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Bright Lights, Big City - Jim Jones



     
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Bright Lights, Big City Lyrics


Yeah, turn it up in your head phones
Ya know like that shit sound like rock music
You know what I'm talkin' 'bout
Yea, my man Bruno just stepped in
You know how we living it up
We all gettin' money
That's what he like to say
Fuck it, it's my life nigga
This is a dream of a hustler
I had the butter and the fiends was in love with us
We copped the gutta, not a team that could fuck with us
And word to mother keep the thing in every truck with us
Now I was fronting like Rich was and some of my bitches
Was going so hard, got some of us sick thugs
And minor setbacks got some of us tripped up
But the guns we done gripped up so we coming to get ya
And fuck the local authorities
And hope the big boys don't pick up my case

'Cause for these big toys and these chips, we get chased
Playing ball just like the Orioles to get to 1st base
But the goons on 2nd, bust on 3rd
You know they move with the weapons, get bucks off birds
It's like I'm playing Chicken with my life
Tryna get this paper moving pitches for a price
I come to ride out with them niggas, baby, we getting figures
It's byrd gang, we doing it big
But we towered up, get the Remy I'll need a cup
You slippin' good, can I get a squeeze?
I don't think you want it with them niggas
'Cause them hammers they wont hesitate to squeeze
We on the road, travel 'cross the globe
All my homies ain't diggin' cheese
Look the nightmares of a trap star
With white tees, Nike air's and my fast car
D.A tryna wrap me in the charge
But I just bought some V's and a pack in my garage
Now me rapping what's the odds?
We the last crew standing diplomats now in charge
Yeah, 300 for the light show
Another hundred on the hand to watch the ice glow
Another 10 grand to watch the dice roll
Trying to let you motherfuckers see this how my life go
The bright lights and this big city
I'ma live the nightlife until the pigs get me
Range Roving, Big Truck Series
The chain frozen, big chunk jewelry
White girls say he's all semi cool
But you don't want to cost him 'cause he got a short fuse
I come to ride out with them niggas, baby, we getting figures
It's byrd gang, we doing it big
But we towered up, get the Remy I'll need a cup
You slippin' good, can I get a squeeze?
I don't think you want it with them niggas
'Cause them hammers they wont hesitate to squeeze
We on the road, travel 'cross the globe
All my homies and they get cheese
We live life on reality and we flip white for a salary
You might catch us at the light in the lavish V
But watch them 'Blue And Whites', try and grab a G
Making some chips so the hate's getting thick
Watch the world through my tint, smoking haze in the whip
Contemplate, maybe take a little trip
Ocean Drive heavy glean in my neck chillin'
Call up cabs, rushing drinks out of 'Wet Willies'
"Eu Seuy O Balling", but y'all foolish
Getting locked up for crimes and ya lawyer's ain't Jewish
That's why I keep the Turnie's on the tainer
'Cause every time I turn I'm getting chained up
They say what they want to search, tryna tame us
I think they mad we from the turf and we dangerous
And my whole crew icey we playing hockey like the rangers
I come to ride out with them niggas, baby, we getting figures
It's byrd gang, we doing it big
But we towered up, get the Remy I'll need a cup
You slippin' good, can I get a squeeze?
I don't think you want it with them niggas
'Cause them hammers they wont hesitate to squeeze
We on the road, travel 'cross the globe
All my homies ain't diggin' cheese
I don't think you want it with them niggas
'Cause them hammers they wont hesitate to squeeze
We on the road, travel 'cross the globe
All my homies ain't diggin' cheese

Enjoy the lyrics !!!
DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

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Jim Jones