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Haligh, Haligh, A Lie, Haligh - Bright Eyes



     
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Haligh, Haligh, A Lie, Haligh Lyrics


The phone slips from a loose grip
Words were missed, then some apology
I didn't want to tell you this
No, it's just some guy she's been hanging out with
I don't know, the past couple of weeks, I guess
Thank you and hang up the phone
Let the funeral start, hear the casket close
Let's pin split black ribbon to your overcoat
The laughter pours from under doors in this house
I don't understand that sound no more
Seems artificial, like a TV set
Haligh, Haligh, a lie, Haligh
This weight, it must be satisfied
You offer only one reply
You know not what you do
As you tear and tear your hair from roots
Of that same head you've twice removed
Now, a lock of hair you said would prove

Our love would never die, well, ha ha ha
I remember everything, the words we spoke on freezing South Street
All those mornings watching you get ready for school
You combed your hair inside that mirror
The one you painted blue and glued with jewelry tears
Something about those bright colors
Would always make you feel better
But now we speak with ruined tongues
And the words we say aren't meant for anyone
It's just a mumbled sentence to a passing acquaintance
But there was once you
You said you hate my suffering, and you understood
And you'd take care of me
You'd always be there, where are you now?
Haligh, Haligh, a lie, Haligh
The plans were never finalized
But left to hang like yarn and twine
Dangling before my eyes
As you tear and tear your hair from roots
From that same head that you have twice removed
Now, a lock of hair you said would prove
Our love would never die
And I sing and sing of awful things
The pleasure that my sadness brings
As my fingers press onto the strings
Yet another clumsy chord
Haligh, Haligh, an awful lie
This weight would now be satisfied
I'm gonna give you only one reply
I know not who I am?
But I talk in the mirror
To the stranger that appears
Our conversations are circles
Always one sided, nothing is clear
Except we keep coming back
To this meaning that I lack
He says "The choices were given"
And now, you must live them
Or just not live
But do you want that?

Enjoy the lyrics !!!
Bright Eyes is a band consisting mainly of American singer, guitarist, and songwriter Conor Oberst. Bright Eyes also features multi-instrumentalist/producer Mike Mogis, keyboard player Nate Walcott and a rotating lineup of collaborators drawn primarily from Omaha, Nebraska, and the United States' indie music scene. Having been deeply influenced early on by singer-songwriters David Dondero and Simon Joyner, Conor Oberst has been recording music since the age of 13. He released his first three albums at the ages of 13, 14, 15, respectively, all under the name "Conor Oberst" and released only on cassettes. He then moved onwards with a band called Commander Venus with whom he released two albums. After the break-up of this band in 1997, Conor's main focus became Bright Eyes, and in 1998 he released the first Bright Eyes album, A Collection of Songs Written and Recorded 1995-1997(a collection of 20 stockpiled songs) on the independent label saddle creek Records, which he had co-formed earlier in collaboration with fellow local Omaha musicians.

Saddle Creek also released Letting Off the Happiness in November 1998, a ten-track record that boasted a much more focused and clear sound than the previous album. According to the Saddle Creek press release, it features members of Lullaby for the Working Class, Neutral Milk Hotel, and of Montreal. It was predominantly recorded in the Oberst family basement in Omaha on an analog eight track reel to reel; with some work also done at keyboardist Andy Lemaster's Athens, GA studio. Although almost all of the tracks feature a full band, June On The West Coast is performed with only acoustic guitar and vocals. Padraic My Prince gives a dramatic fictional account of the death of Oberst's imagined baby brother.

In 2000 Bright Eyes released Fevers and Mirrors, a demonstration of the immense improvement in production quality and musical vision of the band. New instruments such as flute, piano, and accordion were introduced into the song arrangements. After An Attempt To Tip The Scales, a mock radio interview takes place. The mock radio interview features Todd Fink of The Faint doing an impression of Conor Oberst while reading a script that Oberst wrote. The man interviewing is Matt Silcock, a former member of Lullaby for the Working Class. In this interview, the fake Oberst intentionally presents a strange, contradictory explanation of his attitude towards his music. The interview acknowledges criticisms of his lyrics as overblown and insincere, which had begun to appear as the popularity of the band increased, but responds by stating that the lyrics are meant for personal interpretation. In a 'real' interview with KittyMagik.com, Oberst stated about the mock one: "It was a way to make fun of ourselves because the record is such a downer. I mean, that's one part of who I am, but I also like laughing and fucking around."

2002 saw the release of Lifted or The Story Is in the Soil, Keep Your Ear to the Ground, and since then Oberst has released an almost constant stream of new material on collaborative EPs, split singles, tribute albums, and charity records. He ventured into the studio with Nebraska folk-pop outfit Tilly and the Wall, co-producing their debut album Wild Like Children and released it on his newly established record label, Team Love.

January 2005 saw the release of two albums: I'm Wide Awake, It's Morning, which is a country-tinged mélange of Conor’s finest acoustic songs, featuring guest vocal appearances from Emmylou Harris and Jim James of My Morning Jacket; and Digital Ash in a Digital Urn, which is a more produced, electronic album featuring cameo appearances by Nick Zinner of the Yeah Yeah Yeahs.
One single from each album, Take It Easy (Love Nothing) from Digital Ash and Lua from I'm Wide Awake took the top two slots on Billboard Hot 100 Singles Chart, the first time for any artist since 1997.
As had become expected of Bright Eyes recordings, the albums feature an array of talented comrades including members of Rilo Kiley, Tilly and the Wall, Cursive, now its overhead, The Good Life, Azure Ray, The Faint, The Bruces, Neva Dinova, The Postal Service and Audrye Sessions.

In October 2006, Bright Eyes released a compilation of rare tracks called Noise Floor: Rarities 1998-2005.

Bright Eyes released their sixth studio album called Cassadaga on April 9, 2007, preceded by an EP entitled Four Winds on March 6, 2007.
A further 25-30 tracks have been recorded in Portland, Oregon and New York City, with another session planned in Omaha, Nebraska. Some of these tracks had already been performed at live shows.

On February 15, 2011, the band released their seventh studio album, The People's Key.


- - - - -
TRIVIA
A few of Oberst's songs find their roots in classic literature, such as Tereza and Tomas (a reference to Milan Kundera's The Unbearable Lightness of Being) and Neely O'Hara (Valley of the Dolls).

List of bands featuring Conor Oberst:
Bright Eyes (1995-present)
Commander Venus (1995-97)
The Magnetas (1996)
Park Ave. (1996-98)
Desaparecidos (2000-01)
Conor Oberst and the Mystic Valley Band (2007-present)
Monsters of Folk (2009-present)

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Bright Eyes