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Back It Up - Beenie Man



     
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Back It Up Lyrics


Yall betta look out back dere Im finnea back dis big ol thang up
Okay Now I need all my ladies to report to tha dance flo if u got a big big ol butt u need to b on tha dance flo 'cause dis iz yo song
[Back it up, Back it up, Back it up, Back it up]
I need all my ladies to back it up
Aye, aye, lets go! Aye, aye, lets go!
[Chorus][Back it up, Back it up, Back it up, Back it up]Back dat thang up lyke a tonka truck
Back dat thang up lyke a munsta truck
Back dat thang up lyke a tonka truck
Back dat thang up lyke a munsta truck
Make it drop lyke a 6-4
Make it drop lyke a 6-4
Make it drop lyke a 6-4
Gone an make yo bootie clap to dis gurl
[Verse 1]Back dat thang up gurl bend ova an touch ya toes Now jack dat thang up (whooa)
make it roll like a 24 now pull up to da bumpa babay and make dese niggaas love ya babay
big bootie gonen doit u drive me krazay now i got sumen 4 ya laday
go 4ward, reverse, an 4ward agin table dance 5 dollaz u kin keep dat hole 10 whuzz up tell dat DJ can u play dis song agin I aint seen a ass dis big since god knows when
back it up

[Chorus][Back it up, Back it up, Back it up, Back it up]
Back dat thang up lyke a tonka truck
Back dat thang up lyke a munsta truck
Back dat thang up lyke a tonka truck
Back dat thang up lyke a munsta truck
Make it drop lyke a 6-4
Make it drop lyke a 6-4
Make it drop lyke a 6-4
Gone an make yo bootie clap to dis gurl
[Verse 2]I lyke tha way she move her bodie patron an goose inside me she turned around politely
(back dat thang up lyke a tonka truck)
I looked at 'er lyke whut da fuck Excuse me gurl iz dat yo butt if it iz den dats whuts up
tho dem muthafuckin' dollaz up
back it up go an bring it rite back work dat thang and dat bitch thowin' stacks
tonka truck she gotta ass so fat (uhhhhh...)
I aint seen nuthin' lyke dat 36, 24, 36 dammm
dis gurl here be supa thick DJ Unk gotta have summa dat and i dont giva fuck who you wit
[Chorus x2][Back it up, Back it up, Back it up, Back it up]Back dat thang up lyke a tonka truck
Back dat thang up lyke a munsta truck
Back dat thang up lyke a tonka truck
Back dat thang up lyke a munsta truck
Make it drop lyke a 6-4
Make it drop lyke a 6-4
Make it drop lyke a 6-4
Gone an make yo bootie clap to dis gurl

Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man