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A Song To Pass The Time - Bright Eyes



     
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A Song To Pass The Time Lyrics


There is a middle-aged woman, she's dragging her feet
She carries baskets of clothes to a laundromat
While the Mexican children kick rocks into the street
And they laugh in a language I don't understand
But I love them, why do I love them?
So the neighborhood's dimming as I smoke on the porch
Watch the people as they pass enclosed inside their cars
And on their faces just anger or disappointment
I start wishing there was something I could offer them
Consolation, could I offer them?
Never sad in their suburbs robots, water the lawn
And everything they touch gets dusted spotless
So they start to believe that they've not touched anything at all
And the cars in the driveway only multiply
Well they are lost in their houses
And heard them sing in the shower
Making speeches to their sister on the telephone
Saying, "You come home, come here

Don't stay so far away from me
This weather has me wanting love more tangible
Something I can hold because it's getting cold"
I said, "Hold up our fists to the flame in the sky
To block out the light that's reaching for our eyes
Because, because it would blind us, it will blind us"
I have locked my actions in the grooves of routine
So I may never be free of this apathy
But I wait for a letter that's coming to me
She sends me pictures of the ocean in an envelope
So there still is hope, yes I can be healed
There is someone looking for what I concealed
In my secret drawer, in my pockets deep
You will find the reasons that I can't sleep
And you will still want me
But you still want me
Will you still want me?
Well, I say, "Come for the week, you can sleep in my bed"
And pass through my life like a dream through my head
It will, it will be easy, I'll make it easy
All I have for the moment is a song to pass the time
A melody to keep me from worrying
Some simple progression to keep my fingers busy
And words that are sure to come back to me and they'll be laughing
And they'll be laughing
My mediocrity
My mediocrity
They'll be laughing
They'll be laughing
They'll be laughing

Enjoy the lyrics !!!
Bright Eyes is a band consisting mainly of American singer, guitarist, and songwriter Conor Oberst. Bright Eyes also features multi-instrumentalist/producer Mike Mogis, keyboard player Nate Walcott and a rotating lineup of collaborators drawn primarily from Omaha, Nebraska, and the United States' indie music scene. Having been deeply influenced early on by singer-songwriters David Dondero and Simon Joyner, Conor Oberst has been recording music since the age of 13. He released his first three albums at the ages of 13, 14, 15, respectively, all under the name "Conor Oberst" and released only on cassettes. He then moved onwards with a band called Commander Venus with whom he released two albums. After the break-up of this band in 1997, Conor's main focus became Bright Eyes, and in 1998 he released the first Bright Eyes album, A Collection of Songs Written and Recorded 1995-1997(a collection of 20 stockpiled songs) on the independent label saddle creek Records, which he had co-formed earlier in collaboration with fellow local Omaha musicians.

Saddle Creek also released Letting Off the Happiness in November 1998, a ten-track record that boasted a much more focused and clear sound than the previous album. According to the Saddle Creek press release, it features members of Lullaby for the Working Class, Neutral Milk Hotel, and of Montreal. It was predominantly recorded in the Oberst family basement in Omaha on an analog eight track reel to reel; with some work also done at keyboardist Andy Lemaster's Athens, GA studio. Although almost all of the tracks feature a full band, June On The West Coast is performed with only acoustic guitar and vocals. Padraic My Prince gives a dramatic fictional account of the death of Oberst's imagined baby brother.

In 2000 Bright Eyes released Fevers and Mirrors, a demonstration of the immense improvement in production quality and musical vision of the band. New instruments such as flute, piano, and accordion were introduced into the song arrangements. After An Attempt To Tip The Scales, a mock radio interview takes place. The mock radio interview features Todd Fink of The Faint doing an impression of Conor Oberst while reading a script that Oberst wrote. The man interviewing is Matt Silcock, a former member of Lullaby for the Working Class. In this interview, the fake Oberst intentionally presents a strange, contradictory explanation of his attitude towards his music. The interview acknowledges criticisms of his lyrics as overblown and insincere, which had begun to appear as the popularity of the band increased, but responds by stating that the lyrics are meant for personal interpretation. In a 'real' interview with KittyMagik.com, Oberst stated about the mock one: "It was a way to make fun of ourselves because the record is such a downer. I mean, that's one part of who I am, but I also like laughing and fucking around."

2002 saw the release of Lifted or The Story Is in the Soil, Keep Your Ear to the Ground, and since then Oberst has released an almost constant stream of new material on collaborative EPs, split singles, tribute albums, and charity records. He ventured into the studio with Nebraska folk-pop outfit Tilly and the Wall, co-producing their debut album Wild Like Children and released it on his newly established record label, Team Love.

January 2005 saw the release of two albums: I'm Wide Awake, It's Morning, which is a country-tinged mélange of Conor’s finest acoustic songs, featuring guest vocal appearances from Emmylou Harris and Jim James of My Morning Jacket; and Digital Ash in a Digital Urn, which is a more produced, electronic album featuring cameo appearances by Nick Zinner of the Yeah Yeah Yeahs.
One single from each album, Take It Easy (Love Nothing) from Digital Ash and Lua from I'm Wide Awake took the top two slots on Billboard Hot 100 Singles Chart, the first time for any artist since 1997.
As had become expected of Bright Eyes recordings, the albums feature an array of talented comrades including members of Rilo Kiley, Tilly and the Wall, Cursive, now its overhead, The Good Life, Azure Ray, The Faint, The Bruces, Neva Dinova, The Postal Service and Audrye Sessions.

In October 2006, Bright Eyes released a compilation of rare tracks called Noise Floor: Rarities 1998-2005.

Bright Eyes released their sixth studio album called Cassadaga on April 9, 2007, preceded by an EP entitled Four Winds on March 6, 2007.
A further 25-30 tracks have been recorded in Portland, Oregon and New York City, with another session planned in Omaha, Nebraska. Some of these tracks had already been performed at live shows.

On February 15, 2011, the band released their seventh studio album, The People's Key.


- - - - -
TRIVIA
A few of Oberst's songs find their roots in classic literature, such as Tereza and Tomas (a reference to Milan Kundera's The Unbearable Lightness of Being) and Neely O'Hara (Valley of the Dolls).

List of bands featuring Conor Oberst:
Bright Eyes (1995-present)
Commander Venus (1995-97)
The Magnetas (1996)
Park Ave. (1996-98)
Desaparecidos (2000-01)
Conor Oberst and the Mystic Valley Band (2007-present)
Monsters of Folk (2009-present)

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Bright Eyes