DamnLyrics - The center provides all the lyrics

"all the rowboats" - Regina Spektor



     
Page format: Left Center Right
Direct link:
BB code:
Embed:
Regina Spektor

All the rowboats in the paintings<br /> They keep trying to row away<br /> And the captains' worried faces<br /> Stay contorted and staring at the waves<br /> They'll keep hanging in their gold frames<br /> For forever, forever and a day<br /> All the rowboats in the oil paintings<br /> They keep trying to row away, row awayHear them whispering French and German<br /> Dutch, Italian, and Latin<br /> When no one's looking I catch a sculpture marble,<br /> Cold, and soft as satin<br /> But the most special are the most lonely<br /> God, I pity the violins<br /> In glass coffins they keep coughing<br /> They've forgotten, forgotten how to sing, how to singFirst there's lights out, then there's lock up<br /> Masterpieces serving maximum sentences<br /> It's their own fault for being timeless<br /> There's a price you pay and a consequence<br /> All the galleries, the museums<br /> Here's your ticket, welcome to the tombs<br /> They're just public mausoleums<br /> The living dead fill every room<br /> But the most special are the most lonely<br /> God, I pity the violins<br /> In glass coffins they keep coughing<br /> They've forgotten, forgotten how to singThey will stay there in their gold frames<br /> For forever, forever and a day<br /> All the rowboats in the oil paintings<br /> They keep trying to row away, row away<br /> <br /> Songwriters<br /> REGINA SPEKTORPublished by<br /> Lyrics © Sony/ATV Music Publishing LLC Song Discussions is protected by U.S. Patent 9401941. Other patents pending.Lyrics provided by TANCODEhttps://damnlyrics.com/" readonly=""/>

"all the rowboats" Lyrics


All the rowboats in the paintings
They keep trying to row away
And the captains' worried faces
Stay contorted and staring at the waves
They'll keep hanging in their gold frames
For forever, forever and a day
All the rowboats in the oil paintings
They keep trying to row away, row awayHear them whispering French and German
Dutch, Italian, and Latin
When no one's looking I catch a sculpture marble,
Cold, and soft as satin
But the most special are the most lonely
God, I pity the violins
In glass coffins they keep coughing
They've forgotten, forgotten how to sing, how to singFirst there's lights out, then there's lock up
Masterpieces serving maximum sentences
It's their own fault for being timeless
There's a price you pay and a consequence

All the galleries, the museums
Here's your ticket, welcome to the tombs
They're just public mausoleums
The living dead fill every room
But the most special are the most lonely
God, I pity the violins
In glass coffins they keep coughing
They've forgotten, forgotten how to singThey will stay there in their gold frames
For forever, forever and a day
All the rowboats in the oil paintings
They keep trying to row away, row away
Songwriters
REGINA SPEKTORPublished by
Lyrics © Sony/ATV Music Publishing LLC Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

Enjoy the lyrics !!!
Regina Spektor was born on 18th February 1980, in Moscow, ex-USSR, and moved to the United States when she was nine. Spektor studied classical piano from the age of six, practising on a Petrof piano given to her mother by her grandfather. She was also exposed to the music of rock and roll bands such as The Beatles, Queen, and The Moody Blues by her father, who obtained such recordings in Eastern Europe and traded cassettes with friends in the Soviet Union. The family left the Soviet Union in 1989, when Regina was nine, during the period of Perestroika when Jewish citizens were permitted to emigrate. The seriousness of her piano studies led her parents to consider not leaving Russia, but they finally decided to emigrate, for religious and political reasons.

Travelling first to Austria and then Italy, the family settled in the Bronx, New York, United States where Spektor graduated from a middle school yeshiva. She then attended the Frisch Yeshiva High School in Paramus, New Jersey on a scholarship for two years, but, feeling out of place, eventually transferred to a secular public school, Fair Lawn High School, in Fair Lawn, New Jersey, where she finished the last two years of her high school career.

Spektor has stated that she was originally interested only in classical music, but that she later became interested in pop, rock, and punk as well.

Her father, a photographer, was also an amateur violinist. Her mother was a music professor in a Russian conservatory and now teaches at a public elementary school in Mount Vernon, New York.


In New York, Spektor gained a firm grounding in classical music from her piano teacher, Sonia Vargas, a professor at the Manhattan School of Music. Spektor studied with Vargas—whom Spektor's father had met through violinist Samuel Marder, Vargas's husband—until she was 17. Although the family had been unable to bring their piano with them from Russia, Spektor found a piano on which to practice in the basement of her synagogue, also utilizing tabletops and other hard surfaces for this purpose.

Although she had always made up songs around the house, Spektor first became interested in songwriting during a visit to Israel with the Nesiya Institute in her teenage years. Attracting attention from the other children on the trip for the songs she made up while hiking, she realized she had an aptitude for songwriting. Following this trip, she was first exposed to the work of Joni Mitchell, Ani DiFranco, and other singer-songwriters, which gave her the idea that she could create her own songs. She began writing her first a cappella songs around age 16, and wrote her first songs for voice and piano when she was nearly eighteen.

Spektor completed the four-year studio composition program of the Conservatory of Music at Purchase College in Purchase, New York, including one year's study in London, at the University of Middlesex - graduating with honours in 2001. Around this time, she also worked briefly at a butterfly farm in Luck, Wisconsin. She gradually achieved recognition through performances in the anti-folk scene in downtown New York City, most importantly at the East Village's Sidewalk Cafe, but also at the Living Room, Tonic, Fez, the Knitting Factory, and CB's Gallery. During this period, she sold her self-produced CDs 11:11 (2001) and Songs (2002) at such performances.

The All The Rowboats Songfacts states that What We Saw From The Cheap Seats, Spektor's sixth album, was recorded by the singer with Mike Elizondo in Los Angeles during the summer of 2011. It will be released on May 29, 2012.

User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.

View All

Regina Spektor