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What You Been Drankin On? - Jim Jones



     
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What You Been Drankin On? Lyrics


Dipset, motherfuckers
Jha Jha, Jim Jones, Paul Wall, they call me Diddy
Y'all motherfuckers must have lost your mind
I wish a motherfucker would
What you been drankin on? What you been sippin' on?
What got you bumpin' in the funk wit all that gator on?
What you been drankin on? What you been sippin' on?
What got you bumpin' in the funk wit all that gator on?
'Cause you ain't drunk, hoe, you ain't drunk, hoe
You ain't ridin’, you ain't live, you ain't drunk, hoe
I say, what you been drankin on?
I was up in the club vibin', sippin' on sizzurp vibin'
Gettin' a lil' close with my man, slow grindin’ to the jams
These girls gon’ start whylin'
They gots to start trippin', they got the crowd listenin'
You know the type, wanna get into a fight when I get a little light
Them chicks just need attention
They playin' different ground, I'm sayin’ get from round me

If you spill that drink on my brand new mink
I'ma split every bitch that's round me
We can buck if you want to
I'm the type that'll give you what you want, boo
Y'all chicks can't stand me
I bet a bunch of G’s who’s just waitin’ to bust things to the roof
You ain't drunk, nigga, you ain't drunk, nigga
Til' that sizzurp and Henny is in your cup, nigga
What you been sippin’ on? What you been hittin' on?
It be them chicks in bikinis we bought ‘em Cris's on
Call me Diddy, let's ride that out, stop that talk outside your mouth
I'll put guys outside your house, we the hottest in the South
Bad Boy, Dipset, baby girl, get ya lips wet
Maybach like that chauffeur, money ain't too far from Oprah's
You should've seen what I paid my chauffeur
It's enough to buy you a roster
This toaster supposed to take you on a roller coaster
You ain't poppin' like Diddy, baby, I'm rockin' with Diddy, baby
The Drops is terrific, kid, them wrists’ to 80
What you been sippin’ on? Who you been smokin' with?
What got you actin' all silly doin' stupid shit?
'Cause you ain't drunk, nigga, you little fuck, nigga
You ain't bad, you's a fag, you ain't tough, nigga
What you been drinkin' on?
Y'all know the deal
Long John shirt don't show the steal
Ski mask when we gone to kill
We blast and you know we will
We don't mash in this olds-mobiles
Ride to ya block slow as hell
Look for you fucks, unload the shells
A nigga get caught, then please post bail
Eastside to the homies in jail
Know how it be that lonely S.L.
Full of turf is Smokey’s cell
You cookin' it up, then goin' to hell
I'm with a bitch in the front seat holdin' the steal
God, I'm so for real
Move the candy ring to get the candy paint
For them pretty Range Rover wheels
What you been sippin' on? What's in that white cup?
It's that Memphis-in', codeine, not purple tub
‘Cause you ain't leanin', bitch, you ain't codeine-in' bitch
That cup and money, you ain't high, you ain't sleepy, bitch
I see what you been drinkin’ on
Cock the 4, hold the deuce
Mixed with sprite maybe juice
Prepare to lean off that codeine
Prescription call it syrup, gets me loose
White cup that's full of that oil
Texas T, we call it drank
Sittin' sideways on them 4's
Lavish drippin' wet candy paint
Who's the man, who's the G?
Houston, Texas 713
I'm on the block that we call South Lee
Sippin' oil with the thugs and G's
Paul Wall, what you know about me?
I'm on the grind and I'm slangin' leash
When I mix the Sprite wit this sizzurp
I'll show you how to make a Sprite remix
Dipset, Bad Boy, Jim Jones, Jha Jha, Paul Wall
They call me Diddy, Harlem, stand up
Dirty South, stand up, Midwest, stand up
West Coast, stand up, yeah
Come on, come on, yeah

Enjoy the lyrics !!!
DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

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Jim Jones