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Untouchables - Eric B. & Rakim



     
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Untouchables Lyrics


This is poetry in motion
Try to catch on, stay close to the host
And MC's try to make the road rough but I'm coastin'
Ladies hear the rhymes rub 'em on like lotionHit spots soothin', can't stop movin'
Go ahead, bust a sweat and you can bet I'm still coolin'
When I detain it's a brainstorm
Never the same form, every brain I rained on is warmTakin' a trip through Memory Lane to Melody
See if you could tell if these thoughts to fell MC's
Could do you justice but you can't touch this
Some kid just tried to bust this but he just missedI'm universal and much more merciful
So versatile with the style it's reversible
I get away even if I say a curse or two
First, let me bust another verse for youYour arms too short to box with Ra, so quit
You don't want no kind of conflict
Or you'll get stripped as the rhyme is ripped
Pick up the pieces now ain't that peace, yeah I'm hipEverything I said flows since my intro
I plant a thought extend and then grow
Holdin' my pen tightly it might be controversy at first

When I write the chords of researchDon't just take it for granted
When I'm gone my mind remains a planet
If I keep buildin' and teach the children
So when they read in between the lines it's filled inI break to meditate, not a peep, concentrate
Till I'm deep awake but not asleep
At the same time risin' and advertisin' what is true
Keep advised and you can stay wise and I'm untouchableComin' over the bridge, take a peak at the skyline
'Cause that's how I shine not only when I rhyme
My culture's makin' me stronger, mentally
Physically I'm powerful poetry now that could beLabeled as art placed in a museum
Style'll make scenery, now you see 'em
Exhibit a knowledge that's packed and filled with
Nothin' illiterate, it's facts I build withMy mind's untouchable which means intangible
Contents never dense, it's understandable
I study life, so I can live it the right way
No time to hear what another brother might sayWhy sell a capsule of crack I don't have to?
I rhyme and sign million dollar contracts to
Put message on records that's graced with hard bass
Smugglin' microphones, this ain't ScarfaceWhoever talked that talk, I wanna hawk
And don't try to 'Escape From New York'
Cross a 110th Street lookin' for a problem
It's 'Hell Up In Harlem', watch Ra solve 'emI hear the music clear as I get near
The hundred and twenty fifth street Apollo Theater
Take a step back when I rap I step up to you
I'm untouchablePut on my thinking cap pump the track
Test your reflex relax but in contact
You fold and lose control, so hold your partner closer
You're supposed to keep your composureBut you hear the drum said go then it gets so hype
It's like nitro opponents get petro
Remember the trademark left by the R
That's never soft or smooth, it's comin' off the hardestIn effect, you could die-tect the impostor
Takin' my props, Rakim is still proper
I'm a prophet, you can't stop it when I drop it
Everything I say, coincide with the topicThoughts bounce around till my skull is fractured
Inside my brain it's all manufactured
As we go deeper it's hard to find
Don't even think about it 'cause you can't read my mindIt's clear so therefore you need a ear or inclined
In the mind with some kind of idea for the style
I'm advertisin' what is true, keep advised
That you stay wise and the mind is untouchable

Enjoy the lyrics !!!
Eric B. & Rakim were a hip-hop duo from New York City, New York, United States composed of DJ Eric Barrier (born November 8, 1965) and MC Rakim (born William Michael Griffin Jr.). The duo went on to release 4 studio albums with their 1987, Paid In Full being regarded as one the most influential albums in Hip Hop. In 1988, they released their second album titled, Follow The Leader. They later continued two release two more albums in 1990, Let The Rhythm Hit 'Em and in 1992, Don't Sweat The Technique in which they went on to split in that same year.

Eric B. & Rakim were almost universally recognized as the best DJ & MC duo. Not only was their chemistry superb, but individually, each represented the absolute peak in their respective skills. Eric B. was a hugely influential DJ and beatmaker whose taste for hard-hitting James Brown samples touched off a stampede through the Godfather of Soul's back catalog that continues up to the present day. Rakim, meanwhile, still tops fan polls as the greatest MC of all time. He crafted his rhymes like poetry, filling his lines with elaborate metaphors and complex internal rhymes, and he played with the beat like a jazzman, earning a reputation as the smoothest-flowing MC ever to pick up a mic. His articulation was clear, his delivery seemingly effortless, and his influence on subsequent MCs incalculable. Together, their peerless technique on the microphone and turntables upped the ante for all who followed them, and their advancement of hip-hop as an art form has been acknowledged by everyone from Gang Starr to the Wu-Tang Clan. While certain elements of their sound might come off as slightly dated today, it's also immediately clear how much of a hand Eric B. & Rakim had in leading hip-hop into the modern age.

Eric B. was born Eric Barrier in 1965 in Elmhurst, Queens; his future partner, William Griffin, Jr., was born in 1968 and also hailed from the suburbs of New York, specifically Wyandanch, Long Island. At age 16, Griffin converted to Islam and adopted the name Rakim Allah. Barrier played trumpet and guitar early on, but switched to the turntables in high school, and eventually landed a job as the mobile DJ for radio station WBLS. It was there that he met Rakim, and the two officially formed a partnership in 1985. Their first single -- "Eric B. Is President" (an ode to Barrier's DJ skills) b/w "My Melody" -- was released on the tiny Harlem-based indie label Zakia. It was a street-level sensation during the summer of 1986, and the duo was picked up by the larger 4th & Broadway imprint. The equally monumental singles "I Ain't No Joke" and "I Know You Got Soul" sampled James Brown and his cohort Bobby Byrd, respectively, and their utter funkiness began to revolutionize the sound of hip-hop. Moreover, Rakim's line "pump up the volume" on the latter track was in turn sampled itself, becoming the basis for M/A/R/R/S' hit of the same name.

In 1987, 4th & Broadway issued the duo's full-length debut, Paid in Full; accompanied by a mighty underground buzz, the record climbed into the Top Ten on the R&B LP charts (as would all of their subsequent albums). Additionally, the British DJ duo Coldcut remixed the title cut into a bona fide U.K. smash. The exposure helped make "Paid in Full"'s drum track one of the most sampled beats this side of James Brown's "Funky Drummer"; it provided the foundation for Milli Vanilli's "Girl You Know It's True," among many other, more credible hits. On the heels of Paid in Full, Eric B. & Rakim signed with MCA subsidiary Uni and consolidated their reputation with another landmark hip-hop album, 1988's Follow the Leader. The title cut took its place among the classic singles already in their canon, and Jody Watley soon tapped the duo for a guest spot on her 1989 single "Friends," which brought them into the pop Top Ten for the first and only time.

The 1990 follow-up Let the Rhythm Hit 'Em proved relatively disappointing from a creative standpoint, although 1992's slightly jazzier Don't Sweat the Technique was a more consistent affair that bolstered their legacy. As it turned out, the record also completed that legacy. The duo's contract with MCA was almost up, and they had discussed the possibility of each recording a solo album. Unfortunately, the resulting tension over the future of their partnership ultimately destroyed it. In the aftermath of the breakup, various legal issues prevented both parties from starting their solo careers for quite some time.

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Eric B. & Rakim