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Bad Man Nuh Flee - Beenie Man



     
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Bad Man Nuh Flee Lyrics


What ya gwaan now?
Bad man nuh punk
Cyaan flex like yuh junk
Next man locked up inna jungle
Hear di argument now
(But a)
Badman nuh flee
After dem bwoy dem nuh tough like we
Some only bad thru dem a walk inna posse dem a fool
Lord dem nuh see how we lock di city
And dem a nuh tough like we
Badman nuh flee
After dem bwoy dem nuh tough like we
Dem a bad thru dem walk inna posse dem a fool
Lord dem nuh see how we lock di city
And dem nuh tough like we
(But a me say)
Badman nuh wait

Pon night fi come down
Anything fi happen
Mek it happen and done
Naw catch me inna
No bar ah drink rum
Naw left me yard careless
Fi get burn
Well, if you nuh run
When me pop off
Den somebody life done
Dis yah DJ
Naw go smoke opium
Well I run mi lyrics
Dem a flash offa mi tongue
Bwoy you musee dumb
(Hey)
(But a)
Badman nuh flee
After dem bwoy dem nuh tough like we
Some only bad thru dem a walk inna posse dem a fool
Lord dem nuh see how we lock di city
And dem a nuh tough like we
Badman nuh flee
After dem bwoy dem nuh tough like we
Dem a bad thru dem walk inna posse dem a fool
Lord dem nuh see how we lock di city
And dem nuh tough like we
I rather go on death row
Than tough it out like John Crow
Badman naw play zero
Naw lef mi family inna sorrow
(Wha gwaan, Wha gwaan)
Don't take man fi fool
Else yuh a gon find yuh
In ya own-a blood pool
Wicked man dey ya
Anna me run di school
Conscious lyrics
And me know dat ah mi tool
'Cause yah we rule
(An' we cool)
(But a)
Badman nuh flee
After dem bwoy dem nuh tough like we
Some only bad thru dem a walk inna posse dem a fool
Lord dem nuh see how we lock di city
And dem a nuh tough like we
Badman nuh flee
After dem bwoy dem nuh tough like we
Dem a bad thru dem walk inna posse dem a fool
Lord dem nuh see how we lock di city
And dem nuh tough like we
Listen, a my verse dis?
Cool, nuff ah dem ah walla wiss
Nuff ah dem ah wussie
How you fi try dis
Di rude boy posse
Naw use no big woos
Just ah small Uzi
Reach pon di ends
Man, ah go shoot everybody
Frass man lock dung di city
(Cool)
Stop yuh noise now
Mi waan you listen to the hay
Look pon a man like B
Weh shoot people like fly
A wasp back him up
And give him one inna him eye
(But a)
Badman nuh flee
After dem bwoy dem nuh tough like we
Some only bad thru dem a walk inna posse dem a fool
Lord dem nuh see how we lock di city
And dem a nuh tough like we
Badman nuh flee
After dem bwoy dem nuh tough like we
Dem a bad thru dem walk inna posse dem a fool
Lord dem nuh see how we lock di city
And dem nuh tough like we
(But a me say)
Badman nuh wait
Pon night fi come dung
Anything fi happen
Make it happen and done
Naw catch me inna
No bar ah drink rum
Naw left me yard careless
Fi get burn
(Hey)
No bwoy can dis me
Caw man a nuh no rummie
If yuh dis di program
You a go jump up on mi CD
When mi come back
Well somebody have fi dead
Music me ah sing
From outta di head

Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man