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You Keep Me Hangin' On (The Almighty Remix) - The Supremes



     
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You Keep Me Hangin' On (The Almighty Remix) Lyrics


Set me free why don't cha babe
Get out my life why don't cha babe
'Cause you don't really love me
You just keep me hangin' on
You don't really need me
But you keep me hangin' onWhy do you keep a comin' around playing with my heart?
Why don't cha get out of my life and let me make a new start?
Let me get over you the way you gotten over me, yeahSet me free why don't cha babe
Let me be why don't you babe
'Cause you don't really love me
You just keep me hangin' on
No, you don't really want me
You just keep me hangin' onYou say although we broke up you still wanna be just friends
But how can we still be friends when seeing you only breaks my heart again
(And there ain't nothing I can do about it)Whoa, ooh, whoa, ooh, whoa
Set me free why don't you babe
Get out, get out of my life
Why don't you babe

Set me free why don't you babe
Get out of my life
Why don't you babeYou claim you still care for me but your heart and soul needs to be free
And now that you've got your freedom you wanna still hold on to me
You don't want me for yourself so let me find somebody elseWhy don't cha be a man about it and set me free
Now you don't care a thing about me
You're just using meGo home, get out, get out of my life
And let me sleep at night
'Cause you don't really love me
You just keep me hangin' onYou don't really need me
Songwriters
HOLLAND, EDWARD JR. / DOZIER, LAMONT / HOLLAND, BRIANPublished by
Lyrics © Sony/ATV Music Publishing LLC

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The Supremes were a very successful motown all-female singing group active from 1959 until 1977, performing at various times doo-wop, pop, soul, broadway showtunes, psychedelia, and disco. One of Motown's signature acts, The Supremes were the most successful African-American musical act of the 1960s, recording twelve #1 hits between 1964 and 1969, many of them written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland. The crossover success of the Supremes during the mid-1960s paved the way for future black soul and R&B acts to gain mainstream audiences both in the United States and overseas.

Founded in Detroit, Michigan, United States in 1959, The Supremes began as a quartet called The Primettes. Founding members Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, all from the Brewster-Douglas public housing project in Detroit, were the sister act to The Primes (later The Temptations). In 1960, Barbara Martin replaced McGlown, and the group signed with Motown in 1961 as The Supremes. Martin left at the end of 1961, and Ross, Ballard, and Wilson carried on as a trio. After they achieved success in the mid-1960s with Ross as the lead singer, Motown president Berry Gordy renamed the group Diana Ross & the Supremes in 1967, and replaced Ballard with Cindy Birdsong. Ross left the group for a solo career in 1970, and was replaced by Jean Terrell. After 1972, the lineup of the Supremes changed frequently, with Lynda Laurence, Scherrie Payne, and Susaye Greene all becoming members before the group ended its eighteen-year existence in 1977.

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The Supremes