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At The Bottom Of Everything - Bright Eyes



     
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At The Bottom Of Everything Lyrics


So there is this woman and she was on an airplane
And she's flying to meet her fiance
Sailing high above the largest ocean on Planet Earth
And she was seated next to this man, who, you know
She had tried to start conversations
And only, really the only thing she did heard him say was
Was to order his Bloody Mary
And she's sitting thereAnd she's reading this really arduous magazine article
About this third world country
That she couldn't even pronounce the name of
And she's feeling very bored and very despondent
And then uh, suddenly, there's this huge mechanical failure
And one of the, the engines gave up
And they started just falling in thirty thousand feet
And the pilot's on the, on the microphoneAnd he's, he's saying, "I'm sorry, I'm sorry, oh my God, I'm sorry"
Apologizing and, and she looks at the man and she, she says
She says, "Where are we going?"
And he, he looks at her and he says, "We're going to a party

It's a birthday party, it's your birthday party, happy birthday darling
We love you very, very, very, very, very, very, very much"
And then he starts humming this little tune and it kinda goes like this
Its kinda one two, one two three fourWe must talk in every telephone, get eaten off the web
We must rip out all the epilogues from the books that we have read
And to the face of every criminal strapped firmly to a chair
We must stare, we must stare, we must stareWe must take all of the medicines too expensive now to sell
Set fire to the preacher who is promising us Hell
And in the ear of every anarchist that sleeps but doesn't dream
We must sing, we must sing, we must singAnd it'll go like this, alright
While my mother waters plants, my father loads his gun
He says, "Death will give us back to God just like the setting sun
Is returned to the lonesome ocean"And then they splashed into the deep blue sea
Oh, it was a wonderful splashWe must blend into the choir, sing a static with the whole
We must memorize nine numbers and deny we have a soul
And to this endless race for property and privilege to be won
We must run, we must run, we must runWe must hang up in the belfry where the bats in moonlight laugh
We must stare into a crystal ball and only see the past
And in the caverns of tomorrow with just our flashlights and our love
We must plunge, we must plunge, we must plungeAnd then we'll get down there
Way down to the very bottom of everything
And then we'll see it
Oh we'll see it, we'll see it, we'll see itOh, my morning's coming back
The whole world's waking up
Oh, the city bus is swimming past
I'm happy just because I found out I am really no one

Enjoy the lyrics !!!
Bright Eyes is a band consisting mainly of American singer, guitarist, and songwriter Conor Oberst. Bright Eyes also features multi-instrumentalist/producer Mike Mogis, keyboard player Nate Walcott and a rotating lineup of collaborators drawn primarily from Omaha, Nebraska, and the United States' indie music scene. Having been deeply influenced early on by singer-songwriters David Dondero and Simon Joyner, Conor Oberst has been recording music since the age of 13. He released his first three albums at the ages of 13, 14, 15, respectively, all under the name "Conor Oberst" and released only on cassettes. He then moved onwards with a band called Commander Venus with whom he released two albums. After the break-up of this band in 1997, Conor's main focus became Bright Eyes, and in 1998 he released the first Bright Eyes album, A Collection of Songs Written and Recorded 1995-1997(a collection of 20 stockpiled songs) on the independent label saddle creek Records, which he had co-formed earlier in collaboration with fellow local Omaha musicians.

Saddle Creek also released Letting Off the Happiness in November 1998, a ten-track record that boasted a much more focused and clear sound than the previous album. According to the Saddle Creek press release, it features members of Lullaby for the Working Class, Neutral Milk Hotel, and of Montreal. It was predominantly recorded in the Oberst family basement in Omaha on an analog eight track reel to reel; with some work also done at keyboardist Andy Lemaster's Athens, GA studio. Although almost all of the tracks feature a full band, June On The West Coast is performed with only acoustic guitar and vocals. Padraic My Prince gives a dramatic fictional account of the death of Oberst's imagined baby brother.

In 2000 Bright Eyes released Fevers and Mirrors, a demonstration of the immense improvement in production quality and musical vision of the band. New instruments such as flute, piano, and accordion were introduced into the song arrangements. After An Attempt To Tip The Scales, a mock radio interview takes place. The mock radio interview features Todd Fink of The Faint doing an impression of Conor Oberst while reading a script that Oberst wrote. The man interviewing is Matt Silcock, a former member of Lullaby for the Working Class. In this interview, the fake Oberst intentionally presents a strange, contradictory explanation of his attitude towards his music. The interview acknowledges criticisms of his lyrics as overblown and insincere, which had begun to appear as the popularity of the band increased, but responds by stating that the lyrics are meant for personal interpretation. In a 'real' interview with KittyMagik.com, Oberst stated about the mock one: "It was a way to make fun of ourselves because the record is such a downer. I mean, that's one part of who I am, but I also like laughing and fucking around."

2002 saw the release of Lifted or The Story Is in the Soil, Keep Your Ear to the Ground, and since then Oberst has released an almost constant stream of new material on collaborative EPs, split singles, tribute albums, and charity records. He ventured into the studio with Nebraska folk-pop outfit Tilly and the Wall, co-producing their debut album Wild Like Children and released it on his newly established record label, Team Love.

January 2005 saw the release of two albums: I'm Wide Awake, It's Morning, which is a country-tinged mélange of Conor’s finest acoustic songs, featuring guest vocal appearances from Emmylou Harris and Jim James of My Morning Jacket; and Digital Ash in a Digital Urn, which is a more produced, electronic album featuring cameo appearances by Nick Zinner of the Yeah Yeah Yeahs.
One single from each album, Take It Easy (Love Nothing) from Digital Ash and Lua from I'm Wide Awake took the top two slots on Billboard Hot 100 Singles Chart, the first time for any artist since 1997.
As had become expected of Bright Eyes recordings, the albums feature an array of talented comrades including members of Rilo Kiley, Tilly and the Wall, Cursive, now its overhead, The Good Life, Azure Ray, The Faint, The Bruces, Neva Dinova, The Postal Service and Audrye Sessions.

In October 2006, Bright Eyes released a compilation of rare tracks called Noise Floor: Rarities 1998-2005.

Bright Eyes released their sixth studio album called Cassadaga on April 9, 2007, preceded by an EP entitled Four Winds on March 6, 2007.
A further 25-30 tracks have been recorded in Portland, Oregon and New York City, with another session planned in Omaha, Nebraska. Some of these tracks had already been performed at live shows.

On February 15, 2011, the band released their seventh studio album, The People's Key.


- - - - -
TRIVIA
A few of Oberst's songs find their roots in classic literature, such as Tereza and Tomas (a reference to Milan Kundera's The Unbearable Lightness of Being) and Neely O'Hara (Valley of the Dolls).

List of bands featuring Conor Oberst:
Bright Eyes (1995-present)
Commander Venus (1995-97)
The Magnetas (1996)
Park Ave. (1996-98)
Desaparecidos (2000-01)
Conor Oberst and the Mystic Valley Band (2007-present)
Monsters of Folk (2009-present)

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Bright Eyes