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Bad Man - Beenie Man



     
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Bad Man Lyrics


Oh, a dat a oonu a gwan wid
Oonu a bawl, caan oonu claim mi come pon T.V wid rupaul
No man caan jump bad man wall
No naah stall alright firstDong, dong, dong, dong, dogger, diggy, diggy
Dong, dong, dong, dong, dogger, diggy, diggy
Dong, dong, dong, dong, dogger, diggy, diggy
Dong, words wid meaning, heyMan, a bad man and man, nuh mingle wid nuh rodman
And if yuh dis di program, yuh is a dead man
Either by a shot or yuh hang
Jah, Jah ranks pass mi m-iMan, a bad man and man, nuh mingle wid nuh rodman
And if yuh dis di program, yuh is a dead man
Either by a shot or yuh hang
Jah, Jah ranks pass mi m-i(Niggers bleed jus' like us)
Picture me being fraid of a
Bwoy weh bus di same gun as me
(Niggers bleed jus' like us)
Picture me being 'fraid to defend my life a g.p(Niggers bleed jus' like us)
Picture me run away from a fight a some bwoy mussy bright

(Niggers bleed jus' like us)
Picture me being fraid fi lock off a bwoy life like a lightWillie haffi squeeze the desert es
Better yuh ease nigger leave
Well, gun shot a surround yuh like breeze
Well, copper shot a tek a bwoy like bees
Caan believe, yuh hear mi steve
Bad man just get grieve and sing sehMan, a bad man and man, nuh mingle wid nuh rodman
And if yuh dis di program, yuh is a dead man
Either by a shot or yuh hang
Jah, Jah ranks pass mi m-iWell, fi live dung ainna di jungle, yuh haffi have whole heap a skill
Yuh haffi tek a lot a chill pill to kill
Well, big up all di man dem from warricka hill, hill, hill
What is my favourite attack when mi dress up in a mi frockWid mi wig pon mi head, sixteen over back
Bragga, dagga, dagga, da twenty five body drop
But Mr. Ria, Mr. Squire, bredda nia, bad man a flex like vampire
Mi wi shot dung a bwoy and nyam him liver
But first the D.J haffi utterWeh yuh think all my guns are for
Forty-five in control jus to explode on a bwoy soul
Time changing things re-arranging more guns bussing
More man dying from back in the days of pure mass murderingWell, everyday yuh hear another likkle youth gone
And another m-16 man born
Man plant peas and waan reap corn
What a gwaan, what a gwaan

Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man