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Unfair - The NBHD



     
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Unfair Lyrics


[Intro: Tech N9ne]And the road gets, harder with flow spits
Cause we represent that Kansas City Mo shit
Double Doses, Tech Kalikosis
But ran into a duo that's ferocious
Some of the best two, kill you no rescue
They say that you gotta spit hot 16's before you step through
And they say everybody, nigga even Tech do
Now we gotta explain our journey to the Ces Cru
[Verse One: Tech N9ne]I'm on a pilgrimage to the rhyme Mecca, because I'm Tecca
And this mind left ya, down at the bottom because N9ne's betta
And if swines ever find the quest to try and test the
Cleverness they in a mess bind and yes I sever decay em and define pressure
I'mma spit it for
Big roars and not a critic whore
Hit ignore
I got acidic core
*In this war your not a winner pause??*
Wanna pla-ay every da-ay

Sta-ay for the way I spra-ay sa-ay
You gotta pa-ay that's ya-ay and ay-ay
Bumblebee tuna, GRR
Dont be smelling like it if your under me rumors
Will begin about you from hungry pumas
Hoping wising prayin when your gonna be sooner
When I'm dead 'em I get up in the head of the nigga that said it
I'm pickin the lead up then I wet em look like a predator, I'mma get em n let em pass
Skip the peace it ain't no humble we luna
Moon stricken, rednecks sayin who them coones rippin
BOOM
Pick em up
Take em off to my land in my van a lotta room
Get in and in
When I catch my flow tryin ta wake up your style
But you fucked up like, uh oh
I'mma make up for it now
[Hook]It's unfair to be such a motherfucking rarity
Beware that we tear many squares if he dares to be a parody
Of this clarity we bare that we share swear we need therapy
Prepare to see nare any spared carelessy beverly there it's unfair
[Verse 2 — Krizz Kaliko]Who are these dudes we never let any of these fools cheat on the rules
Kristopher egotistical narcistic whicha
If they say no then we tellem to get up n move we makin some rules
I heard of these guys, murderous when it comes to scripture
Ubiquitous, and Godemis, they Gods to us
We Gods to them, so we meet right in the middle
Too fat to fry it up and belittle
When its unfair, we got there hands in the air
And you can't even get a show
No one cares that your freestyle so rare
But no body could anybody know
But it's easy for them physical favors
Why yall just spend all your paper
Breezes bend over the table
Tattoos embezzle my label
Drivin n traffic n rhymes them choppers Africanized
We work
Look whats happenen to your wives
While your at 9 to 5's
You might as well stop rappin
Cuz its not happenen if I stop laughin
Cuz its to hurt to impress just play and disregard
The four horsemen of course with force to the coarsewin
Your talkin taller when yall gettin the short end
[Hook x2][Verse 3 — Godemis (Ces Cru)]It's unfair to me
Nothing is what it appears to be
Killin off anything and everything
Comin to enter somethin that's dear to me
If you feelin the fear then flee
Fi fo fee fo where the fuck go
I'm retarded with a clover
I guess you can call it dumb luck
When I'm rappin
Out of habit im adament gettin adam
But I would rather
Hit a madam with a Magnum and split her atoms
Tryna fathom the famon that will deminish the anger
Got a place it at the table, we eatin spinnach with strangers
Sippin Carabou lou
Spillin the sickest shit ever by tellm bout who the lou
I'm one of two in the crew, with knife in my pocket an one in my shoe
Surrounded by haters so what am I do
Thinkin I gotta devise a gameplan
Get a ticket to kickit with krizz n nina
So I guess I'm headed to STRANGELAND!
And my main man, woulda told me to merkem
Doin the sin indeed
I'mma catch a couple more, then I'm formin a human centipede
Pause "Pause"
I'm aware to vacate it, look it they god at this
Who the fuck is fuckin with
Tech, Kali, Ubiquitous
[Hook x2][Verse 4 — Ubiquitous (Ces Cru)]It's unfair to be, doin mother fuckin charity
You can pay a fuckin fair for me
You really there? Ain't nothin there for me
Move carefully
I swear to be, light as a parakeet
High as a cherokee
In my rhyme I spoke like jeremy
Feel my fire, my smoke, my kerosene
We we don't want no drama
We we don't want no trouble
We we can keep it peacefull
If yall yall can keep it humble
I, I really don't know what he come fo
But his name is the same as a gun yo
Strangeland is a place that I seen in a dream
Since I was runnin around in my undbro
And you heard it direct from my mouth piece
Tech scouted me out, and found me
Turn out we the perfect strangers
Lary appleton and balky [?]
I was out east
When techs came in , when tech sayin what is about to be
Before you fuck me, on the go kno that everyone around lookin out fo me
Now that we got that in the air
I can feel the change in the atmosphere
A crew been livin in limbo
Apprently all this rappin has trapped us here
And after years they hearin we lost inside the dream
Not necessarily
I won't let this rap thing bury me
I'mma let these bat wings carry me

Enjoy the lyrics !!!
The Neighbourhood are an American alternative rock/dark pop band that formed in Newbury Park, California, USA in August 2011. The band consists of Jesse Rutherford, Jeremy Freedman, Zach Abels, Mikey Margott and Brandon Fried. Bryan Sammis (drums) left the group in January, 2014.

The band released their first EP, I'm Sorry... in January 2013, where their single Sweater Weather reached #1 on the U.S. Alternative Tracks and #8 on the U.S. Rock Tracks and #33 on the Billboard Hot 100. The song also charted at #68 in Canada. Their first album, I Love You. was released on April 23, 2013.

In early 2012 a mysterious band appeared online. The group, The Neighbourhood, revealed no biographical information, no photos and no backstory, offering only a moody track titled "Female Robbery." Fans and the press were confounded, scouring the Internet for any information that might lead them to the identity of these musicians. Pieces of the puzzle, some reflecting reality and some not so much, began to emerge. The Neighbourhood were a quintet. They were from California despite the British spelling of their name. They had a second track, "Sweater Weather," which had an accompanying -- and equally dark -- video.

Although The Neighbourhood's identity remained hazy, it became clear that the music they were making felt transformative to critics and fans alike. The evocative combination of rock instruments with R&B and hip-hop aesthetics seemed, in many ways, revelatory, a reimagining of sounds that seemed to make people clamor for more information with even greater fervor. In April, BBC Radio One DJ Zane Lowe, an early champion of the group, let it slip that The Neighbourhood was the handiwork of musician Jesse Rutherford, a resident of Newbury Park, CA. By early May, as the band unveiled a free, self-released EP titled "I'm Sorry," it became understood that the identity of this young band was, ultimately, secondary to the music itself.

So who are The Neighbourhood? In essence, the group, which formed in August of 2011, is a collection of five friends who make music together. They're headed by Rutherford, a 21-year-old singer who has dabbled in various genres, including hip-hop, before crafting the merge of sounds that categorizes The Neighbourhood's style. Their debut EP produced by Justyn Pilbrow, who brought Emile Haynie onboard to collaborate on "Female Robbery." The EP, recorded at the end of last year, is composed of shadowy, emotional music with visuals to match. And it's all part of the band's master plan.

"I always have a strong vision before I go into anything," Rutherford says. "I don't know how to make music any other way. It was all in my head, and that vision for the music was to make hip-hop beats with guitars and I was going to sing and rap over them. We wanted to do that hip-hop aesthetic on an indie platform."

"I'm Sorry," a five-song disc, is a precursor to the band's debut album, which is also being produced by Pilbrow and Haynie. The album, expected out March 2013, will expand the group's moody sensibility, which pairs brooding layers of instrumentals with Rutherford's hip-hop-inspired croon. The style, which the band has dubbed "black and white" due to its confident inspirations, is based largely in rhythm, as evidenced by the EP. "When I started in music I started doing drums and then I started doing vocals," Rutherford explains. "And then I combined the two together because to me rapping is just rhythmic vocals. I think the rhythm of hip-hop is really what got me into it. It's not just words being said; it's about how the words are said."

In the end, all you need to know about The Neighbourhood is in that music and in those words. There are more facts, more pieces of the puzzle, more information to unveil. But what's the fun in being given the full picture when you can slowly discover it for yourself? It's better to leave some mystery lingering. Because, after all, it's that unknowing that brought The Neighbourhood to people's attention to begin with. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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The NBHD