Short Of A Six Pack" 7", on numerous labels including Laberynth, Turkey Baster, Liberation, and V.M.L.
After Blake left the band, Troy Stark (Mondo Trasho, Slipshod) took the role of ninth bassist for the last stage of touring the band would see. By 1999 the band had all but self destructed, and for the last 10 tears, Quincy Punx have played only on their own turf.

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