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Baby Girl (Featuring Max B.) - Jim Jones



     
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Baby Girl (Featuring Max B.) Lyrics


Clap, Byrd Gang, clap, Byrd Gang, clap Dip-Set!
Can I get a G clap, Byrd Gang, clap, Byrd Gang
Clap, Byrd Gang
Can I get a G clapI be like hold up, wait a minute
I'm in the coupe, laid up in it
Sunk in the seat, suede all in it
Drop top roof blowin' hase all in it
And y'all know I'm a straight up menace
Run up in ya crib there's a safe up in it
New York City y'all ain't safe up in it
Y'all niggas fugaze, my niggas authentic
The game like bitches that need make-up
These niggas beefin' and kissin' and then they make-up
Shit, I still prowl through the gutta
All you hear em say is that's a wild motherfucka'
Its been a while muh'fucker
Had to fall back, face trial cause of Rucker
One-Eyed Willie, you can come try kill me

Still ridin that 5, you can get hung high silly[Chorus]
Baby girl, you tryna be down with the Dip-Set?
Well then you gotta get ya lips wet
Baby girl we gettin' them big checks, tre-pound, sawed-off, we splittin '
Them big checks
Y'all ain't thought he posed ta flow
Thought he posed ta go
Thought he posed ta blow
Its Dip-set baby, Dip Set!
Nigga its Jim JonesNow everybody know me
Usually in the club wit a bunch of O.G's
We pop bottles and we all smoke weed
And we'll burn this bitch down, better call po-lice
And y'all know y'all don't want that beef
I'm tryna G-Mack look at all these freaks
Besides, the dance floor look sweet
So like Lil' Jon we can all skeet skeet
I'm tryna bag this bimbo
Mad she spilled her drink on the tan Timbo's
Stuntin' hard in my be-Boy pose
You ain't got nothin' on me dogs ain't V I ain't drove
Fuck about the law top-speed on the road
.44 squeeze, breathe, reload
And if I gotta take it that far
That mean I left the club nigga and went straight to the car[Chorus]I live a hard rock life
Mix a whole pot til that hard rock white
Six 4-5, hard top white
Big 4-5 for you hard rocks aight
And my advice to the buyers
Although the City's hot I rock ice through the fire
Listenin' to Pac, live life like rider when I pull up to the block fiends
Wipin' off the tires
So I got to be the hardest
15th and Lennox when my posse in the projects
500 on the tennis, I'm like Gotti in the projects
Jewish lawyers niggas so I gots to be the charges
So how's that for starters
.40cal niggas, blow back ya starter
New Jack City 2 blocks from the carter
Foul hundreds double up A-K-A this is Harlem[Chorus]
Songwriters
Schack, Carsten / Karlin, Kenneth / Jones, Kipper / Martin, Andrea Monica / Luafutu, JeshuaPublished by
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group, BMG RIGHTS MANAGEMENT US, LLC, O/B/O APRA AMCOS Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

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Jim Jones