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Yagga Yo - Beenie Man



     
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Yagga Yo Lyrics


So solid
So solid
'Longside beenie man
'Longside beenie man
In a different type production
In a different type production
Hey yo
Hey yo
Hey cut this
Hey cut this
This is megaman speaking
This is megaman speaking
So solid fabulous
So solid fabulous
Don't forget my niggas double r
Don't forget my niggas double r
Mr ac burrell, on ya tip
Mr ac burrell, on ya tip

We show the streets together, how we get down
We show the streets together, how we get down
How we do this
How we do this
Hey beenie man, let's rap yo
Hey beenie man, let's rap yo
It's a new era, a new flavor
It's a new era, a new flavor
Hey listen
Hey listen
I got one thing to tell ya
I got one thing to tell ya
You know what?
You know what?
I ain't even gonna tell ya
I ain't even gonna tell ya
Hey beenie man
Hey beenie man
Show them how to do this
Show them how to do this
Move that nigga
Move that nigga
Beenie man
Beenie man
Dawg?
Dawg?
What, u cant move
What, u cant move
(No sah no!)
(No sah no!)
Something wrong wid yuh foot or something
Something wrong wid yuh foot or something
(Yeah man yeah!)
(Yeah man yeah!)
Come move yuh hands
Come move yuh hands
(There yuh go)
(There yuh go)
Move yuh waist now
Move yuh waist now
Yagga yagga whoa
Yagga yagga whoa
Yagga yagga whoa
Yagga yagga whoa
Lord lord lord lord
Lord lord lord lord
Yagga yagga whoa
Yagga yagga whoa
Yagga yagga whoa
Yagga yagga whoa
Lord lord lord lord
Lord lord lord lord
Well dem ya gal ya hot
Well dem ya gal ya hot
And dem ya gal ya fat
And dem ya gal ya fat
Unique and lookin flash
Unique and lookin flash
A sight you can't forgot
A sight you can't forgot
I love a girl who is a freak
I love a girl who is a freak
Someone who know to do it
Someone who know to do it
To fulfill all my fantasy
To fulfill all my fantasy
And let me reach a peak
And let me reach a peak
Salute to all my dogs
Salute to all my dogs
A yard and over broad
A yard and over broad
According to the laws
According to the laws
You cannot be a thug
You cannot be a thug
And only dressin up in draws
And only dressin up in draws
I say this once again
I say this once again
Big up to all my friends
Big up to all my friends
And bun down all my enemies
And bun down all my enemies
Yagga yagga whoa
Yagga yagga whoa
Yagga yagga whoa
Yagga yagga whoa
Lord lord lord lord
Lord lord lord lord
Yagga yagga whoa
Yagga yagga whoa
Yagga yagga whoa
Yagga yagga whoa
Lord lord lord lord
Lord lord lord lord
What would you say if I had more heat with me
What would you say if I had more heat with me
Flows of thug see you niggas can't spit wit me
Flows of thug see you niggas can't spit wit me
I'm on a high and I know my clique's wit me
I'm on a high and I know my clique's wit me
Tight doughs so I keep my sticks wit me
Tight doughs so I keep my sticks wit me
When I'm down they will blaze trees wit me
When I'm down they will blaze trees wit me
Sip the cristal cause life is easy
Sip the cristal cause life is easy
And I resist
And I resist
From being the nigga that will stick ya
From being the nigga that will stick ya
Would you die like a bitch thinking
Would you die like a bitch thinking
That I'm gonna get ya
That I'm gonna get ya
Do you think I would twitch
Do you think I would twitch
Shottin ya close up
Shottin ya close up
When ya ride when I rock dekembeh
When ya ride when I rock dekembeh
Cause I'm critics about
Cause I'm critics about
When I'm ready but all buys
When I'm ready but all buys
So that you know what six figure divide
So that you know what six figure divide
Too fuckin fast, can't see me
Too fuckin fast, can't see me
Nigga I'm beanie
Nigga I'm beanie
Niggas just tryin to be me
Niggas just tryin to be me
Whose that nigga over there being sneaky
Whose that nigga over there being sneaky
What's up wit da sheisty niggas, they hazy
What's up wit da sheisty niggas, they hazy
Yagga yagga whoa
Yagga yagga whoa
Yagga yagga whoa
Yagga yagga whoa
Lord lord lord lord
Lord lord lord lord
Yagga yagga whoa
Yagga yagga whoa
Yagga yagga whoa
Yagga yagga whoa
Lord lord lord lord
Lord lord lord lord
I see you dancin in the sun
I see you dancin in the sun
Sipping on your rum
Sipping on your rum
Whoa is for the times
Whoa is for the times
And everybody welcome
And everybody welcome
Unuh come on and join de fun
Unuh come on and join de fun
And dancing in the club
And dancing in the club
Kissin and a hug
Kissin and a hug
And grab on my baby
And grab on my baby
And we do de rubber dub
And we do de rubber dub
You're rockin to, you're jumpin to de beat and de rhythm
You're rockin to, you're jumpin to de beat and de rhythm
So get your foot on tune to the two drop system
So get your foot on tune to the two drop system
Well beenie is the king and
Well beenie is the king and
I starting, yuh can't clip of my wing
I starting, yuh can't clip of my wing
Yagga yagga whoa
Yagga yagga whoa
Yagga yagga whoa
Yagga yagga whoa
Lord lord lord lord
Lord lord lord lord
Yagga yagga whoa
Yagga yagga whoa
Yagga yagga whoa
Yagga yagga whoa
Lord lord lord lord
Lord lord lord lord

Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man