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Bitter Mi Blood - Beenie Man



     
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Bitter Mi Blood Lyrics


Intro:
Play somethin Sweet Deh...
Zagga zeh, ziggy zaw, ziggy zeh
Bananow, now, now, now, now,
Bananow, now, now Chorus:
Well, Di gal dem waan bitter mi, bitter mi, bitter mi, bitter mi blood
Bitter mi, bitter mi, mi di gal dem love
Bitter mi, bitter mi, bitter mi, bitter mi blood
Bitter mi, rackle mi, jackle mi
Hey I will (I Will) mek ah gal kiss me pon mi spa
But mi nah, mek ah bwoy kiss mi pon mi jaw
I will (I will) love Ann Marie till she bawl
But mi nah, sing a song with Frankie Paul
I Will (I Will) mek ah gal kiss me pon mi spa
But mi nah, mek ah bwoy kiss me pon mi jaw
I Will (I Will) love Ann Marie till she bawl
But mi nah, sing a song with Frankie Paul
Verse 1:

Whole heap ah tings dem must fi do cause man fresh from zion
How can a man go fight boxin with iron
How can a man go well flossin with lion
Preach asylum and gal ah call to mi woman
Yuh mad, if you think di rasta nuh reckon
Mi nuh play two cause dat wi only come second
Dem di likkle ting mek mi draw fi mi weopen
Dissin dis ah bitter blood fashion Chorus:
Well, I will (I Will) Mek ah gal kiss mi pon mi spa
But mi nah, mek ah bwoy kiss me pon mi jaw
I will (I Will) wuk Ann Marie till she bawl
But mi nah, sing a song with Frankie Paul
I will (I will) mek ah gal kiss mi pon mi spa
But mi nah, mek ah bwoy kiss mi pon mi jaw
I will (I will) Wuk Ann Marie till she bawl
But mi nah, sing a song with Frank...
Ay ay ay ay, bitter mi, bitter mi, bitter mi blood
Bitter mi, bitter mi, mi di gal dem love
Ay bitter mi, bitter mi, bitter mi, bitter mi blood
Bitter mi, hackle mi, rackle mi, jackle mi, follow mi
Verse 2:
Nah store wi grammy buck ah gal from Italy
Cause of mi performance Anna ask mi for mi spegatry
A well show she get what did she expect comedy
Gal dem never know jamaican man dem have di remedy
Who's it Ann Marie and well ugly face Grace
Everyday dem come dem all ah whine up inna di place
Gal dem never know dis dj nah watch face
Watch di one dem with a 29 waist Chorus:
I will (I will) mek ah gal kiss mi pon mi spa
But mi nah, mek ah bwoy kiss mi pon mi jaw
I will (I will) wuk Ann Marie till she bawl
But mi nah, sing a song with Frankie Paul
I will (I will) mek ah gal kiss mi pon mi spa
But mi nah, mek ah bwoy kiss mi pon mi jaw
I will (I will) wuk Ann Marie till she bawl
But mi nah sing a song with Frankie Paul Verse 3:
Mister man and mister man nah bow down low
Ah mister man amd mister man ah star freak show
Nuff ah dem nuh dis mi but they caan stop di flow
Nuff badman ah dance go go
Oh!, pull it mi selector while you tek it down slow
Nuff ah dem ah wonder really how tings ah go
Yes streetsleeper left till mi nuh go slow
Bitter blood ah brand new flow Chorus:
Oh! Bitter mi, bitter mi, bitter mi, bitter mi blood
Bitter mi, bitter mi, mi di gal dem love
Bitter mi, bitter mi, bitter mi, bitter mi blood
Bitter mi, bitter mi, bitter mi, bitter mi Repeat Verse 1
Repeat Chorus
Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man