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Girls - Beenie Man



     
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Girls Lyrics


Girls, zom, dom, dom, dom, dom, girls
Zom, dom, dom, dom, dom, girls
(Konvict Music)
Zom, dom, dom, dom, dom
(Hey)
Girls, fi tek note when mi mark up dem blackboard
Mi highway express a wid yuh backboard
(Oh, oh, oh)
Virus check a mi scan dem download
(Oh, oh)
A mi program di girls dem wid di sex code cau
Girls, them cute and sexy girls from all over the world
If you feel this, come, holla at me, I need them girls
Them cute and sexy girls from all over the world
If you feel this, come, holla at me, I need them girls
Hey, I got a lot of girls callin'
Wid di doc in love dem fallin'
It's a ton load a girls

I'm all in, all ova mi cribs dem sprawlin'
Now a couple a phone mi installin
Cau mi have some on dat home callin'
Ignorance so mi find dat appaulin'
So mi run dem when dem get too brawlin'
(Beenie)
Mi hear di girls dem bawlin'
All pon di floor mi have some crawlin'
All night sex straight till mornin'
And mi nah cum before mi darlin' because
Girls, them cute and sexy girls from all over the world
If you feel this, come, holla at me, I need them girls
Them cute and sexy girls from all over the world
If you feel this, come, holla at me, I need them girls
Girls from then dem find mi interestin'
Not for money woman is di next best ting
So it is logical to do some investin'
Fi mek music wid dem and mi bedspring
Outta mi life mi nuh leff dem no way king
Cau too much gal deh yah fi di taking
Mi nah stop and let mi body start aching
And when mi old and gray and shaking
International models mi dating
East to West dem lineup mi waiting
Di girls dem gimme clear top ratings
(You the best)
That's what dem stating, so
Girls, them cute and sexy girls from all over the world
If you feel this, come, holla at me, I need them girls
Them cute and sexy girls from all over the world
If you feel this, come, holla at me, I need them girls
Cau mi love how yuh jeans just siddung pon yuh
And how yuh G-string just lay dung pon yuh
From mi buck inna di club mi put a pen dung pon yuh
'Cause all I want to do is land a mi dung pon yuh
Girl mi feelin' mi waan drive ni ring dung pon yuh
But wid mi really yuh know mi nah go siddung pon yuh
Gal, yuh body mek di one bad a see dung pon yuh
Buss a shot proppa not and tie a king dung pon yuh
Girls nice so mi can act responsible
Mannequin body shape out like a sample
Keep great nuh waan punanny fi trample
A full out a dimple set a example so wah
Girls, them cute and sexy girls from all over the world
If you feel this, come, holla at me, I need them girls
Them cute and sexy girls from all over the world
If you feel this, come, holla at me, I need them girls
Oh yeah
(American Caribbean)
'Cause it don't matter where you from
We will find us one, oh
(Dis a one yah name)
Yeah 'cause you see, Akon and Beenie is lookin' for that sweetie, oh
And I'm talkin' to you
'Cause Akon and Beenie is lookin' for that sweetie, oh
Oh, I'm talkin' to you
'Cause Akon and Beenie is lookin' for that sweetie, oh

Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man