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Who Stole the DJ Lyrics


Let, let, let's goCalling all cars, calling all cars
Be on the lookout someone has stolen the D.J.
Agent F.P. get on the case immediatelyLet's, let's goI Got the call about eleven fifteen
Twelve o'clock arrived on the scene
Looked around and things were ill
The party was at a dead stand stillPeople sittin' around no music
The situation was somewhat confusing
But I'm a detective I knew right away what happened
Somebody stole the D.J.Who or why I had no clue
But I knew what I had to do
No eat no sleep, just work
Then walked past this fly mini-skirtI had to dis her quick before she greeted
Come on baby I'm working, beat it
Come on I'm busy, just go away
Gotta find out who stole the D.J.Let's, let's goThis mystery needed to quickly be solved
'Cause there were kids involved
Friday and Saturday nights had no songs
Why, because the D.J. was goneSmiles you used to dance and sing around

Now were replaced by frowns
And it was up to me to solve the mystery
And get back the disc jockeyI found an eye witness
But his breath wreaked of chitins
All I know is his breath did pound
Buddy forget it, just write it downNo fingerprints no clues
The only witness was the bad breath dude
It was up to me to save the day
And find out who stole the D.J.Let's, let's goThrough the door this dame walked in
I swear to James Bond a perfect ten
I thought to myself I'm working just forget it
Then I thought well maybe I've got a minuteSo I took her down to the station
To the back room for some interrogation
Captain doesn't like it, but I must confess
I interrogate best when I'm undressedWe were in there for hours drained
To see who would break first, me or the dame
Then she broke, and her mind was my possession
(Prince I love you)
That wasn't the questionI only wanna know one thing
I've gotta make the kids dance and sing
So tell me now cause crime don't pay baby
Who stole the D.J.I scar rowed the city but still no clue
Lost like a cause, what should I do
Then like a bolt of lightening it hit me
Ah, the worst villain in the cityI wasn't prepared for what was in store
He had stolen the D.J. before
You all know this ruthless foe to his hideout
(Let, lets go)Tip toed up the steps
Slowly and ever so quietly I crept
But out of nowhere I was attacked
Just like in the movies, clubbed from the backI felt like a fool
(Man, you need to go back to private eye school)
I was the dunce of the day
There I was tied up with the D.J.Let's goThere we were both tied to a pole
I told the D.J. relax its under control
(Relax man, we both goin' down you can't even keep yourself untied)
Do you want to be free or not
I'm gonna get us out of this tight spotI planned this all along cap
There a knife in my swiss army hat
With the blade I cut the rope
(Man your secret services spy hats dope)I radioed for back up cars
So we could put this crook behind bars
Another criminal off the streets
Another D.J. back to his beatsI walked in the club and I was happy to say
Ladies and gentlemen, here's your D.J.Let's GoCalling all cars, calling all cars
Be on the lookout,
(Let, lets go)
Someone has stolen another D.J.Calling private eye Fresh Prince
Be on the lookout
(Let, lets go)
Someone has stolen another D.J.
Get on the case immediatelyLet's go, let's go
Let's go, let's go

Enjoy the lyrics !!!
DJ Jazzy Jeff & The Fresh Prince was a 1980s and 1990s rap duo. The vocalist of this duo, Will Smith, met Jeff Townes while trying to make a name for himself in West Philadelphia’s local party/rap scene. After joining forces, the team became local celebrities. Philadelphia-based Pop Art Records released their first single, Girls Ain’t Nothing but Trouble, in late 1985, a tale of misadventures with the opposite sex. The song sampled the theme of I Dream of Jeannie. Smith became known for lighthearted, storytelling raps and capable, through curse-free, 'battle' rhymes. Townes was known for his turntable acrobatics, and is credited by many as inventing a style of scratching called "transforming".

Based off this success, the duo were brought to the attention of Jive Records and Russell Simmons’. Their first album, Rock the House, debuted on Jive in the summer of 1987. The band found themselves on their first major tour with Run DMC, Public Enemy, and others, that same year. The album sold about 300,000 units. Their 1988 follow-up hit, He's the DJ, I'm the Rapper made them multi-platinum stars. Mostly recorded in the UK, the album was rap musics’s first double-vinyl LP release (also issued as a single cassette and CD). Parents Just Don’t Understand, the lead-off single, made them MTV household names, and tracks like Brand New Funk was received well by their fans. Rock The House was re-released to gold sales later that year.

Another single, Nightmare on My Street, showcased a fictional confrontation with movie villain Freddy Krueger. Coinciding with the release of the fourth Nightmare on Elm Street film (1988’s "The Dream Master"), New Line Cinema was not pleased. A video allegedly shot for the single was buried, and a disclaimer was hastily included on pressings of the album indicating that the record was not officially affiliated with any of the "Nightmare" films (ironically, Jive Records ended up releasing the soundtrack to the next film in the series, "The Dream Child").

1989 saw the release of And In This Corner..., which sold gold, but saw the duo slip in popularity. The crossover curse of various rap acts had come to pass, as their initial audience felt they had become too accessible; non-crossover rap acts like Big Daddy Kane and Boogie Down Productions had bigger street followings; meanwhile, pop radio had latched on to new faces like Tone Loc and Young MC, while non-radio followers became more enamored with hardcore acts like Ice-T and 2 Live Crew. In a bit of mild irony, the lead single, I Think I Can Beat Mike Tyson, featured the brawler in its video, but shortly after the band’s Grammy performance in 1990, Tyson lost his first fight with Buster Douglas.

Smith would later admit to a spendthrift attitude during this time, becoming near-broke, which led him to feel he had nothing to lose when a TV producer approached him to do a show on NBC. The Fresh Prince of Bel-Air boosted his profile, and pocketbook, giving him the leverage to stage a comeback album, Homebase, in 1991. The platinum album featured the lead-off single Summertime, which has become one of their most enduring hits. Code Red, their last studio LP as a duo, released in 1993 to gold sales. The duo made it to the very top of the Singles charts in 1993 with the single Boom! Shake The Room.

Shortly afterward, Smith began to look at acting full-time; his movie roles increased, finally getting his first lead role in 1995’s Bad Boys. 1996’s Independence Day cemented him as a major draw, and he left the Fresh Prince that same year. Strangely, he and Townes ended up being sued by Jive, who alleged that the duo still owed them albums. In an intervew, Smith has stated that while shooting the Men in Black movie, Smith approached Jive with the "Men in Black" single; they turned him down, saying that it couldn’t be a hit. In the aftermath of the movie and soundtrack’s success, the duo settled the lawsuit out of court. Hence, their Greatest Hits compilation includes two cuts from the M.I.B. soundtrack.

Since then, of course, Smith has released three Columbia/Sony albums under his own name; a separate "solo" hits cd was released in 2003. Jazzy Jeff, meanwhile, recorded an aborted album for Columbia in 1999 (including a song with Eminem), and then independently released The Magnificent in 2002. He has also become an R&B producer of note, overseeing releases by Jill Scott and others.

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Dj Jazzy Jeff & The Fresh Prince