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I Must Belong Somewhere - Bright Eyes



     
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I Must Belong Somewhere Lyrics


Leave the bright, blue door on the white-washed wall
Leave the death ledger under city hall
Leave the joyful air in that rubber ball today
Just leave the lilac print on the linen sheet
Leave the bird you killed at your father's feet
Let the sideways rain in the crooked street remain
Leave the whimpering dog in his cold kennel
Leave the dead starlet on her pedestal
Leave the acid kids in their green fishbowls today
Leave the sad guitar in its hard-shell case
Leave the worried look on your lover's face
Let the orange embers in the fireplace remain
'Cause everything, it must belong somewhere
A train, off in the distance, bicycle chained to the stairs
Everything, it must belong somewhere
I know that now, that's why I'm staying here
Leave the ocean's roar in that turquoise shell
Leave the widower in his private hell

Leave the liberty in that broken bell today
Just leave the epic poem on its yellowed page
Leave the gray macaw in his covered cage
Let the traveling band on the interstate remain
'Cause everything, it must belong somewhere
Sound-stage in California, televisions in Times Square, yeah
Everything, it must belong somewhere
I know that now, that's why I'm staying here
Oh, I know that now, that's why I'm staying here
Leave the secret talks on the trundle bed
Leave the garden tools in the rusted shed
Leave those bad ideas in your troubled head today
Just leave the restless ghost in his old hotel
Leave the homeless man, out in that cardboard cell
Let the painted horse on the carousel remain
'Cause everything, it must belong somewhere
Just like the gold around your finger or the silver in his hair
Yeah, everything must belong somewhere
And I know that now, that's why I'm staying here
Oh, I know that now, that's why I'm staying here
In truth, the forest hears each sound
Each blade of grass as it lies down
The world requires no audience
No witnesses, no witnesses
Leave the old town drunk on his wooden stool
Leave the autumn leaves in that swimming pool
Leave the poor, black child in his crumbling school today
Leave the novelist in his daydream tune
Leave the scientist in her Rubik's cube
Let the true genius in the padded room remain
Leave the horse's hair on the slanted bow
Leave the slot machines on the riverboat
Leave the cauliflower in the casserole today
Just leave the hot white-trash in their shopping malls
Leave the hawks of war in their capitals
Let the organs moan in the cathedral remain
'Cause everything, it must belong somewhere
They lock the devil in the basement, threw God up into the air
Yeah, everything must belong somewhere
You know it's true, I wish you'd leave me here
Now you know it's true, why don't you leave me here?

Enjoy the lyrics !!!
Bright Eyes is a band consisting mainly of American singer, guitarist, and songwriter Conor Oberst. Bright Eyes also features multi-instrumentalist/producer Mike Mogis, keyboard player Nate Walcott and a rotating lineup of collaborators drawn primarily from Omaha, Nebraska, and the United States' indie music scene. Having been deeply influenced early on by singer-songwriters David Dondero and Simon Joyner, Conor Oberst has been recording music since the age of 13. He released his first three albums at the ages of 13, 14, 15, respectively, all under the name "Conor Oberst" and released only on cassettes. He then moved onwards with a band called Commander Venus with whom he released two albums. After the break-up of this band in 1997, Conor's main focus became Bright Eyes, and in 1998 he released the first Bright Eyes album, A Collection of Songs Written and Recorded 1995-1997(a collection of 20 stockpiled songs) on the independent label saddle creek Records, which he had co-formed earlier in collaboration with fellow local Omaha musicians.

Saddle Creek also released Letting Off the Happiness in November 1998, a ten-track record that boasted a much more focused and clear sound than the previous album. According to the Saddle Creek press release, it features members of Lullaby for the Working Class, Neutral Milk Hotel, and of Montreal. It was predominantly recorded in the Oberst family basement in Omaha on an analog eight track reel to reel; with some work also done at keyboardist Andy Lemaster's Athens, GA studio. Although almost all of the tracks feature a full band, June On The West Coast is performed with only acoustic guitar and vocals. Padraic My Prince gives a dramatic fictional account of the death of Oberst's imagined baby brother.

In 2000 Bright Eyes released Fevers and Mirrors, a demonstration of the immense improvement in production quality and musical vision of the band. New instruments such as flute, piano, and accordion were introduced into the song arrangements. After An Attempt To Tip The Scales, a mock radio interview takes place. The mock radio interview features Todd Fink of The Faint doing an impression of Conor Oberst while reading a script that Oberst wrote. The man interviewing is Matt Silcock, a former member of Lullaby for the Working Class. In this interview, the fake Oberst intentionally presents a strange, contradictory explanation of his attitude towards his music. The interview acknowledges criticisms of his lyrics as overblown and insincere, which had begun to appear as the popularity of the band increased, but responds by stating that the lyrics are meant for personal interpretation. In a 'real' interview with KittyMagik.com, Oberst stated about the mock one: "It was a way to make fun of ourselves because the record is such a downer. I mean, that's one part of who I am, but I also like laughing and fucking around."

2002 saw the release of Lifted or The Story Is in the Soil, Keep Your Ear to the Ground, and since then Oberst has released an almost constant stream of new material on collaborative EPs, split singles, tribute albums, and charity records. He ventured into the studio with Nebraska folk-pop outfit Tilly and the Wall, co-producing their debut album Wild Like Children and released it on his newly established record label, Team Love.

January 2005 saw the release of two albums: I'm Wide Awake, It's Morning, which is a country-tinged mélange of Conor’s finest acoustic songs, featuring guest vocal appearances from Emmylou Harris and Jim James of My Morning Jacket; and Digital Ash in a Digital Urn, which is a more produced, electronic album featuring cameo appearances by Nick Zinner of the Yeah Yeah Yeahs.
One single from each album, Take It Easy (Love Nothing) from Digital Ash and Lua from I'm Wide Awake took the top two slots on Billboard Hot 100 Singles Chart, the first time for any artist since 1997.
As had become expected of Bright Eyes recordings, the albums feature an array of talented comrades including members of Rilo Kiley, Tilly and the Wall, Cursive, now its overhead, The Good Life, Azure Ray, The Faint, The Bruces, Neva Dinova, The Postal Service and Audrye Sessions.

In October 2006, Bright Eyes released a compilation of rare tracks called Noise Floor: Rarities 1998-2005.

Bright Eyes released their sixth studio album called Cassadaga on April 9, 2007, preceded by an EP entitled Four Winds on March 6, 2007.
A further 25-30 tracks have been recorded in Portland, Oregon and New York City, with another session planned in Omaha, Nebraska. Some of these tracks had already been performed at live shows.

On February 15, 2011, the band released their seventh studio album, The People's Key.


- - - - -
TRIVIA
A few of Oberst's songs find their roots in classic literature, such as Tereza and Tomas (a reference to Milan Kundera's The Unbearable Lightness of Being) and Neely O'Hara (Valley of the Dolls).

List of bands featuring Conor Oberst:
Bright Eyes (1995-present)
Commander Venus (1995-97)
The Magnetas (1996)
Park Ave. (1996-98)
Desaparecidos (2000-01)
Conor Oberst and the Mystic Valley Band (2007-present)
Monsters of Folk (2009-present)

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Bright Eyes