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imaginary love - Dirty Projectors



     
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imaginary love Lyrics


Every kind of love, or at least my kind of love
Must be an imaginary love to start with
Guess that can explain the rain, waiting walking game
Schubert broke my brain to start with
Hoped to look at you in a cab
Back of your head across my lap
Oh what grace, green back seat against the red of your face
Hoped to look at you in any old grand hotel
Drunken demands gave way to reservations
Oh what a room, champagne brings such happy faces, happy faces
'Cause every kind of love, or at least my kind of love
Must be an imaginary love to start with
Guess that can explain the rain, waiting walking game
Schubert broke my brain to start with

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Dirty Projectors are an experimental pop group led by singer/songwriter and multi-instrumentalist Dave Longstreth which formed in 2002 in Brooklyn, New York, United States. The current lineup of Dirty Projectors is Dave Longstreth (vocals, multiple instruments), Amber Coffman (vocals, guitar), Nat Baldwin (bass), Mike Johnson (drums), and Haley Dekle (vocals). Angel Deradoorian (vocals, keyboard) went on an indefinite hiatus from the band in 2012.

Based in Bedford-Stuyvesant, Brooklyn with connections to the Portland, OR music scene, the group has produced a distinctive sound of electronic experimentation, melded with traditional instruments and harmonically complex vocals. Their recordings range from Prince-style one-man-recording-studio productions (The Glad Fact), to arranged orchestrations (the "Slaves' Graves" half of Slaves' Graves & Ballads), to basic voice over nylon-string guitar (the "Ballads" half of the aforementioned) to an amalgamation of all these tactics (the 'glitch opera' of The Getty Address and the mixed nature of New Attitude EP). Throughout, Longstreth's aggressively melodic vocals provide a consistent identity for otherwise widely divergent approaches to pop music. Longstreth claims influences ranging from Don Henley to Mariah Carey. The former's influence is most easily seen in The Getty Address album, which is a conceptual opera written from the point of view of Henley as a Spanish Conquistador, though the latter's vocal gymnastics clearly provide a clue to Longstreth's approach. Longstreth's latest album, Rise Above, is an attempt to re-imagine the lyrics of Black Flag's Damaged album from memory over complex music that sees influence from the contemporary African blues and funk of such artists as Ali Farka Toure and Konono No. 1.


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Dirty Projectors